Projet
Applausi [Applause] (1968)
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
circa 1968-2015
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Project
circa 1968-2015
dessins
AP178.S1.1990.PR08.002
Description:
Original file title: Habitaçao e comercio Euro Center - Fercopor - Porto - Estudo Sistema Vi. - Arq. Siza Entrada 16-10-2010 Arq. Madureira
1990-1992
Studies, Habitações e Comércio EURO Centre Fercopor, Boavista, Porto
Actions:
AP178.S1.1990.PR08.002
Description:
Original file title: Habitaçao e comercio Euro Center - Fercopor - Porto - Estudo Sistema Vi. - Arq. Siza Entrada 16-10-2010 Arq. Madureira
dessins
1990-1992
documents textuels
AP075.S1.2007.PR02.005
Description:
Includes documents related to the renovations for the 2010 Vancouver Olympics, the renovations of Nelson Street Plaza and reports from contractor about trees condition
2007-2010
Correspondence with architects and contractors and reports about renovations, Robson Square Renewal, Vancouver, British Columbia
Actions:
AP075.S1.2007.PR02.005
Description:
Includes documents related to the renovations for the 2010 Vancouver Olympics, the renovations of Nelson Street Plaza and reports from contractor about trees condition
documents textuels
2007-2010
Ce jeudi au CCA, en collaboration avec le Cities Programme of the London School of Economics, Gerald Frug, conférencier James Stirling Memorial sur la ville 2010-2011, parle de la conception des systèmes de gouvernance urbaine et de ses répercussions sur le travail des urbanistes et des architectes. Cliquez ici pour l’événement Facebook.
21 octobre 2010
Gerald Frug : L’architecture de la gouvernance
Actions:
Description:
Ce jeudi au CCA, en collaboration avec le Cities Programme of the London School of Economics, Gerald Frug, conférencier James Stirling Memorial sur la ville 2010-2011, parle de la conception des systèmes de gouvernance urbaine et de ses répercussions sur le travail des urbanistes et des architectes. Cliquez ici pour l’événement Facebook.
dessins, photographies
AP178.S1.2003.PR02.037
Description:
Original file title: Museu Napoles 25/06/2010 – 2o andar This file includes photographs of the bookstore, drawings for the patio, bookstore, bar, and restaurant.
circa 2007
Details and documentation about the city, Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo, Naples
Actions:
AP178.S1.2003.PR02.037
Description:
Original file title: Museu Napoles 25/06/2010 – 2o andar This file includes photographs of the bookstore, drawings for the patio, bookstore, bar, and restaurant.
dessins, photographies
circa 2007
dessins, documents textuels
AP178.S1.1990.PR08.008.1
Description:
Original file title: Eurocenter/ Fercopor Boavista - Porto entrada 15-11-2010 Arr. Madureira (Conferir com Arq. Madureira) This file also includes profiles and correspondence.
1992
Plans and project documentation, Habitações e Comércio EURO Centre Fercopor, Boavista, Porto (folder 1 of 3)
Actions:
AP178.S1.1990.PR08.008.1
Description:
Original file title: Eurocenter/ Fercopor Boavista - Porto entrada 15-11-2010 Arr. Madureira (Conferir com Arq. Madureira) This file also includes profiles and correspondence.
dessins, documents textuels
1992
documents textuels
DR2012:0015:025:014
Description:
File containing a transportation calendar for Pacart, and correspondence from Melvin Charney regarding payment for services rendered. Original folder inscribed in graphite: PACART - ARTWORK STORAGE / 2010+
2011
Correspondence related to payment
Actions:
DR2012:0015:025:014
Description:
File containing a transportation calendar for Pacart, and correspondence from Melvin Charney regarding payment for services rendered. Original folder inscribed in graphite: PACART - ARTWORK STORAGE / 2010+
documents textuels
2011
cartes, documents textuels
CD035.S1.1991.PR01.001
Description:
Documents previously stored in a box labelled "BEEKER / AFRIKA / VARIA / ARTIKELEN / EVALATIES / 1979-2010". Contains also reports on settlements scheme of Debre-Zeit urban field development.
1969-1998
Maps of Debre Zeit area in Addis Ababa, Ethiopia
Actions:
CD035.S1.1991.PR01.001
Description:
Documents previously stored in a box labelled "BEEKER / AFRIKA / VARIA / ARTIKELEN / EVALATIES / 1979-2010". Contains also reports on settlements scheme of Debre-Zeit urban field development.
cartes, documents textuels
1969-1998
ARCH272961
Description:
A 2010 Civic Trust Award that recognizes "excellence in the built environment". This award was presented to the Foreign Office Architects for the John Lewis Department Store & Cineplex, Leicester, United Kingdom.
2010
A Civic Trust award presented to the Foreign Office Architects for the John Lewis Department Store & Cineplex, Leicester, United Kingdom
Actions:
ARCH272961
Description:
A 2010 Civic Trust Award that recognizes "excellence in the built environment". This award was presented to the Foreign Office Architects for the John Lewis Department Store & Cineplex, Leicester, United Kingdom.
2010
Projet
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
2003-2011
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Project
2003-2011