12643 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Piper (1966-1967)
Piper (1966-1967)
Numéro de référence:
AP148.S1.1966.PR01
Description:
This project series documents an unexecuted student project by Roberto Gherrardi, Serena Pacini, Alessandro Poli, Franca Spinelli, and Roberto Russo at the University of Florence under Professor Leonardo Savioli. Piper is an amusement ride designed for Parco delle Cascine in Florence. The drawings for this project were produced between the years 1966 and 1967. The project series contains drawings and reprographic copies, predominantly presentation drawings, two models for the project, photographs of the models, and project documentation.
AP148.S1.1966.PR01
Description:
This project series documents an unexecuted student project by Roberto Gherrardi, Serena Pacini, Alessandro Poli, Franca Spinelli, and Roberto Russo at the University of Florence under Professor Leonardo Savioli. Piper is an amusement ride designed for Parco delle Cascine in Florence. The drawings for this project were produced between the years 1966 and 1967. The project series contains drawings and reprographic copies, predominantly presentation drawings, two models for the project, photographs of the models, and project documentation.
Personnes et institutions:
Date:
1966-1967
1966-1967
Titre:
Piper (1966-1967)
Actions:
AP148.S1.1966.PR01
Description:
This project series documents an unexecuted student project by Roberto Gherrardi, Serena Pacini, Alessandro Poli, Franca Spinelli, and Roberto Russo at the University of Florence under Professor Leonardo Savioli. Piper is an amusement ride designed for Parco delle Cascine in Florence. The drawings for this project were produced between the years 1966 and 1967. The project series contains drawings and reprographic copies, predominantly presentation drawings, two models for the project, photographs of the models, and project documentation.
Piper (1966-1967)
Actions:
AP148.S1.1966.PR01
Description:
This project series documents an unexecuted student project by Roberto Gherrardi, Serena Pacini, Alessandro Poli, Franca Spinelli, and Roberto Russo at the University of Florence under Professor Leonardo Savioli. Piper is an amusement ride designed for Parco delle Cascine in Florence. The drawings for this project were produced between the years 1966 and 1967. The project series contains drawings and reprographic copies, predominantly presentation drawings, two models for the project, photographs of the models, and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1966-1967
1966-1967
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Personnes et institutions:
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Titre:
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Niveau de description archivistique:
File 87
File 87
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Personnes et institutions:
Classification:
dessins, né numérique
dessins, né numérique
Numéro de référence:
AP183.004
Description:
This directory includes three wireframe drawings of Chemnitz Stadium, as well as two icons of these drawings. Original directory name: "wire". Most common file formats: Alias Wire model, Alias Pix Image File.
AP183.004
Description:
This directory includes three wireframe drawings of Chemnitz Stadium, as well as two icons of these drawings. Original directory name: "wire". Most common file formats: Alias Wire model, Alias Pix Image File.
Personnes et institutions:
Date:
12 January 1996 - 7 February 1996
12 January 1996 - 7 February 1996
Titre:
Wireframe drawings of Chemnitz Stadium
Actions:
AP183.004
Description:
This directory includes three wireframe drawings of Chemnitz Stadium, as well as two icons of these drawings. Original directory name: "wire". Most common file formats: Alias Wire model, Alias Pix Image File.
Wireframe drawings of Chemnitz Stadium
Actions:
AP183.004
Description:
This directory includes three wireframe drawings of Chemnitz Stadium, as well as two icons of these drawings. Original directory name: "wire". Most common file formats: Alias Wire model, Alias Pix Image File.
Classification:
dessins, né numérique
dessins, né numérique
Date:
12 January 1996 - 7 February 1996
12 January 1996 - 7 February 1996
Personnes et institutions:
Classification:
dessins
Quantité:
16 reprographic copy(ies)
dessins
Quantité:
16 reprographic copy(ies)
Actions:
Numéro de référence:
DR1990:0019:001-016
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
DR1990:0019:001-016
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
before 17 and 18 January 1954
before 17 and 18 January 1954
Titre:
Villa Chimanbhai: Design development prints
Actions:
DR1990:0019:001-016
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Villa Chimanbhai: Design development prints
Actions:
DR1990:0019:001-016
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Classification:
dessins
Quantité:
16 reprographic copy(ies)
dessins
Quantité:
16 reprographic copy(ies)
Date:
before 17 and 18 January 1954
before 17 and 18 January 1954
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
Quantité:
5 reprographic copy(ies)
dessins
Quantité:
5 reprographic copy(ies)
Titre:
Villa Chimanbhai: Design development prints and comparative study of first and final projects
Villa Chimanbhai: Design development prints and comparative study of first and final projects
Actions:
Numéro de référence:
DR1990:0021:001-005
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
DR1990:0021:001-005
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
before 20 April 1954
before 20 April 1954
Titre:
Villa Chimanbhai: Design development prints and comparative study of first and final projects
Actions:
DR1990:0021:001-005
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Villa Chimanbhai: Design development prints and comparative study of first and final projects
Actions:
DR1990:0021:001-005
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Classification:
dessins
Quantité:
5 reprographic copy(ies)
dessins
Quantité:
5 reprographic copy(ies)
Date:
before 20 April 1954
before 20 April 1954
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
Quantité:
17 reprographic copy(ies)
dessins
Quantité:
17 reprographic copy(ies)
Actions:
Numéro de référence:
DR1990:0023:001-017
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
DR1990:0023:001-017
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between February 1953 and March 1954
between February 1953 and March 1954
Titre:
Villa Chimanbhai: Design development prints
Actions:
DR1990:0023:001-017
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Villa Chimanbhai: Design development prints
Actions:
DR1990:0023:001-017
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Classification:
dessins
Quantité:
17 reprographic copy(ies)
dessins
Quantité:
17 reprographic copy(ies)
Date:
between February 1953 and March 1954
between February 1953 and March 1954
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
Quantité:
19 reprographic copy(ies)
dessins
Quantité:
19 reprographic copy(ies)
Actions:
Numéro de référence:
DR1990:0024:001-019
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
DR1990:0024:001-019
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
January and September 1954
January and September 1954
Titre:
Villa Chimanbhai: Design development prints from January and September 1954
Actions:
DR1990:0024:001-019
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Villa Chimanbhai: Design development prints from January and September 1954
Actions:
DR1990:0024:001-019
Description:
- Part of a larger group of reprographic copies and other works from the design development process of Le Corbusier's unexecuted Villa Chimanbhai project, acquired from the Chimanbhai family. Included are at least three series of copies -- some with annotated changes -- a model, photographs of a different model, cut-outs sent to the client which demonstrate changes in the size and plan of individual rooms, and related letters. The works were accessioned in the groups that they were received in.
