12885 Résultats
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
ARCH253862
Description:
notes on urban network model, black-and-white contact sheet
ARCH253862
Description:
notes on urban network model, black-and-white contact sheet
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Movement in Midtown Manhattan
Actions:
ARCH253862
Description:
notes on urban network model, black-and-white contact sheet
Movement in Midtown Manhattan
Actions:
ARCH253862
Description:
notes on urban network model, black-and-white contact sheet
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D85
Description:
File documents the executed project for the Groningen Music-Video Pavilion, Groningen, Netherlands. Material in the file was produced between 1988 and 1990. File includes conceptual drawings, design development drawings, photographic materials, publication drawings, reference drawings, textual records, a model, and a CD-R. Drawings consist primarily of design development drawings from sketches to "definite" project drawings. Textual records include project description, budget, memos, correspondence, consulting architects, financial records, trade catalogues, blueprints, and six slides.
AP143.S4.D85
Description:
File documents the executed project for the Groningen Music-Video Pavilion, Groningen, Netherlands. Material in the file was produced between 1988 and 1990. File includes conceptual drawings, design development drawings, photographic materials, publication drawings, reference drawings, textual records, a model, and a CD-R. Drawings consist primarily of design development drawings from sketches to "definite" project drawings. Textual records include project description, budget, memos, correspondence, consulting architects, financial records, trade catalogues, blueprints, and six slides.
Personnes et institutions:
Date:
1989-1990
1989-1990
Titre:
Groningen Music-Video Pavilion
Actions:
AP143.S4.D85
Description:
File documents the executed project for the Groningen Music-Video Pavilion, Groningen, Netherlands. Material in the file was produced between 1988 and 1990. File includes conceptual drawings, design development drawings, photographic materials, publication drawings, reference drawings, textual records, a model, and a CD-R. Drawings consist primarily of design development drawings from sketches to "definite" project drawings. Textual records include project description, budget, memos, correspondence, consulting architects, financial records, trade catalogues, blueprints, and six slides.
Groningen Music-Video Pavilion
Actions:
AP143.S4.D85
Description:
File documents the executed project for the Groningen Music-Video Pavilion, Groningen, Netherlands. Material in the file was produced between 1988 and 1990. File includes conceptual drawings, design development drawings, photographic materials, publication drawings, reference drawings, textual records, a model, and a CD-R. Drawings consist primarily of design development drawings from sketches to "definite" project drawings. Textual records include project description, budget, memos, correspondence, consulting architects, financial records, trade catalogues, blueprints, and six slides.
Niveau de description archivistique:
File 85
File 85
Date:
1989-1990
1989-1990
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
Personnes et institutions:
Date:
16 July 2003 - 2 June 2004
16 July 2003 - 2 June 2004
Titre:
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
Classification:
né numérique
né numérique
Date:
16 July 2003 - 2 June 2004
16 July 2003 - 2 June 2004
Personnes et institutions:
Classification:
photographies
Quantité:
410 photographic material(s)
photographies
Quantité:
410 photographic material(s)
Numéro de référence:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Personnes et institutions:
Date:
1 October 1990
1 October 1990
Titre:
Project presentation binders for various governmental projects
Actions:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Project presentation binders for various governmental projects
Actions:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Classification:
photographies
Quantité:
410 photographic material(s)
photographies
Quantité:
410 photographic material(s)
Date:
1 October 1990
1 October 1990
Personnes et institutions:
Classification:
maquettes
maquettes
Titre:
Strand Tower fiber stacks
Strand Tower fiber stacks
Numéro de référence:
AP174.S1.2006.D2.013
Description:
3D printed model produced by 3D Systems in Germany of a Strand Tower precursor consisting of single and triple fiber stacks. The model was created on a Sinterstation HiQ 3D printer.
AP174.S1.2006.D2.013
Description:
3D printed model produced by 3D Systems in Germany of a Strand Tower precursor consisting of single and triple fiber stacks. The model was created on a Sinterstation HiQ 3D printer.
Personnes et institutions:
Date:
2006
2006
Titre:
Strand Tower fiber stacks
Actions:
AP174.S1.2006.D2.013
Description:
3D printed model produced by 3D Systems in Germany of a Strand Tower precursor consisting of single and triple fiber stacks. The model was created on a Sinterstation HiQ 3D printer.
Strand Tower fiber stacks
Actions:
AP174.S1.2006.D2.013
Description:
3D printed model produced by 3D Systems in Germany of a Strand Tower precursor consisting of single and triple fiber stacks. The model was created on a Sinterstation HiQ 3D printer.
Classification:
maquettes
maquettes
Date:
2006
2006
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH271077
Description:
Contains materials from the following projects: - Ordenación de la Plaza Castilla, Madrid, AP164.S1.1986.D6 (45 photographs: area and model); - Ordenación de Nueva Montaña Quijano en Santander, AP164.S1.1987.D1 (54 photographs: area and model); - Ordenación del nudo Puerta de Hierro, AP164.S1.1987.D2 (9 photographs: model); - Prototipo de estructura vertical, Cáceres, AP164.S1.1987.D3 (22 photographs: construction); - Viviendas, locales y garajes en la M-30, Madrid, AP164.S1.1988.D3 (104 photographs: interior/exterior, construction, model); - Propuesta para la Plaza de Ópera, Madrid, AP164.S1.1988.D4 (2 photographs: model); - Parque de las Naciones, Madrid, AP164.S1.1988.D5 (2 photographs: model); - Centro de calculo de Telefónica, Madrid, AP164.S1.1989.D1 (17 photographs: model); - Proyecto Nomada, Isla de la cartuja, Sevilla (2 photographs: area).
ARCH271077
Description:
Contains materials from the following projects: - Ordenación de la Plaza Castilla, Madrid, AP164.S1.1986.D6 (45 photographs: area and model); - Ordenación de Nueva Montaña Quijano en Santander, AP164.S1.1987.D1 (54 photographs: area and model); - Ordenación del nudo Puerta de Hierro, AP164.S1.1987.D2 (9 photographs: model); - Prototipo de estructura vertical, Cáceres, AP164.S1.1987.D3 (22 photographs: construction); - Viviendas, locales y garajes en la M-30, Madrid, AP164.S1.1988.D3 (104 photographs: interior/exterior, construction, model); - Propuesta para la Plaza de Ópera, Madrid, AP164.S1.1988.D4 (2 photographs: model); - Parque de las Naciones, Madrid, AP164.S1.1988.D5 (2 photographs: model); - Centro de calculo de Telefónica, Madrid, AP164.S1.1989.D1 (17 photographs: model); - Proyecto Nomada, Isla de la cartuja, Sevilla (2 photographs: area).
Personnes et institutions:
Date:
1986-1989
1986-1989
Titre:
Ring binder containing photographic materials from nine projects by Abalos & Herreros
Actions:
ARCH271077
Description:
Contains materials from the following projects: - Ordenación de la Plaza Castilla, Madrid, AP164.S1.1986.D6 (45 photographs: area and model); - Ordenación de Nueva Montaña Quijano en Santander, AP164.S1.1987.D1 (54 photographs: area and model); - Ordenación del nudo Puerta de Hierro, AP164.S1.1987.D2 (9 photographs: model); - Prototipo de estructura vertical, Cáceres, AP164.S1.1987.D3 (22 photographs: construction); - Viviendas, locales y garajes en la M-30, Madrid, AP164.S1.1988.D3 (104 photographs: interior/exterior, construction, model); - Propuesta para la Plaza de Ópera, Madrid, AP164.S1.1988.D4 (2 photographs: model); - Parque de las Naciones, Madrid, AP164.S1.1988.D5 (2 photographs: model); - Centro de calculo de Telefónica, Madrid, AP164.S1.1989.D1 (17 photographs: model); - Proyecto Nomada, Isla de la cartuja, Sevilla (2 photographs: area).
Ring binder containing photographic materials from nine projects by Abalos & Herreros
Actions:
ARCH271077
Description:
Contains materials from the following projects: - Ordenación de la Plaza Castilla, Madrid, AP164.S1.1986.D6 (45 photographs: area and model); - Ordenación de Nueva Montaña Quijano en Santander, AP164.S1.1987.D1 (54 photographs: area and model); - Ordenación del nudo Puerta de Hierro, AP164.S1.1987.D2 (9 photographs: model); - Prototipo de estructura vertical, Cáceres, AP164.S1.1987.D3 (22 photographs: construction); - Viviendas, locales y garajes en la M-30, Madrid, AP164.S1.1988.D3 (104 photographs: interior/exterior, construction, model); - Propuesta para la Plaza de Ópera, Madrid, AP164.S1.1988.D4 (2 photographs: model); - Parque de las Naciones, Madrid, AP164.S1.1988.D5 (2 photographs: model); - Centro de calculo de Telefónica, Madrid, AP164.S1.1989.D1 (17 photographs: model); - Proyecto Nomada, Isla de la cartuja, Sevilla (2 photographs: area).
Classification:
photographies
photographies
Date:
1986-1989
1986-1989
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH276836
Description:
Documentation for Queens University Center (model) and Paris Competition (site).
ARCH276836
Description:
Documentation for Queens University Center (model) and Paris Competition (site).
Personnes et institutions:
Date:
1971-1974
1971-1974
Titre:
Documentation slides for Queens University Center and Paris Competition
Actions:
ARCH276836
Description:
Documentation for Queens University Center (model) and Paris Competition (site).
Documentation slides for Queens University Center and Paris Competition
Actions:
ARCH276836
Description:
Documentation for Queens University Center (model) and Paris Competition (site).
Classification:
photographies
photographies
Date:
1971-1974
1971-1974
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH277417
Description:
File's title: 142 Las Palmas. Contains views of the model.
ARCH277417
Description:
File's title: 142 Las Palmas. Contains views of the model.
Personnes et institutions:
Date:
ca. 2001
ca. 2001
Titre:
Design development drawings and graphic materials, Plaza y torre Woermann, Las Palmas, Spain
Actions:
ARCH277417
Description:
File's title: 142 Las Palmas. Contains views of the model.
Design development drawings and graphic materials, Plaza y torre Woermann, Las Palmas, Spain
Actions:
ARCH277417
Description:
File's title: 142 Las Palmas. Contains views of the model.
Classification:
dessins
dessins
Date:
ca. 2001
ca. 2001
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP075.S1.2003.PR06.004
Description:
Original folder entitled "CALGARY COURTHOUSE PLANS / MODEL + PRECEDENT STUDIES".
AP075.S1.2003.PR06.004
Description:
Original folder entitled "CALGARY COURTHOUSE PLANS / MODEL + PRECEDENT STUDIES".
Personnes et institutions:
Date:
2003
2003
Titre:
Previous proposed landscape plans for the Calgary Law Courts, Calgary, Alberta
Actions:
AP075.S1.2003.PR06.004
Description:
Original folder entitled "CALGARY COURTHOUSE PLANS / MODEL + PRECEDENT STUDIES".
Previous proposed landscape plans for the Calgary Law Courts, Calgary, Alberta
Actions:
AP075.S1.2003.PR06.004
Description:
Original folder entitled "CALGARY COURTHOUSE PLANS / MODEL + PRECEDENT STUDIES".
Classification:
dessins
dessins
Date:
2003
2003
Personnes et institutions:
