10590 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Opera Houses
Opera Houses
Numéro de référence:
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Personnes et institutions:
Date:
1717-1868
1717-1868
Titre:
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Niveau de description archivistique:
File 3
File 3
Date:
1717-1868
1717-1868
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
Personnes et institutions:
Date:
[ca. 1948-2004?]
[ca. 1948-2004?]
Titre:
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
Niveau de description archivistique:
Series 2
Series 2
Date:
[ca. 1948-2004?]
[ca. 1948-2004?]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Personnes et institutions:
Date:
circa 1981-1992
circa 1981-1992
Titre:
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1992
circa 1981-1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
National Capital Commission
National Capital Commission
Numéro de référence:
AP058.S1.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement as a member of the committee at the National Capital Commission (NCC). She was participating in the commission reorganization, the membership administration, the strategic overview of the commission, and the NCC planning policies for the National Capital Region. Through the NCC, Mrs. van Ginkel was an active member of the Advisory Committee on Design, where were discussed and studied National Capital Region’s issues of urban planning, architecture projects and other subjects of interest, among them the LeBreton Flats, Rideau Centre, Ottawa Airport, Carleton Rapid Transit, Greenbelt area, Gatineau Park, Mont-Bleu Municipal Sports Complex, Victoria Island, Cartier Square, Saint-Laurent Shopping Centre, solar heating, Chaudière Bridge, House of Commons TV and Broadcasting Operations Centre, Ottawa Health Science Centre, New Saudi Arabia Embassy, Ottawa Health Sciences Centre, Montcalm West/Tache project, National Gallery, Canlands project, Highway 16, Gatineau Rivers, federal land use, Parliamentary Precinct, etc. The subseries contains correspondence, agendas, brochures, papers, notes, reports, minutes, studies, memoranda, newsletters, and a few publications from the Senate and the House of Commons, dating from 1970 to 1983. It contains as well a few design development drawings of the Saudi Arabia Embassy and a reproduction map of Ottawa-Hull's waterfront.
AP058.S1.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement as a member of the committee at the National Capital Commission (NCC). She was participating in the commission reorganization, the membership administration, the strategic overview of the commission, and the NCC planning policies for the National Capital Region. Through the NCC, Mrs. van Ginkel was an active member of the Advisory Committee on Design, where were discussed and studied National Capital Region’s issues of urban planning, architecture projects and other subjects of interest, among them the LeBreton Flats, Rideau Centre, Ottawa Airport, Carleton Rapid Transit, Greenbelt area, Gatineau Park, Mont-Bleu Municipal Sports Complex, Victoria Island, Cartier Square, Saint-Laurent Shopping Centre, solar heating, Chaudière Bridge, House of Commons TV and Broadcasting Operations Centre, Ottawa Health Science Centre, New Saudi Arabia Embassy, Ottawa Health Sciences Centre, Montcalm West/Tache project, National Gallery, Canlands project, Highway 16, Gatineau Rivers, federal land use, Parliamentary Precinct, etc. The subseries contains correspondence, agendas, brochures, papers, notes, reports, minutes, studies, memoranda, newsletters, and a few publications from the Senate and the House of Commons, dating from 1970 to 1983. It contains as well a few design development drawings of the Saudi Arabia Embassy and a reproduction map of Ottawa-Hull's waterfront.
Personnes et institutions:
Date:
1970-1983
1970-1983
Titre:
National Capital Commission
Actions:
AP058.S1.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement as a member of the committee at the National Capital Commission (NCC). She was participating in the commission reorganization, the membership administration, the strategic overview of the commission, and the NCC planning policies for the National Capital Region. Through the NCC, Mrs. van Ginkel was an active member of the Advisory Committee on Design, where were discussed and studied National Capital Region’s issues of urban planning, architecture projects and other subjects of interest, among them the LeBreton Flats, Rideau Centre, Ottawa Airport, Carleton Rapid Transit, Greenbelt area, Gatineau Park, Mont-Bleu Municipal Sports Complex, Victoria Island, Cartier Square, Saint-Laurent Shopping Centre, solar heating, Chaudière Bridge, House of Commons TV and Broadcasting Operations Centre, Ottawa Health Science Centre, New Saudi Arabia Embassy, Ottawa Health Sciences Centre, Montcalm West/Tache project, National Gallery, Canlands project, Highway 16, Gatineau Rivers, federal land use, Parliamentary Precinct, etc. The subseries contains correspondence, agendas, brochures, papers, notes, reports, minutes, studies, memoranda, newsletters, and a few publications from the Senate and the House of Commons, dating from 1970 to 1983. It contains as well a few design development drawings of the Saudi Arabia Embassy and a reproduction map of Ottawa-Hull's waterfront.
National Capital Commission
Actions:
AP058.S1.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement as a member of the committee at the National Capital Commission (NCC). She was participating in the commission reorganization, the membership administration, the strategic overview of the commission, and the NCC planning policies for the National Capital Region. Through the NCC, Mrs. van Ginkel was an active member of the Advisory Committee on Design, where were discussed and studied National Capital Region’s issues of urban planning, architecture projects and other subjects of interest, among them the LeBreton Flats, Rideau Centre, Ottawa Airport, Carleton Rapid Transit, Greenbelt area, Gatineau Park, Mont-Bleu Municipal Sports Complex, Victoria Island, Cartier Square, Saint-Laurent Shopping Centre, solar heating, Chaudière Bridge, House of Commons TV and Broadcasting Operations Centre, Ottawa Health Science Centre, New Saudi Arabia Embassy, Ottawa Health Sciences Centre, Montcalm West/Tache project, National Gallery, Canlands project, Highway 16, Gatineau Rivers, federal land use, Parliamentary Precinct, etc. The subseries contains correspondence, agendas, brochures, papers, notes, reports, minutes, studies, memoranda, newsletters, and a few publications from the Senate and the House of Commons, dating from 1970 to 1983. It contains as well a few design development drawings of the Saudi Arabia Embassy and a reproduction map of Ottawa-Hull's waterfront.
Niveau de description archivistique:
Subseries
Subseries
Date:
1970-1983
1970-1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP149.S1.1988.PR01
Description:
This project series documents Minimum Cost Housing Group's housing development project in Sichuan, China. The project was done in collaboration with the Chongqing Institute of Architecture and Engineering between 1993 and 1995. The two main objectives were to train Chongqing staff to develope a new use for the land and new housing planning in rural areas. The project also led to the publication "Housing a Billion," which was published in two volumes: "Housing a Billion: Volume 1- Urban Upgrading: Design Ideals for Rural China" and "Housing a Billion: Volume 2- Village Upgrading: Jianlu, China", both published in 1993. Also includes material related to the international workshop"Rural Housing: A First Step to Market Housing" in China, to which Minimum Cost Housing Group help organized and participated to. The material in this file was produced between 1986 and 1994. The file contains predominantly textual records documenting the collaboration between the Minimum Cost Housing Group and the Chongqing Institute of Architecture and Engineering, and also the production of the publication. The file also includes dummies, drawings, slides and other production material for the publications "Housing a Billion."
AP149.S1.1988.PR01
Description:
This project series documents Minimum Cost Housing Group's housing development project in Sichuan, China. The project was done in collaboration with the Chongqing Institute of Architecture and Engineering between 1993 and 1995. The two main objectives were to train Chongqing staff to develope a new use for the land and new housing planning in rural areas. The project also led to the publication "Housing a Billion," which was published in two volumes: "Housing a Billion: Volume 1- Urban Upgrading: Design Ideals for Rural China" and "Housing a Billion: Volume 2- Village Upgrading: Jianlu, China", both published in 1993. Also includes material related to the international workshop"Rural Housing: A First Step to Market Housing" in China, to which Minimum Cost Housing Group help organized and participated to. The material in this file was produced between 1986 and 1994. The file contains predominantly textual records documenting the collaboration between the Minimum Cost Housing Group and the Chongqing Institute of Architecture and Engineering, and also the production of the publication. The file also includes dummies, drawings, slides and other production material for the publications "Housing a Billion."
Personnes et institutions:
Date:
1986-1994
1986-1994
Titre:
Housing development project in Sichuan
Actions:
AP149.S1.1988.PR01
Description:
This project series documents Minimum Cost Housing Group's housing development project in Sichuan, China. The project was done in collaboration with the Chongqing Institute of Architecture and Engineering between 1993 and 1995. The two main objectives were to train Chongqing staff to develope a new use for the land and new housing planning in rural areas. The project also led to the publication "Housing a Billion," which was published in two volumes: "Housing a Billion: Volume 1- Urban Upgrading: Design Ideals for Rural China" and "Housing a Billion: Volume 2- Village Upgrading: Jianlu, China", both published in 1993. Also includes material related to the international workshop"Rural Housing: A First Step to Market Housing" in China, to which Minimum Cost Housing Group help organized and participated to. The material in this file was produced between 1986 and 1994. The file contains predominantly textual records documenting the collaboration between the Minimum Cost Housing Group and the Chongqing Institute of Architecture and Engineering, and also the production of the publication. The file also includes dummies, drawings, slides and other production material for the publications "Housing a Billion."
Housing development project in Sichuan
Actions:
AP149.S1.1988.PR01
Description:
This project series documents Minimum Cost Housing Group's housing development project in Sichuan, China. The project was done in collaboration with the Chongqing Institute of Architecture and Engineering between 1993 and 1995. The two main objectives were to train Chongqing staff to develope a new use for the land and new housing planning in rural areas. The project also led to the publication "Housing a Billion," which was published in two volumes: "Housing a Billion: Volume 1- Urban Upgrading: Design Ideals for Rural China" and "Housing a Billion: Volume 2- Village Upgrading: Jianlu, China", both published in 1993. Also includes material related to the international workshop"Rural Housing: A First Step to Market Housing" in China, to which Minimum Cost Housing Group help organized and participated to. The material in this file was produced between 1986 and 1994. The file contains predominantly textual records documenting the collaboration between the Minimum Cost Housing Group and the Chongqing Institute of Architecture and Engineering, and also the production of the publication. The file also includes dummies, drawings, slides and other production material for the publications "Housing a Billion."
Niveau de description archivistique:
Project
Project
Date:
1986-1994
1986-1994
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Personnes et institutions:
Date:
1982-1985
1982-1985
Titre:
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.059
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.057 and AP206.S2.058. This file includes the following papers: "The Role of Architects in Urban and Rural Growth" "The Environment of Chandigarh," 1985 "Memo on a possible New Capital for Haryana" "Manifesto of the Peoples of Haryana" "Spatial Planning of Human Settlements," 1984 Poem delivered at art exhibition inauguration at Lalit Kala Academy, 1985
Classification:
documents textuels
documents textuels
Date:
1982-1985
1982-1985
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Personnes et institutions:
Date:
2003-2011
2003-2011
Titre:
Documents d’archives de Studio Gang pour le projet Ford Calumet Environmental Center
Actions:
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Documents d’archives de Studio Gang pour le projet Ford Calumet Environmental Center
Actions:
AP196
Résumé:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2003-2011
2003-2011
Personnes et institutions:
Numéro de référence:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Personnes et institutions:
Date:
1989-2004
1989-2004
Titre:
Various awards and honours to Arthur Erickson
Actions:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Various awards and honours to Arthur Erickson
Actions:
ARCH273835
Description:
Honours given to Arthur Erickson, including a plaque from the S-20 & Nisei Veteran's Association recognizing the group of veterans who where in or attached to the Canadian Intelligence Corps for duties involving the use of Japanese Language during World War II, medal and plaque of appreciation from the National Ballet of Canada and the Ballet British Columbia, Letter of Appointment (carved wood) for the Advisory Board of Kumming Urban Planning.
Date:
1989-2004
1989-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Douglas Kelbaugh
Fonds Douglas Kelbaugh
Numéro de référence:
AP153
Résumé:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
AP153
Résumé:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Personnes et institutions:
Date:
1970-2008
1970-2008
Titre:
Fonds Douglas Kelbaugh
Actions:
AP153
Résumé:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Fonds Douglas Kelbaugh
Actions:
AP153
Résumé:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1970-2008
1970-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Personnes et institutions:
Date:
1994-2007
1994-2007
Titre:
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Niveau de description archivistique:
Project
Project
Date:
1994-2007
1994-2007
Personnes et institutions:
