12410 Résultats
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Numéro de référence:
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
Personnes et institutions:
Date:
between 1820 and 1860
between 1820 and 1860
Titre:
Selected drawings from the albums compiled by George Penrose Kennedy, including drawings and designs by Charles Barry
Actions:
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
Selected drawings from the albums compiled by George Penrose Kennedy, including drawings and designs by Charles Barry
Actions:
DR1980:0061:001-105
Description:
Architectural drawings and copies selected from two albums compiled by George Penrose Kennedy as he was a pupil and assistant to Charles Barry, architect. These albums were titled "Gothic volume" and "Italian volume". The selection includes the binding from the Gothic volume.
Date:
between 1820 and 1860
between 1820 and 1860
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
Personnes et institutions:
Date:
1996
1996
Titre:
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ1" series - oversize drawings)
Actions:
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
Drawings for the Universal Headquarters Building, Universal City, Los Angeles County, California ("HQ1" series - oversize drawings)
Actions:
AP082.S1.002.2
Description:
Drawings numbered HQ1.80.1-HQ1.80.6L and HQ1.81.1- HQ1.81.9.
Classification:
dessins
dessins
Date:
1996
1996
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
Personnes et institutions:
Sujet:
architecture, design d'intérieur, installation
architecture, design d'intérieur, installation
Date:
1938-1943
1938-1943
Titre:
Portfolio of drawings for student projects, including a thesis for a museum, Department of Architecture, Illinois Institute of Technology; and copies by Danforth of sketches and drawings for buildings, installations and furniture by Mies van der Rohe
Actions:
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
Portfolio of drawings for student projects, including a thesis for a museum, Department of Architecture, Illinois Institute of Technology; and copies by Danforth of sketches and drawings for buildings, installations and furniture by Mies van der Rohe
Actions:
DR1997:0064:001-062
Description:
- One sketch for the graduate thesis was identified by Danforth as a drawing by Mies van der Rohe (DR1997:0064:029).
Classification:
dessins
dessins
Date:
1938-1943
1938-1943
Personnes et institutions:
Sujet:
architecture, design d'intérieur, installation
architecture, design d'intérieur, installation
Classification:
dessins
dessins
Numéro de référence:
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
Personnes et institutions:
Date:
1967
1967
Titre:
Drawings and specifications for Rapaport House, Scarsdale, N.Y.
Actions:
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
Drawings and specifications for Rapaport House, Scarsdale, N.Y.
Actions:
AP154.S1.1967.PR03.001
Description:
File is composed of 2 sheets of written specifications (S1-S2) and 9 architectural drawings (A1-A9).
Classification:
dessins
dessins
Date:
1967
1967
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
Personnes et institutions:
Titre:
Bound set of reduced drawings, Bathroom Addition, Toronto
Actions:
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
Bound set of reduced drawings, Bathroom Addition, Toronto
Actions:
ARCH192528
Description:
Bound set of reduced drawings: Table of Contents: Project credits Sketch design Design development Working drawings Architectural drawings Presentation drawings Index
Classification:
dessins
dessins
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition Architecture industrielle : ÁbalosHerreros revue par OFFICE Kersten Geers David Van Severen présente une lecture précise de l’approche industrielle à l’architecture dans le travail d’ÁbalosHerreros, firme qui fut active à Madrid entre 1984 et 2008. Divers objets sont présentés : des dessins CAO, des photographies prises par Stefano Graziani des objets tirés(...)
L’exposition Architecture industrielle : ÁbalosHerreros revue par OFFICE Kersten Geers David Van Severen présente une lecture précise de l’approche industrielle à l’architecture dans le travail d’ÁbalosHerreros, firme qui fut active à Madrid entre 1984 et 2008. Divers objets sont présentés : des dessins CAO, des photographies prises par Stefano Graziani des objets tirés(...)
Localisation:
Salle octogonale Mot(s)-clé(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, sortis du cadre
Salle octogonale Mot(s)-clé(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, sortis du cadre
Date:
12 mars 2015 au 17 mai 2015
12 mars 2015 au 17 mai 2015
Titre:
Architecture industrielle : Ábalos&Herreros revue par OFFICE Kersten Geers David Van Severen
Actions:
Description:
L’exposition Architecture industrielle : ÁbalosHerreros revue par OFFICE Kersten Geers David Van Severen présente une lecture précise de l’approche industrielle à l’architecture dans le travail d’ÁbalosHerreros, firme qui fut active à Madrid entre 1984 et 2008. Divers objets sont présentés : des dessins CAO, des photographies prises par Stefano Graziani des objets tirés(...)
Architecture industrielle : Ábalos&Herreros revue par OFFICE Kersten Geers David Van Severen
Actions:
Description:
L’exposition Architecture industrielle : ÁbalosHerreros revue par OFFICE Kersten Geers David Van Severen présente une lecture précise de l’approche industrielle à l’architecture dans le travail d’ÁbalosHerreros, firme qui fut active à Madrid entre 1984 et 2008. Divers objets sont présentés : des dessins CAO, des photographies prises par Stefano Graziani des objets tirés(...)
Classification:
expositions
expositions
Date:
12 mars 2015 au
17 mai 2015
12 mars 2015 au
17 mai 2015
Localisation:
Salle octogonale Mot(s)-clé(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, sortis du cadre
Salle octogonale Mot(s)-clé(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, sortis du cadre
Classification:
expositions
expositions
Actions:
Description:
Influencés par une science naissante, la physiologie, les médecins de l’ère victorienne sont convaincus que la maison, au même titre qu’un organisme vivant, peut être malade, et qu’une recherche méthodique de l’hygiène à la maison est indissociable d’une architecture salubre. L’exposition Corpus sanum in domo sano (un corps sain dans une maison saine) s’intéresse au rôle(...)
Influencés par une science naissante, la physiologie, les médecins de l’ère victorienne sont convaincus que la maison, au même titre qu’un organisme vivant, peut être malade, et qu’une recherche méthodique de l’hygiène à la maison est indissociable d’une architecture salubre. L’exposition Corpus sanum in domo sano (un corps sain dans une maison saine) s’intéresse au rôle(...)
Localisation:
Vitrines
Vitrines
Date:
13 novembre 1991 au 16 février 1992
13 novembre 1991 au 16 février 1992
Titre:
Corpus sanum in domo sano : l'architecture du mouvement en faveur de la salubrité domestique, 1870-1914
Actions:
Description:
Influencés par une science naissante, la physiologie, les médecins de l’ère victorienne sont convaincus que la maison, au même titre qu’un organisme vivant, peut être malade, et qu’une recherche méthodique de l’hygiène à la maison est indissociable d’une architecture salubre. L’exposition Corpus sanum in domo sano (un corps sain dans une maison saine) s’intéresse au rôle(...)
Corpus sanum in domo sano : l'architecture du mouvement en faveur de la salubrité domestique, 1870-1914
Actions:
Description:
Influencés par une science naissante, la physiologie, les médecins de l’ère victorienne sont convaincus que la maison, au même titre qu’un organisme vivant, peut être malade, et qu’une recherche méthodique de l’hygiène à la maison est indissociable d’une architecture salubre. L’exposition Corpus sanum in domo sano (un corps sain dans une maison saine) s’intéresse au rôle(...)
Classification:
expositions
expositions
Date:
13 novembre 1991 au
16 février 1992
13 novembre 1991 au
16 février 1992
Localisation:
Vitrines
Vitrines
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Personnes et institutions:
Date:
1976
1976
Titre:
Views of design development and publication drawings
Actions:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Views of design development and publication drawings
Actions:
AP140.S2.SS1.D33.P7
Description:
views of design development and publication drawings, as well as views of freehand site plans of urban architecture, including the Royal Crescent in Bath, England
Classification:
photographies
photographies
Date:
1976
1976
Personnes et institutions:
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Personnes et institutions:
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Titre:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH270797
ARCH270797
Personnes et institutions:
Date:
circa 1992
circa 1992
Classification:
photographies
photographies
Date:
circa 1992
circa 1992
Personnes et institutions:
