6233 Résultats
Numéro de référence:
ARCH273884
Description:
Awards, Honours and miscellaneous commemorative artefacts: - Key to Taichung City, Taiwan, presented to Arthur Erickson from Mayor Lin, Po-Rung - Governor General's Medal, awarded to Arthur Erickson for the design of Yorkdale Transit Station (1982) - Magna for Canada Scholarship Award, presented to Arthur Erickson for Invitational Participation (1997) - Habitat Scroll of Honour, Weihai Municipal Government, presented to Arthur Erickson for outstanding improvements in shelter and urban environment (2003) - Commemorative medallions from Madrid, Spain (n.d.), Lieutenant Governor of Quebec, Sir. Eugene Fiset (1940), Indianapolis, Indiana (1971), a replica of the Arab Dinar, Jordan Tourism (n.d.).
ARCH273884
Description:
Awards, Honours and miscellaneous commemorative artefacts: - Key to Taichung City, Taiwan, presented to Arthur Erickson from Mayor Lin, Po-Rung - Governor General's Medal, awarded to Arthur Erickson for the design of Yorkdale Transit Station (1982) - Magna for Canada Scholarship Award, presented to Arthur Erickson for Invitational Participation (1997) - Habitat Scroll of Honour, Weihai Municipal Government, presented to Arthur Erickson for outstanding improvements in shelter and urban environment (2003) - Commemorative medallions from Madrid, Spain (n.d.), Lieutenant Governor of Quebec, Sir. Eugene Fiset (1940), Indianapolis, Indiana (1971), a replica of the Arab Dinar, Jordan Tourism (n.d.).
Personnes et institutions:
Date:
1940-1997
1940-1997
Titre:
Various awards, honours and commemorative artefacts
Actions:
ARCH273884
Description:
Awards, Honours and miscellaneous commemorative artefacts: - Key to Taichung City, Taiwan, presented to Arthur Erickson from Mayor Lin, Po-Rung - Governor General's Medal, awarded to Arthur Erickson for the design of Yorkdale Transit Station (1982) - Magna for Canada Scholarship Award, presented to Arthur Erickson for Invitational Participation (1997) - Habitat Scroll of Honour, Weihai Municipal Government, presented to Arthur Erickson for outstanding improvements in shelter and urban environment (2003) - Commemorative medallions from Madrid, Spain (n.d.), Lieutenant Governor of Quebec, Sir. Eugene Fiset (1940), Indianapolis, Indiana (1971), a replica of the Arab Dinar, Jordan Tourism (n.d.).
Various awards, honours and commemorative artefacts
Actions:
ARCH273884
Description:
Awards, Honours and miscellaneous commemorative artefacts: - Key to Taichung City, Taiwan, presented to Arthur Erickson from Mayor Lin, Po-Rung - Governor General's Medal, awarded to Arthur Erickson for the design of Yorkdale Transit Station (1982) - Magna for Canada Scholarship Award, presented to Arthur Erickson for Invitational Participation (1997) - Habitat Scroll of Honour, Weihai Municipal Government, presented to Arthur Erickson for outstanding improvements in shelter and urban environment (2003) - Commemorative medallions from Madrid, Spain (n.d.), Lieutenant Governor of Quebec, Sir. Eugene Fiset (1940), Indianapolis, Indiana (1971), a replica of the Arab Dinar, Jordan Tourism (n.d.).
Date:
1940-1997
1940-1997
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Personnes et institutions:
Date:
1936-2021
1936-2021
Titre:
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1936-2021
1936-2021
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S4.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's research for private and public landscaping projects. It includes documents on various subjects such as documentation on historical preservation, documents on plants, forest and forest management, documents on other landscape projects or urban gardens of interest for Oberlander, and documentation on green roofs projects and sustainable architecture. The sub-series contains research notes and documentation, including correspondence, reports from various organizations and associations, small publications, press clippings, and reference photographs of landscape designs and gardens for private residences, including some of her own projects.
AP075.S4.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's research for private and public landscaping projects. It includes documents on various subjects such as documentation on historical preservation, documents on plants, forest and forest management, documents on other landscape projects or urban gardens of interest for Oberlander, and documentation on green roofs projects and sustainable architecture. The sub-series contains research notes and documentation, including correspondence, reports from various organizations and associations, small publications, press clippings, and reference photographs of landscape designs and gardens for private residences, including some of her own projects.
Personnes et institutions:
Date:
1936-1999
1936-1999
Titre:
Research for private and public landscaping projects
Actions:
AP075.S4.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's research for private and public landscaping projects. It includes documents on various subjects such as documentation on historical preservation, documents on plants, forest and forest management, documents on other landscape projects or urban gardens of interest for Oberlander, and documentation on green roofs projects and sustainable architecture. The sub-series contains research notes and documentation, including correspondence, reports from various organizations and associations, small publications, press clippings, and reference photographs of landscape designs and gardens for private residences, including some of her own projects.
Research for private and public landscaping projects
Actions:
AP075.S4.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's research for private and public landscaping projects. It includes documents on various subjects such as documentation on historical preservation, documents on plants, forest and forest management, documents on other landscape projects or urban gardens of interest for Oberlander, and documentation on green roofs projects and sustainable architecture. The sub-series contains research notes and documentation, including correspondence, reports from various organizations and associations, small publications, press clippings, and reference photographs of landscape designs and gardens for private residences, including some of her own projects.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1936-1999
1936-1999
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Milton Parc
Fonds Milton Parc
Numéro de référence:
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Personnes et institutions:
Date:
1962-1989
1962-1989
Titre:
Fonds Milton Parc
Actions:
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Fonds Milton Parc
Actions:
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1962-1989
1962-1989
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Titre:
OCEAN North Portfolio 1999
OCEAN North Portfolio 1999
Numéro de référence:
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
OCEAN North Portfolio 1999
Actions:
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
OCEAN North Portfolio 1999
Actions:
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Date:
1997-1998
1997-1998
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Date:
septembre 2001 au août 2002
septembre 2001 au août 2002
Titre:
Chercheurs en résidence 2001-2002
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Chercheurs en résidence 2001-2002
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Classification:
recherche
recherche
Date:
septembre 2001 au
août 2002
septembre 2001 au
août 2002
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Personnes et institutions:
Date:
circa 2001-2005
circa 2001-2005
Titre:
Sagüés, San Sebastián, Spain (2003)
Actions:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Sagüés, San Sebastián, Spain (2003)
Actions:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
circa 2001-2005
circa 2001-2005
Personnes et institutions:
