10704 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Niveau de description archivistique:
Project
Project
Date:
1995-2000
1995-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds John Bird
Fonds John Bird
Numéro de référence:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Personnes et institutions:
Date:
1942 - 1992
1942 - 1992
Titre:
Fonds John Bird
Actions:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Fonds John Bird
Actions:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1942 - 1992
1942 - 1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
Classification:
articles
articles
Titre:
L’intérieur sensoriel
L’intérieur sensoriel
Actions:
Une présentation de David Howes
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Classification:
événements
événements
Description:
Dans cette conférence, Amy Kulper situe le « virage numérique » de l’architecture en 1988, avec la création de Photoshop par Thomas Knoll. Développé à l’origine en tant que logiciel d’édition d’images, Photoshop s’inscrivait parfaitement dans la longue histoire de la correction optique dans la discipline architecturale. Pourtant, son omniprésence aujourd’hui soulève de(...)
Dans cette conférence, Amy Kulper situe le « virage numérique » de l’architecture en 1988, avec la création de Photoshop par Thomas Knoll. Développé à l’origine en tant que logiciel d’édition d’images, Photoshop s’inscrivait parfaitement dans la longue histoire de la correction optique dans la discipline architecturale. Pourtant, son omniprésence aujourd’hui soulève de(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
9 juin 2016, 18h
9 juin 2016, 18h
Titre:
Amy Kulper : Le « virage numérique » et l’avènement de Photoshop
Actions:
Description:
Dans cette conférence, Amy Kulper situe le « virage numérique » de l’architecture en 1988, avec la création de Photoshop par Thomas Knoll. Développé à l’origine en tant que logiciel d’édition d’images, Photoshop s’inscrivait parfaitement dans la longue histoire de la correction optique dans la discipline architecturale. Pourtant, son omniprésence aujourd’hui soulève de(...)
Amy Kulper : Le « virage numérique » et l’avènement de Photoshop
Actions:
Description:
Dans cette conférence, Amy Kulper situe le « virage numérique » de l’architecture en 1988, avec la création de Photoshop par Thomas Knoll. Développé à l’origine en tant que logiciel d’édition d’images, Photoshop s’inscrivait parfaitement dans la longue histoire de la correction optique dans la discipline architecturale. Pourtant, son omniprésence aujourd’hui soulève de(...)
Classification:
événements
événements
Date:
9 juin 2016
18h
9 juin 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Numéro de référence:
AP181.S1.015
Description:
Original directory name: "18_AN- Ausführende Firmen". File consists of records related to the construction, or execution, phase of the BMW Welt project. There are five high-level directories, identified with numerical codes and which element of the construction is being addressed by the records: construction signs, facade engineering, foundations, structural work, and facade steel construction. The firms include Werbetechnik Deger, Bauer, and Maurer Söhne. The bulk of the records is found under the "3060_Stahlbau_Fassade_MSG" directory, consisting of CAD drawings and 3D models for the roof support head points, the service walkways, cover panels, placement of security cameras, the internal helix, the drainage system, etc. These are CAD files, screen captures, and annotated digitisations of printed drawings, the latter two showing very specific details of the structure. There are approximately 500 plotter files in directories "3017 Fassadentechnik" (facade engineering) and "3060_Stahlbau_Fassade_MSG/I_Pläne/Ausgang", some being in archive files (.zip). Files also include some textual records, such as lists, presentations, and correspondence between stakeholders. Most common file formats: JPEG File Interchange Format, Hewlett Packard Vector Graphic Plotter File, Acrobat PDF 1.3 - Portable Document Format, AutoCAD Drawing, Acrobat PDF 1.4 - Portable Document Format
AP181.S1.015
Description:
Original directory name: "18_AN- Ausführende Firmen". File consists of records related to the construction, or execution, phase of the BMW Welt project. There are five high-level directories, identified with numerical codes and which element of the construction is being addressed by the records: construction signs, facade engineering, foundations, structural work, and facade steel construction. The firms include Werbetechnik Deger, Bauer, and Maurer Söhne. The bulk of the records is found under the "3060_Stahlbau_Fassade_MSG" directory, consisting of CAD drawings and 3D models for the roof support head points, the service walkways, cover panels, placement of security cameras, the internal helix, the drainage system, etc. These are CAD files, screen captures, and annotated digitisations of printed drawings, the latter two showing very specific details of the structure. There are approximately 500 plotter files in directories "3017 Fassadentechnik" (facade engineering) and "3060_Stahlbau_Fassade_MSG/I_Pläne/Ausgang", some being in archive files (.zip). Files also include some textual records, such as lists, presentations, and correspondence between stakeholders. Most common file formats: JPEG File Interchange Format, Hewlett Packard Vector Graphic Plotter File, Acrobat PDF 1.3 - Portable Document Format, AutoCAD Drawing, Acrobat PDF 1.4 - Portable Document Format
Personnes et institutions:
Date:
2003-2007
2003-2007
Titre:
Construction documentation, BMW Welt, Munich
Actions:
AP181.S1.015
Description:
Original directory name: "18_AN- Ausführende Firmen". File consists of records related to the construction, or execution, phase of the BMW Welt project. There are five high-level directories, identified with numerical codes and which element of the construction is being addressed by the records: construction signs, facade engineering, foundations, structural work, and facade steel construction. The firms include Werbetechnik Deger, Bauer, and Maurer Söhne. The bulk of the records is found under the "3060_Stahlbau_Fassade_MSG" directory, consisting of CAD drawings and 3D models for the roof support head points, the service walkways, cover panels, placement of security cameras, the internal helix, the drainage system, etc. These are CAD files, screen captures, and annotated digitisations of printed drawings, the latter two showing very specific details of the structure. There are approximately 500 plotter files in directories "3017 Fassadentechnik" (facade engineering) and "3060_Stahlbau_Fassade_MSG/I_Pläne/Ausgang", some being in archive files (.zip). Files also include some textual records, such as lists, presentations, and correspondence between stakeholders. Most common file formats: JPEG File Interchange Format, Hewlett Packard Vector Graphic Plotter File, Acrobat PDF 1.3 - Portable Document Format, AutoCAD Drawing, Acrobat PDF 1.4 - Portable Document Format
Construction documentation, BMW Welt, Munich
Actions:
AP181.S1.015
Description:
Original directory name: "18_AN- Ausführende Firmen". File consists of records related to the construction, or execution, phase of the BMW Welt project. There are five high-level directories, identified with numerical codes and which element of the construction is being addressed by the records: construction signs, facade engineering, foundations, structural work, and facade steel construction. The firms include Werbetechnik Deger, Bauer, and Maurer Söhne. The bulk of the records is found under the "3060_Stahlbau_Fassade_MSG" directory, consisting of CAD drawings and 3D models for the roof support head points, the service walkways, cover panels, placement of security cameras, the internal helix, the drainage system, etc. These are CAD files, screen captures, and annotated digitisations of printed drawings, the latter two showing very specific details of the structure. There are approximately 500 plotter files in directories "3017 Fassadentechnik" (facade engineering) and "3060_Stahlbau_Fassade_MSG/I_Pläne/Ausgang", some being in archive files (.zip). Files also include some textual records, such as lists, presentations, and correspondence between stakeholders. Most common file formats: JPEG File Interchange Format, Hewlett Packard Vector Graphic Plotter File, Acrobat PDF 1.3 - Portable Document Format, AutoCAD Drawing, Acrobat PDF 1.4 - Portable Document Format
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Date:
2003-2007
2003-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955-2007
1955-2007
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
À partir du travail d’architectes de renommée internationale, cetteexposition démontre la présence d’idées utopiques modernes qui auraient été rejetées au tournant de l’ère postmoderne. Selon Reinhold Martin, commissaire principal de l’exposition, presque toute la production architecturale des cinquante dernières années a été hantée par le « revenant » de l’utopie(...)
À partir du travail d’architectes de renommée internationale, cetteexposition démontre la présence d’idées utopiques modernes qui auraient été rejetées au tournant de l’ère postmoderne. Selon Reinhold Martin, commissaire principal de l’exposition, presque toute la production architecturale des cinquante dernières années a été hantée par le « revenant » de l’utopie(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
28 février 2008 au 25 mai 2008
28 février 2008 au 25 mai 2008
Titre:
Le revenant de l'utopie: Le postmodernisme revisité
Actions:
Description:
À partir du travail d’architectes de renommée internationale, cetteexposition démontre la présence d’idées utopiques modernes qui auraient été rejetées au tournant de l’ère postmoderne. Selon Reinhold Martin, commissaire principal de l’exposition, presque toute la production architecturale des cinquante dernières années a été hantée par le « revenant » de l’utopie(...)
Le revenant de l'utopie: Le postmodernisme revisité
Actions:
Description:
À partir du travail d’architectes de renommée internationale, cetteexposition démontre la présence d’idées utopiques modernes qui auraient été rejetées au tournant de l’ère postmoderne. Selon Reinhold Martin, commissaire principal de l’exposition, presque toute la production architecturale des cinquante dernières années a été hantée par le « revenant » de l’utopie(...)
Classification:
expositions
expositions
Date:
28 février 2008 au
25 mai 2008
28 février 2008 au
25 mai 2008
Localisation:
Salle octogonale
Salle octogonale
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2016
2016
Titre:
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2016
2016
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