Classification:
dessins
Quantité:
19 reprographic copy(ies)
dessins
Quantité:
19 reprographic copy(ies)
Date:
January and September 1954
January and September 1954
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Titre:
Advanta Haus
Advanta Haus
Numéro de référence:
AP143.S4.D98
Description:
File documents the unexecuted project for the Advanta Haus, Berlin, Germany. Material in this file was produced in 1992. File contains conceptual drawings, design development drawings, presentation drawings, textual records, and a model. The design development drawings include a mock-up project booklet for the Preliminary Program and Schematic Design. Textual records include project index and directory, correspondence, billing, accounting files, computer plots, and axonometrics.
AP143.S4.D98
Description:
File documents the unexecuted project for the Advanta Haus, Berlin, Germany. Material in this file was produced in 1992. File contains conceptual drawings, design development drawings, presentation drawings, textual records, and a model. The design development drawings include a mock-up project booklet for the Preliminary Program and Schematic Design. Textual records include project index and directory, correspondence, billing, accounting files, computer plots, and axonometrics.
Personnes et institutions:
Date:
1992
1992
Titre:
Advanta Haus
Actions:
AP143.S4.D98
Description:
File documents the unexecuted project for the Advanta Haus, Berlin, Germany. Material in this file was produced in 1992. File contains conceptual drawings, design development drawings, presentation drawings, textual records, and a model. The design development drawings include a mock-up project booklet for the Preliminary Program and Schematic Design. Textual records include project index and directory, correspondence, billing, accounting files, computer plots, and axonometrics.
Advanta Haus
Actions:
AP143.S4.D98
Description:
File documents the unexecuted project for the Advanta Haus, Berlin, Germany. Material in this file was produced in 1992. File contains conceptual drawings, design development drawings, presentation drawings, textual records, and a model. The design development drawings include a mock-up project booklet for the Preliminary Program and Schematic Design. Textual records include project index and directory, correspondence, billing, accounting files, computer plots, and axonometrics.
Niveau de description archivistique:
File 98
File 98
Date:
1992
1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP166.S1.1994.PR1
Description:
This project series documents the executed project for the Naiju Community Center and Nursery School in Chikuho, Fukuoka, Japan. The project was completed in 1994. The majority of documents in this project series are undated but materials were probably produced from 1993 to 1994. The project series contains site plans and views of the site, design development drawings, a model, and photographic views of a computer graphic and of the built work.
AP166.S1.1994.PR1
Description:
This project series documents the executed project for the Naiju Community Center and Nursery School in Chikuho, Fukuoka, Japan. The project was completed in 1994. The majority of documents in this project series are undated but materials were probably produced from 1993 to 1994. The project series contains site plans and views of the site, design development drawings, a model, and photographic views of a computer graphic and of the built work.
Personnes et institutions:
Date:
1993-1994
1993-1994
Titre:
Naiju Community Center and Nursery School, Fukuoka, Japan (1993-1994)
Actions:
AP166.S1.1994.PR1
Description:
This project series documents the executed project for the Naiju Community Center and Nursery School in Chikuho, Fukuoka, Japan. The project was completed in 1994. The majority of documents in this project series are undated but materials were probably produced from 1993 to 1994. The project series contains site plans and views of the site, design development drawings, a model, and photographic views of a computer graphic and of the built work.
Naiju Community Center and Nursery School, Fukuoka, Japan (1993-1994)
Actions:
AP166.S1.1994.PR1
Description:
This project series documents the executed project for the Naiju Community Center and Nursery School in Chikuho, Fukuoka, Japan. The project was completed in 1994. The majority of documents in this project series are undated but materials were probably produced from 1993 to 1994. The project series contains site plans and views of the site, design development drawings, a model, and photographic views of a computer graphic and of the built work.
Niveau de description archivistique:
project
project
Date:
1993-1994
1993-1994
Personnes et institutions:
