6031 Résultats
Classification:
pages web
pages web
Actions:
Résumé:
Avec le programme de stages curatoriaux, le Centre Canadien d’Architecture souhaite partager son expertise avec des étudiants ou des jeunes diplômés dans les domaines de l’architecture, du design, des arts et des sciences humaines intéressés à explorer les aspects éditoriaux et curatoriaux de l’architecture. Les candidats sélectionnés seront invités à se familiariser avec l’approche curatoriale du CCA - en particulier ses activités liées à sa Collection, ses expositions, ses projets éditoriaux et ses programmes de recherche - au cours d’un stage de neuf mois à Montréal.
Titre:
Programme de stages curatoriaux
Actions:
Résumé:
Programme de stages curatoriaux
Actions:
Résumé:
Avec le programme de stages curatoriaux, le Centre Canadien d’Architecture souhaite partager son expertise avec des étudiants ou des jeunes diplômés dans les domaines de l’architecture, du design, des arts et des sciences humaines intéressés à explorer les aspects éditoriaux et curatoriaux de l’architecture. Les candidats sélectionnés seront invités à se familiariser avec l’approche curatoriale du CCA - en particulier ses activités liées à sa Collection, ses expositions, ses projets éditoriaux et ses programmes de recherche - au cours d’un stage de neuf mois à Montréal.
Classification:
pages web
pages web
Classification:
événements
événements
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Date:
28 janvier 2016
28 janvier 2016
Titre:
Pratiquer le plaidoyer : Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Pratiquer le plaidoyer : Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Classification:
événements
événements
Date:
28 janvier 2016
28 janvier 2016
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974-1975
circa 1974-1975
Titre:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S3
Description:
Series documents the professional and personal activities of Cedric Price primarily through textual records. The organization of the documents follows Price's own filing system and reflects his activities and interests, which include education and teaching, lectures, exhibitions and writing, travel and politics, professional associations and the management of the office. Price's involvement in a wide variety of professional associations is documented, including: the Royal Agricultural Society (now Royal Agricultural Society of England), the International Institute of Design (IID), London Subterranean Survey Assocation (LSSA), Centre for Environmental Studies (C.E.S.), Royal Aeronautical Society (R.Ae.S.), and Society for Underwater Technology (SUWT). Material in the series includes correspondence relating to publications and annotated drafts of articles, original layouts for articles that were published in "Cedric Price Supplement", 'Architectural Design', (1970-1972) and clippings relating to projects and other subjects. Also included are office diaries dated between 1971 and 1994.
AP144.S3
Description:
Series documents the professional and personal activities of Cedric Price primarily through textual records. The organization of the documents follows Price's own filing system and reflects his activities and interests, which include education and teaching, lectures, exhibitions and writing, travel and politics, professional associations and the management of the office. Price's involvement in a wide variety of professional associations is documented, including: the Royal Agricultural Society (now Royal Agricultural Society of England), the International Institute of Design (IID), London Subterranean Survey Assocation (LSSA), Centre for Environmental Studies (C.E.S.), Royal Aeronautical Society (R.Ae.S.), and Society for Underwater Technology (SUWT). Material in the series includes correspondence relating to publications and annotated drafts of articles, original layouts for articles that were published in "Cedric Price Supplement", 'Architectural Design', (1970-1972) and clippings relating to projects and other subjects. Also included are office diaries dated between 1971 and 1994.
Personnes et institutions:
Date:
1955-2006
1955-2006
Titre:
Professional and Personal Records
Actions:
AP144.S3
Description:
Series documents the professional and personal activities of Cedric Price primarily through textual records. The organization of the documents follows Price's own filing system and reflects his activities and interests, which include education and teaching, lectures, exhibitions and writing, travel and politics, professional associations and the management of the office. Price's involvement in a wide variety of professional associations is documented, including: the Royal Agricultural Society (now Royal Agricultural Society of England), the International Institute of Design (IID), London Subterranean Survey Assocation (LSSA), Centre for Environmental Studies (C.E.S.), Royal Aeronautical Society (R.Ae.S.), and Society for Underwater Technology (SUWT). Material in the series includes correspondence relating to publications and annotated drafts of articles, original layouts for articles that were published in "Cedric Price Supplement", 'Architectural Design', (1970-1972) and clippings relating to projects and other subjects. Also included are office diaries dated between 1971 and 1994.
Professional and Personal Records
Actions:
AP144.S3
Description:
Series documents the professional and personal activities of Cedric Price primarily through textual records. The organization of the documents follows Price's own filing system and reflects his activities and interests, which include education and teaching, lectures, exhibitions and writing, travel and politics, professional associations and the management of the office. Price's involvement in a wide variety of professional associations is documented, including: the Royal Agricultural Society (now Royal Agricultural Society of England), the International Institute of Design (IID), London Subterranean Survey Assocation (LSSA), Centre for Environmental Studies (C.E.S.), Royal Aeronautical Society (R.Ae.S.), and Society for Underwater Technology (SUWT). Material in the series includes correspondence relating to publications and annotated drafts of articles, original layouts for articles that were published in "Cedric Price Supplement", 'Architectural Design', (1970-1972) and clippings relating to projects and other subjects. Also included are office diaries dated between 1971 and 1994.
Niveau de description archivistique:
Series
Series
Date:
1955-2006
1955-2006
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Personnes et institutions:
Date:
circa 1939-2004
circa 1939-2004
Titre:
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Fonds James Stirling/Michael Wilford
Actions:
AP140
Résumé:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1939-2004
circa 1939-2004
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Localisation:
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Date:
11 juin 2022 au 26 mars 2023
11 juin 2022 au 26 mars 2023
Classification:
expositions
expositions
Date:
11 juin 2022 au
26 mars 2023
11 juin 2022 au
26 mars 2023
Localisation:
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Salles principales Mot(s)-clé(s):
Joar Nango, Nicole Luke, Taqralik Partridge, Jocelyn Piirainen, Rafico Ruiz, le Nord circumpolaire, Inuit, Inuit Nunangat, Sami, Sapmi, Vers chez soi
Classification:
expositions
expositions
Titre:
Jouets et transports
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
15 novembre 2000 au 1 avril 2001
15 novembre 2000 au 1 avril 2001
Titre:
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Classification:
expositions
expositions
Date:
15 novembre 2000 au
1 avril 2001
15 novembre 2000 au
1 avril 2001
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Personnes et institutions:
Date:
1970-1992
1970-1992
Titre:
Fonds Blanche Lemco van Ginkel
Actions:
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Fonds Blanche Lemco van Ginkel
Actions:
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1970-1992
1970-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Personnes et institutions:
Date:
1971-1972
1971-1972
Titre:
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Niveau de description archivistique:
Project
Project
Date:
1971-1972
1971-1972
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2018
2012-2018
Titre:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2018
2012-2018
Personnes et institutions:
