2031 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Eisenman
Fonds Peter Eisenman
Numéro de référence:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Personnes et institutions:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Titre:
Fonds Peter Eisenman
Actions:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Fonds Peter Eisenman
Actions:
AP143
Résumé:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Myron Goldsmith
Fonds Myron Goldsmith
Numéro de référence:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Localisation:
Vitrines
Vitrines
Date:
26 novembre 2009 au 17 janvier 2010
26 novembre 2009 au 17 janvier 2010
Titre:
Sur les traces de... la bulle
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Sur les traces de... la bulle
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Classification:
expositions
expositions
Date:
26 novembre 2009 au
17 janvier 2010
26 novembre 2009 au
17 janvier 2010
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1969-2015
circa 1969-2015
Titre:
Tavolo “Babele“ [Table “Babele”] (1969)
Actions:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
Tavolo “Babele“ [Table “Babele”] (1969)
Actions:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1969-2015
circa 1969-2015
Personnes et institutions:
Classification:
expositions
expositions
Titre:
125 kilos de livres
125 kilos de livres
Actions:
Description:
125 kilos de livres présente une sélection de livres d’architecture tirés de la collection du CCA, allant du XVe siècle jusqu’à nos jours, et invite à réfléchir sur ce qui, de prime abord, peut sembler être une caractéristique tout à fait banale du livre : son format. Des ouvrages dont les dimensions varient de 10 centimètres à un mètre sont abordés sous différents angles(...)
125 kilos de livres présente une sélection de livres d’architecture tirés de la collection du CCA, allant du XVe siècle jusqu’à nos jours, et invite à réfléchir sur ce qui, de prime abord, peut sembler être une caractéristique tout à fait banale du livre : son format. Des ouvrages dont les dimensions varient de 10 centimètres à un mètre sont abordés sous différents angles(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
23 mars 2006 au 30 avril 2006
23 mars 2006 au 30 avril 2006
Titre:
125 kilos de livres
Actions:
Description:
125 kilos de livres présente une sélection de livres d’architecture tirés de la collection du CCA, allant du XVe siècle jusqu’à nos jours, et invite à réfléchir sur ce qui, de prime abord, peut sembler être une caractéristique tout à fait banale du livre : son format. Des ouvrages dont les dimensions varient de 10 centimètres à un mètre sont abordés sous différents angles(...)
125 kilos de livres
Actions:
Description:
125 kilos de livres présente une sélection de livres d’architecture tirés de la collection du CCA, allant du XVe siècle jusqu’à nos jours, et invite à réfléchir sur ce qui, de prime abord, peut sembler être une caractéristique tout à fait banale du livre : son format. Des ouvrages dont les dimensions varient de 10 centimètres à un mètre sont abordés sous différents angles(...)
Classification:
expositions
expositions
Date:
23 mars 2006 au
30 avril 2006
23 mars 2006 au
30 avril 2006
Localisation:
Salle octogonale
Salle octogonale
Classification:
documents textuels
Quantité:
14 file
documents textuels
Quantité:
14 file
Numéro de référence:
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
Personnes et institutions:
Titre:
Opening Remarks, ANYquestions, Discussions
Actions:
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
Opening Remarks, ANYquestions, Discussions
Actions:
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
Classification:
documents textuels
Quantité:
14 file
documents textuels
Quantité:
14 file
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1989-2015
circa 1989-2015
Titre:
Mappe Recinti Itinerari Territori [Itineraires Territoires Maps Enclosures] (1989)
Actions:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
Mappe Recinti Itinerari Territori [Itineraires Territoires Maps Enclosures] (1989)
Actions:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1989-2015
circa 1989-2015
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Localisation:
Salles principales
Salles principales
Date:
25 janvier 1995 au 23 avril 1995
25 janvier 1995 au 23 avril 1995
Titre:
Les photographies d'Édouard Baldus : paysages et monuments de France
Actions:
Description:
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Les photographies d'Édouard Baldus : paysages et monuments de France
Actions:
Description:
Édouard Baldus a défini mieux qu’aucun autre la notion moderne de paysage et les critères de la photographie d’architecture. Les photographies d’Édouard Baldus : paysages et monuments de France témoigne de l’âge d’or français du point de vue du photographe. L’exposition se présente comme une suite chronologique de séquences qui montrent l’évolution du travail de l’artiste(...)
Classification:
expositions
expositions
Date:
25 janvier 1995 au
23 avril 1995
25 janvier 1995 au
23 avril 1995
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1987-2015
circa 1987-2015
Titre:
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
Personnes et institutions:
Classification:
événements
événements
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
15 août 2018 au 21 août 2018
15 août 2018 au 21 août 2018
Classification:
événements
événements
Date:
15 août 2018 au
21 août 2018
15 août 2018 au
21 août 2018
Localisation:
Maison Shaughnessy
Maison Shaughnessy
