2908 Résultats
Classification:
événements
événements
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
Date:
16 mars 2017
16 mars 2017
Titre:
C’est toxique ici, mais pas là-bas
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
C’est toxique ici, mais pas là-bas
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
Classification:
événements
événements
Date:
16 mars 2017
16 mars 2017
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Personnes et institutions:
Date:
1998-2006
1998-2006
Titre:
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Niveau de description archivistique:
Project
Project
Date:
1998-2006
1998-2006
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
27 juillet 2017, 18h
27 juillet 2017, 18h
Titre:
Séminaire de chercheur en résidence : Irene Sunwoo
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Séminaire de chercheur en résidence : Irene Sunwoo
Actions:
Description:
Le chercheur en résidence Irene Sunwoo présente sa recherche : Dans les années 1970 et 1980, l’Architectural Association (AA) à Londres a mis à l’essai un modèle d’éducation architecturale « du marché », appuyant un éventail d’études théoriques. Explorant des questions concernant entre autres la politique, la phénoménologie, la sémiotique, la durabilité, la littérature(...)
Classification:
événements
événements
Date:
27 juillet 2017
18h
27 juillet 2017
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Personnes et institutions:
Date:
1954-2010
1954-2010
Titre:
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Classification:
documents textuels
documents textuels
Date:
1954-2010
1954-2010
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les dessins extraordinaires présentés dans cette exposition sont disposés et annotés de façon à montrer le maître architecte de la Renaissance italienne comme un dessinateur devant une feuille blanche. Palladio à l’oeuvre se penche sur une vie portée par le dessin, ce processus à travers lequel Andrea Palladio élabore, défend et diffuse ses créations. Commissaires : Guido(...)
Les dessins extraordinaires présentés dans cette exposition sont disposés et annotés de façon à montrer le maître architecte de la Renaissance italienne comme un dessinateur devant une feuille blanche. Palladio à l’oeuvre se penche sur une vie portée par le dessin, ce processus à travers lequel Andrea Palladio élabore, défend et diffuse ses créations. Commissaires : Guido(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
3 mars 2011 au 22 mai 2011
3 mars 2011 au 22 mai 2011
Titre:
Palladio à l'oeuvre : Une exposition annotée
Actions:
Description:
Les dessins extraordinaires présentés dans cette exposition sont disposés et annotés de façon à montrer le maître architecte de la Renaissance italienne comme un dessinateur devant une feuille blanche. Palladio à l’oeuvre se penche sur une vie portée par le dessin, ce processus à travers lequel Andrea Palladio élabore, défend et diffuse ses créations. Commissaires : Guido(...)
Palladio à l'oeuvre : Une exposition annotée
Actions:
Description:
Les dessins extraordinaires présentés dans cette exposition sont disposés et annotés de façon à montrer le maître architecte de la Renaissance italienne comme un dessinateur devant une feuille blanche. Palladio à l’oeuvre se penche sur une vie portée par le dessin, ce processus à travers lequel Andrea Palladio élabore, défend et diffuse ses créations. Commissaires : Guido(...)
Classification:
expositions
expositions
Date:
3 mars 2011 au
22 mai 2011
3 mars 2011 au
22 mai 2011
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Eva Hollo Vecsei collection
Eva Hollo Vecsei collection
Numéro de référence:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Personnes et institutions:
Date:
1959-2019
1959-2019
Titre:
Eva Hollo Vecsei collection
Actions:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Eva Hollo Vecsei collection
Actions:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1959-2019
1959-2019
Personnes et institutions:
Classification:
événements
événements
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Date:
28 janvier 2016
28 janvier 2016
Titre:
Pratiquer le plaidoyer : Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Pratiquer le plaidoyer : Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson et Jordan Carver présentent le projet de plaidoyer en cours intitulé « Who Builds Your Architecture ? » (WBYA?), qui demande aux architectes et aux professionnels des disciplines associées de mieux comprendre comment la production de bâtiments lie leurs pratiques aux travailleurs migrants de la construction qui construisent leur design. WBYA?, un groupe de(...)
Classification:
événements
événements
Date:
28 janvier 2016
28 janvier 2016
Classification:
événements
événements
Actions:
Description:
H.E.R.E (Homecoming Equity + Regenerative Encounters) [Équité du retour chez-soi + Rencontres régénératrices] et de retour à nouveau : lettres, territoire et mémoire vivante réunit recherches, narrations et dialogues communautaires pour penser la façon dont les relations au territoire sont préservées, remémorées et réinventées au fil des générations. Lancé dans le cadre(...)
H.E.R.E (Homecoming Equity + Regenerative Encounters) [Équité du retour chez-soi + Rencontres régénératrices] et de retour à nouveau : lettres, territoire et mémoire vivante réunit recherches, narrations et dialogues communautaires pour penser la façon dont les relations au territoire sont préservées, remémorées et réinventées au fil des générations. Lancé dans le cadre(...)
Titre:
H.E.R.E. et de retour à nouveau : lettres, territoire et mémoire vivante
Actions:
Description:
H.E.R.E (Homecoming Equity + Regenerative Encounters) [Équité du retour chez-soi + Rencontres régénératrices] et de retour à nouveau : lettres, territoire et mémoire vivante réunit recherches, narrations et dialogues communautaires pour penser la façon dont les relations au territoire sont préservées, remémorées et réinventées au fil des générations. Lancé dans le cadre(...)
H.E.R.E. et de retour à nouveau : lettres, territoire et mémoire vivante
Actions:
Description:
H.E.R.E (Homecoming Equity + Regenerative Encounters) [Équité du retour chez-soi + Rencontres régénératrices] et de retour à nouveau : lettres, territoire et mémoire vivante réunit recherches, narrations et dialogues communautaires pour penser la façon dont les relations au territoire sont préservées, remémorées et réinventées au fil des générations. Lancé dans le cadre(...)
Classification:
événements
événements
Date:
18 juin 2026
14h à 15h30
18 juin 2026
14h à 15h30
Classification:
expositions
expositions
Actions:
Description:
Cette exposition illustre la vision originale de Cornelia Hahn Oberlander, qui conçoit son art avec une conscience sociale et un souci de développement écologique durable au Canada. L’exposition met en lumière une sélection de projets de Cornelia Hahn Oberlander, qui ont été réalisés à Ottawa, à Toronto, à Vancouver, à Yellowknife et à Berlin, au cours d’une période(...)
Cette exposition illustre la vision originale de Cornelia Hahn Oberlander, qui conçoit son art avec une conscience sociale et un souci de développement écologique durable au Canada. L’exposition met en lumière une sélection de projets de Cornelia Hahn Oberlander, qui ont été réalisés à Ottawa, à Toronto, à Vancouver, à Yellowknife et à Berlin, au cours d’une période(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
11 mai 2006 au 30 juillet 2006
11 mai 2006 au 30 juillet 2006
Titre:
Cornelia Hahn Oberlander : paysages écologiques
Actions:
Description:
Cette exposition illustre la vision originale de Cornelia Hahn Oberlander, qui conçoit son art avec une conscience sociale et un souci de développement écologique durable au Canada. L’exposition met en lumière une sélection de projets de Cornelia Hahn Oberlander, qui ont été réalisés à Ottawa, à Toronto, à Vancouver, à Yellowknife et à Berlin, au cours d’une période(...)
Cornelia Hahn Oberlander : paysages écologiques
Actions:
Description:
Cette exposition illustre la vision originale de Cornelia Hahn Oberlander, qui conçoit son art avec une conscience sociale et un souci de développement écologique durable au Canada. L’exposition met en lumière une sélection de projets de Cornelia Hahn Oberlander, qui ont été réalisés à Ottawa, à Toronto, à Vancouver, à Yellowknife et à Berlin, au cours d’une période(...)
Classification:
expositions
expositions
Date:
11 mai 2006 au
30 juillet 2006
11 mai 2006 au
30 juillet 2006
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Personnes et institutions:
Date:
1936-2021
1936-2021
Titre:
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1936-2021
1936-2021
Personnes et institutions:
