7348 Résultats
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Date:
septembre 2001 au août 2002
septembre 2001 au août 2002
Titre:
Chercheurs en résidence 2001-2002
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Chercheurs en résidence 2001-2002
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Classification:
recherche
recherche
Date:
septembre 2001 au
août 2002
septembre 2001 au
août 2002
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
Personnes et institutions:
Date:
1999-2014
1999-2014
Titre:
Inuvik School, Inuvik, Northwest Territories (2008)
Actions:
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
Inuvik School, Inuvik, Northwest Territories (2008)
Actions:
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
Niveau de description archivistique:
Project
Project
Date:
1999-2014
1999-2014
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Date:
septembre 1997 au août 1998
septembre 1997 au août 1998
Titre:
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
Classification:
recherche
recherche
Date:
septembre 1997 au
août 1998
septembre 1997 au
août 1998
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Personnes et institutions:
Date:
1965-1971
1965-1971
Titre:
Children's Creative Centre Playground, Canadian Federal Pavilion, Expo '67, Montréal, Québec (1965-1967)
Actions:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Children's Creative Centre Playground, Canadian Federal Pavilion, Expo '67, Montréal, Québec (1965-1967)
Actions:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
1965-1971
1965-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D5
Description:
The project series documents the competition entry for an architectural and landscape intervention at the eco park, located near the Rioja recycling plant for urban waste in Logroño, La Rioja, Spain. The firm identified this project as number 149. Abalos & Herreros won the competition and began the project with their masterplan. However, the construction was completed by Abalos+Sentkiewicz Arquitectos after the dissolution of Abalos & Herreros in 2008. Documenting the project are conceptual, design development and working drawings, project descriptions, budgets, notes, specifications and cartographic materials.
AP164.S1.2002.D5
Description:
The project series documents the competition entry for an architectural and landscape intervention at the eco park, located near the Rioja recycling plant for urban waste in Logroño, La Rioja, Spain. The firm identified this project as number 149. Abalos & Herreros won the competition and began the project with their masterplan. However, the construction was completed by Abalos+Sentkiewicz Arquitectos after the dissolution of Abalos & Herreros in 2008. Documenting the project are conceptual, design development and working drawings, project descriptions, budgets, notes, specifications and cartographic materials.
Personnes et institutions:
Date:
2000-2002
2000-2002
Titre:
Centro de reciclaje y revaloración, Logroño, Spain (2002)
Actions:
AP164.S1.2002.D5
Description:
The project series documents the competition entry for an architectural and landscape intervention at the eco park, located near the Rioja recycling plant for urban waste in Logroño, La Rioja, Spain. The firm identified this project as number 149. Abalos & Herreros won the competition and began the project with their masterplan. However, the construction was completed by Abalos+Sentkiewicz Arquitectos after the dissolution of Abalos & Herreros in 2008. Documenting the project are conceptual, design development and working drawings, project descriptions, budgets, notes, specifications and cartographic materials.
Centro de reciclaje y revaloración, Logroño, Spain (2002)
Actions:
AP164.S1.2002.D5
Description:
The project series documents the competition entry for an architectural and landscape intervention at the eco park, located near the Rioja recycling plant for urban waste in Logroño, La Rioja, Spain. The firm identified this project as number 149. Abalos & Herreros won the competition and began the project with their masterplan. However, the construction was completed by Abalos+Sentkiewicz Arquitectos after the dissolution of Abalos & Herreros in 2008. Documenting the project are conceptual, design development and working drawings, project descriptions, budgets, notes, specifications and cartographic materials.
Niveau de description archivistique:
Project
Project
Date:
2000-2002
2000-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Personnes et institutions:
Date:
1997-2001
1997-2001
Titre:
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Niveau de description archivistique:
Project
Project
Date:
1997-2001
1997-2001
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Design for a city-park gate
Design for a city-park gate
Actions:
Numéro de référence:
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
late 19th century ?
late 19th century ?
Titre:
Design for a city-park gate
Actions:
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
Design for a city-park gate
Actions:
DR1981:0034
Description:
- A rendered elevation (and a plan in the upper left corner) of a city-park gate comprised of a monumental central arch and lower lateral wings with fountains. The style of the architecture is Neo-Baroque. Set in a monochrome, wash-rendered park landscape with a vignette of an 18th-century horse-and-carriage in the left foreground, the line drawing of the gate is competent, although the shadow projections are incorrectly drawn.
Classification:
dessins
dessins
Date:
late 19th century ?
late 19th century ?
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
Personnes et institutions:
Date:
1983-2003
1983-2003
Titre:
Canada Place, Vancouver, British Columbia (1983)
Actions:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
Canada Place, Vancouver, British Columbia (1983)
Actions:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
Niveau de description archivistique:
Project
Project
Date:
1983-2003
1983-2003
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1987.014
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
AP178.S2.1987.014
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
Personnes et institutions:
Date:
July 1987
July 1987
Titre:
Sketchbook 258: Valencia
Actions:
AP178.S2.1987.014
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
Sketchbook 258: Valencia
Actions:
AP178.S2.1987.014
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
Classification:
dessins
dessins
Date:
July 1987
July 1987
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1987.015
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
AP178.S2.1987.015
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
Personnes et institutions:
Date:
July-August 1987
July-August 1987
Titre:
Sketchbook 258: Setubal - Fac. Arq.ra
Actions:
AP178.S2.1987.015
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
Sketchbook 258: Setubal - Fac. Arq.ra
Actions:
AP178.S2.1987.015
Description:
Note that there were two sketchbooks that were numbered 258. This sketchbook includes sketches for the the Faculty of Architecture of the University of Porto, Portugal, the Setúbal College of Education (ESE), as well as landscapes, including one of Alcoy.
Classification:
dessins
dessins
Date:
July-August 1987
July-August 1987
Personnes et institutions:
