356 Résultats
Classification:
articles
articles
Actions:
Elisabetta Trincherini sur le fonds Gianni Pettena
Titre:
Notes pour un itinéraire américain
Elisabetta Trincherini sur le fonds Gianni Pettena
Actions:
Notes pour un itinéraire américain
Elisabetta Trincherini sur le fonds Gianni Pettena
Actions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
événements
événements
Description:
Joignez-vous à nous à Madrid pour une conversation avec Iñaki Ábalos et Juan Herreros, avec la participation d’Ángel Borrego, Enrique Encabo, Albert Ferré (Directeur associé, Publications CCA), María Auxiliadora Gálvez et Moisés Puente. « Existe-t-il une architecture de la conversation? » demandent Iñaki Ábalos et Juan Herreros dans leur texte « Une conversation »,(...)
Joignez-vous à nous à Madrid pour une conversation avec Iñaki Ábalos et Juan Herreros, avec la participation d’Ángel Borrego, Enrique Encabo, Albert Ferré (Directeur associé, Publications CCA), María Auxiliadora Gálvez et Moisés Puente. « Existe-t-il une architecture de la conversation? » demandent Iñaki Ábalos et Juan Herreros dans leur texte « Une conversation »,(...)
Localisation:
Salón de Actos, COAM, Madrid Mot(s)-clé(s):
Ábalos&Herreros, Iñaki Ábalos, Juan Herreros
Salón de Actos, COAM, Madrid Mot(s)-clé(s):
Ábalos&Herreros, Iñaki Ábalos, Juan Herreros
Date:
7 février 2017, 19h
7 février 2017, 19h
Titre:
AP164 : une conversation avec Iñaki Ábalos et Juan Herreros
Actions:
Description:
Joignez-vous à nous à Madrid pour une conversation avec Iñaki Ábalos et Juan Herreros, avec la participation d’Ángel Borrego, Enrique Encabo, Albert Ferré (Directeur associé, Publications CCA), María Auxiliadora Gálvez et Moisés Puente. « Existe-t-il une architecture de la conversation? » demandent Iñaki Ábalos et Juan Herreros dans leur texte « Une conversation »,(...)
AP164 : une conversation avec Iñaki Ábalos et Juan Herreros
Actions:
Description:
Joignez-vous à nous à Madrid pour une conversation avec Iñaki Ábalos et Juan Herreros, avec la participation d’Ángel Borrego, Enrique Encabo, Albert Ferré (Directeur associé, Publications CCA), María Auxiliadora Gálvez et Moisés Puente. « Existe-t-il une architecture de la conversation? » demandent Iñaki Ábalos et Juan Herreros dans leur texte « Une conversation »,(...)
Classification:
événements
événements
Date:
7 février 2017
19h
7 février 2017
19h
Localisation:
Salón de Actos, COAM, Madrid Mot(s)-clé(s):
Ábalos&Herreros, Iñaki Ábalos, Juan Herreros
Salón de Actos, COAM, Madrid Mot(s)-clé(s):
Ábalos&Herreros, Iñaki Ábalos, Juan Herreros
Classification:
expositions
expositions
Classification:
expositions
expositions
Date:
septembre 2018 au
mars 2019
septembre 2018 au
mars 2019
Classification:
expositions
expositions
Actions:
Description:
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
Localisation:
Vitrines
Vitrines
Date:
18 janvier 2017 au 11 juin 2017
18 janvier 2017 au 11 juin 2017
Titre:
Phyllis Lambert : 75 ans au travail
Actions:
Description:
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
Phyllis Lambert : 75 ans au travail
Actions:
Description:
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
Classification:
expositions
expositions
Date:
18 janvier 2017 au
11 juin 2017
18 janvier 2017 au
11 juin 2017
Localisation:
Vitrines
Vitrines
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le CCA accueille un deuxième après-midi de discussion sur les travaux de Cedric Price, avec la participation de Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov et Mark Wigley. Comme les archives de cet architecte comptent parmi les plus consultées au CCA, nous avons invité des spécialistes, dont la plupart sont nord-américains, à expliquer ce qui(...)
Le CCA accueille un deuxième après-midi de discussion sur les travaux de Cedric Price, avec la participation de Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov et Mark Wigley. Comme les archives de cet architecte comptent parmi les plus consultées au CCA, nous avons invité des spécialistes, dont la plupart sont nord-américains, à expliquer ce qui(...)
Date:
9 février 2017
9 février 2017
Titre:
Un après-midi avec Cedric Price no 2
Actions:
Description:
Le CCA accueille un deuxième après-midi de discussion sur les travaux de Cedric Price, avec la participation de Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov et Mark Wigley. Comme les archives de cet architecte comptent parmi les plus consultées au CCA, nous avons invité des spécialistes, dont la plupart sont nord-américains, à expliquer ce qui(...)
Un après-midi avec Cedric Price no 2
Actions:
Description:
Le CCA accueille un deuxième après-midi de discussion sur les travaux de Cedric Price, avec la participation de Samantha Hardingham, Whitney Moon, Molly Wright Steenson, Kathy Velikov et Mark Wigley. Comme les archives de cet architecte comptent parmi les plus consultées au CCA, nous avons invité des spécialistes, dont la plupart sont nord-américains, à expliquer ce qui(...)
Classification:
événements
événements
Date:
9 février 2017
9 février 2017
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Amancio Williams
Fonds Amancio Williams
Numéro de référence:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Personnes et institutions:
Date:
1848-2010s
1848-2010s
Titre:
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1848-2010s
1848-2010s
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ábalos & Herreros
Fonds Ábalos & Herreros
Numéro de référence:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Personnes et institutions:
Date:
1920-2009
1920-2009
Titre:
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Fonds Ábalos & Herreros
Actions:
AP164
Résumé:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1920-2009
1920-2009
Personnes et institutions:
