9854 Résultats
Numéro de référence:
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
Personnes et institutions:
Date:
1976-10-11, 1976-01-12
1976-10-11, 1976-01-12
Titre:
Audio recording of two lectures, one by Raimund Abraham as part of the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "Design Without Architects" and the second by Ivan Chermayeff as part of the series Architecture 5: Design without Architects, entitled: "Design vs. Art in Architecture"
Actions:
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
Audio recording of two lectures, one by Raimund Abraham as part of the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "Design Without Architects" and the second by Ivan Chermayeff as part of the series Architecture 5: Design without Architects, entitled: "Design vs. Art in Architecture"
Actions:
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
Date:
1976-10-11, 1976-01-12
1976-10-11, 1976-01-12
Personnes et institutions:
Numéro de référence:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Personnes et institutions:
Date:
1976-10-12, 1976-10-27
1976-10-12, 1976-10-27
Titre:
Audio recordings for two lectures, one by Stuart Cohen for the series Architecture 5 New Modernism/Post Modernism, entitled: "The Fall From Grace: Moore, Hardy, Venture" and the second by James Stirling for the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "A Vocabulary of Work"
Actions:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Audio recordings for two lectures, one by Stuart Cohen for the series Architecture 5 New Modernism/Post Modernism, entitled: "The Fall From Grace: Moore, Hardy, Venture" and the second by James Stirling for the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "A Vocabulary of Work"
Actions:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Date:
1976-10-12, 1976-10-27
1976-10-12, 1976-10-27
Personnes et institutions:
Numéro de référence:
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
Personnes et institutions:
Date:
1976-10-05, 1976-10-27
1976-10-05, 1976-10-27
Titre:
Audio recordings of two lectures, one by Robert A. Stern for the series Architecture 5 New Modernism/Post Modernism, entitled: "Setting the Scene: The End of Modernism, Yet Again" and the second by James Stirling for the series Questions About Architecture: Recent Projects and Theories, entitled: "A Vocabulary of Work."
Actions:
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
Audio recordings of two lectures, one by Robert A. Stern for the series Architecture 5 New Modernism/Post Modernism, entitled: "Setting the Scene: The End of Modernism, Yet Again" and the second by James Stirling for the series Questions About Architecture: Recent Projects and Theories, entitled: "A Vocabulary of Work."
Actions:
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
Date:
1976-10-05, 1976-10-27
1976-10-05, 1976-10-27
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Paraboles et autres allégories : L’Œuvre de Melvin Charney 1975-1990 présente une centaine de dessins, dont plusieurs à grande échelle, des esquisses, des photographies, ainsi que trois grandes constructions. Réunissant des pièces issues de diverses collections publiques et privées, dont celle du CCA, l’exposition permet une analyse globale de la démarche artistique de(...)
Paraboles et autres allégories : L’Œuvre de Melvin Charney 1975-1990 présente une centaine de dessins, dont plusieurs à grande échelle, des esquisses, des photographies, ainsi que trois grandes constructions. Réunissant des pièces issues de diverses collections publiques et privées, dont celle du CCA, l’exposition permet une analyse globale de la démarche artistique de(...)
Localisation:
Salles principales
Salles principales
Date:
9 octobre 1991 au 12 janvier 1992
9 octobre 1991 au 12 janvier 1992
Titre:
Paraboles et autres allégories : L'oeuvre de Melvin Charney, 1975-1990
Actions:
Description:
Paraboles et autres allégories : L’Œuvre de Melvin Charney 1975-1990 présente une centaine de dessins, dont plusieurs à grande échelle, des esquisses, des photographies, ainsi que trois grandes constructions. Réunissant des pièces issues de diverses collections publiques et privées, dont celle du CCA, l’exposition permet une analyse globale de la démarche artistique de(...)
Paraboles et autres allégories : L'oeuvre de Melvin Charney, 1975-1990
Actions:
Description:
Paraboles et autres allégories : L’Œuvre de Melvin Charney 1975-1990 présente une centaine de dessins, dont plusieurs à grande échelle, des esquisses, des photographies, ainsi que trois grandes constructions. Réunissant des pièces issues de diverses collections publiques et privées, dont celle du CCA, l’exposition permet une analyse globale de la démarche artistique de(...)
Classification:
expositions
expositions
Date:
9 octobre 1991 au
12 janvier 1992
9 octobre 1991 au
12 janvier 1992
Localisation:
Salles principales
Salles principales
Classification:
films
films
Actions:
Description:
Ce film, conçu par Francesco Garutti et dirigé par Shahab Mihandoust, explore l’histoire de la conception d’un ensemble de ponts autoroutiers, commandés dans les années 1920 et 1930 par Robert Moses. L’histoire suggère que ces ponts autoroutiers aient été délibérément conçus pour empêcher le passage d’autobus de sorte que seules les voitures – et les personnes ayant les(...)
Ce film, conçu par Francesco Garutti et dirigé par Shahab Mihandoust, explore l’histoire de la conception d’un ensemble de ponts autoroutiers, commandés dans les années 1920 et 1930 par Robert Moses. L’histoire suggère que ces ponts autoroutiers aient été délibérément conçus pour empêcher le passage d’autobus de sorte que seules les voitures – et les personnes ayant les(...)
Date:
août 2014
août 2014
Titre:
Misleading Innocence (tracing what a bridge can do)
Actions:
Description:
Ce film, conçu par Francesco Garutti et dirigé par Shahab Mihandoust, explore l’histoire de la conception d’un ensemble de ponts autoroutiers, commandés dans les années 1920 et 1930 par Robert Moses. L’histoire suggère que ces ponts autoroutiers aient été délibérément conçus pour empêcher le passage d’autobus de sorte que seules les voitures – et les personnes ayant les(...)
Misleading Innocence (tracing what a bridge can do)
Actions:
Description:
Ce film, conçu par Francesco Garutti et dirigé par Shahab Mihandoust, explore l’histoire de la conception d’un ensemble de ponts autoroutiers, commandés dans les années 1920 et 1930 par Robert Moses. L’histoire suggère que ces ponts autoroutiers aient été délibérément conçus pour empêcher le passage d’autobus de sorte que seules les voitures – et les personnes ayant les(...)
Classification:
films
films
Date:
août 2014 au
août 2014
août 2014 au
août 2014
Classification:
événements
événements
Actions:
Description:
1er décembre 2022
1er décembre 2022
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Date:
1 décembre 2022, 18h
1 décembre 2022, 18h
Classification:
événements
événements
Date:
1 décembre 2022
18h
1 décembre 2022
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Manu P. Sobti, Chandigarh, Pierre Jeanneret, paysage, photographie, 1er décembre 2022
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Niveau de description archivistique:
File 10
File 10
Date:
1996-1997
1996-1997
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
1992-2010
1992-2010
Titre:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
1992-2010
1992-2010
Personnes et institutions:
Classification:
événements
événements
Titre:
Devices of Design
Devices of Design
Actions:
Description:
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
18 novembre 2004 au 19 novembre 2004
18 novembre 2004 au 19 novembre 2004
Titre:
Devices of Design
Actions:
Description:
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Devices of Design
Actions:
Description:
Le colloque Devices of Design est une collaboration entre le CCA et la Fondation Daniel Langlois pour l’art, la science et la technologie. Il a été organisé en réponse à l’utilisation de plus en plus massive des outils numériques et des nouvelles technologies dans la conception architecturale et dans le domaine de la construction. Diverses communications ainsi qu’une(...)
Classification:
événements
événements
Date:
18 novembre 2004 au
19 novembre 2004
18 novembre 2004 au
19 novembre 2004
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Robert Duchesnay
Fonds Robert Duchesnay
Numéro de référence:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Personnes et institutions:
Date:
1985-1992
1985-1992
Titre:
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1985-1992
1985-1992
Personnes et institutions:
