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Juin 1940 : les combats et la défaite. Les centres historiques sont dévastés, les châteaux réquisitionnés, les monuments effondrés. Le régime autoritaire de Vichy entreprend le " redressement moral " du pays. Contre l'internationalisme et le cosmopolitisme des avant-gardes, l'architecture française doit retrouver sa grandeur nationale et sa place éminente dans le monde.(...)
avril 2008, Rennes
Les monuments historiques de 1940 à 1959: administration, architecture, urbanisme
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Juin 1940 : les combats et la défaite. Les centres historiques sont dévastés, les châteaux réquisitionnés, les monuments effondrés. Le régime autoritaire de Vichy entreprend le " redressement moral " du pays. Contre l'internationalisme et le cosmopolitisme des avant-gardes, l'architecture française doit retrouver sa grandeur nationale et sa place éminente dans le monde. Dans ce projet, les monuments anciens ont un rôle de tout premier plan. Il ne s'agit pas seulement, en effet, de relever les ruines, mais aussi d'inventer une nouvelle modernité architecturale et urbaine appuyée sur la tradition et le génie artistique propre à la France. Le service des Monuments historiques se rapproche des services de l'urbanisme et de la reconstruction afin d'inventer le nouveau cadre bâti de la France régénérée. Juin l944-Mai 1945: nouvelles destructions et Libération. A la réflexion théorique succède l'action, dans un pays exsangue. Commence le grand chantier de la reconstruction, elles désillusions: crédits insuffisants, rupture du consensus avec les responsables de la construction. Refusant l'habituelle opposition entre architecture et patrimoine, cet ouvrage envisage le monument historique comme un élément à part entière de l'histoire de l'architecture. Il retrace son itinéraire politique et social autant que son destin matériel dans une période agitée, caractérisée par une quantité d'interventions absolument sans précédent.
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Défendre une architecture du bien commun, signifie interroger le bâtiment mais aussi les conditions de son édification, les pratiques spatiales, l’usage social, l’attachement au lieu. En s’appuyant sur des exemples oasiens au Maroc, l’ouvrage développe une réflexion critique qui s’attache à corriger une certaine idée de la modernité afin de définir les conditions d’une(...)
janvier 2020
Architectures du bien commun : pour une éthique de la préservation
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Défendre une architecture du bien commun, signifie interroger le bâtiment mais aussi les conditions de son édification, les pratiques spatiales, l’usage social, l’attachement au lieu. En s’appuyant sur des exemples oasiens au Maroc, l’ouvrage développe une réflexion critique qui s’attache à corriger une certaine idée de la modernité afin de définir les conditions d’une nouvelle régulation de la production architecturale dans un contexte de forte contrainte environnementale. Il s’agit donc de dépasser l’esthétique de l’héritage et interroger plutôt son capital de résilience. C’est cette dynamique constante de l’adaptation qui est en souffrance aujourd’hui et qu’il faut réactiver pour sortir du tout-béton destructeur des potentiels environnementaux et sociétaux.
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How can homes be upgraded to meet today’s demands – from living comfort to energy efficiency and digital requirements? How can the fusion of the historic and the new be used as a design element? The use of existing residential buildings scores not only with the charm of what has been handed down, be it a baroque villa, a 19th-century farmhouse, or a post-war bungalow, but(...)
août 2022
Old becomes new: Housing transformation
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How can homes be upgraded to meet today’s demands – from living comfort to energy efficiency and digital requirements? How can the fusion of the historic and the new be used as a design element? The use of existing residential buildings scores not only with the charm of what has been handed down, be it a baroque villa, a 19th-century farmhouse, or a post-war bungalow, but actually also always with an excellent ecological balance. The extensive reworking, whether modernization, renovation or extension, is a widespread and thoroughly rewarding task for many architects. Since the initial situation is documented for each of the presented projects, the reader can clearly understand the redesign process.
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5 volumes (chiefly illustrations, some color, plans) 31 cm
Bologna, Officine grafiche poligrafici Il Resto del Carlino [1966-68]
Tesori d'arte cristiana, a cura di Stefano Bottari.
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5 volumes (chiefly illustrations, some color, plans) 31 cm
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Bologna, Officine grafiche poligrafici Il Resto del Carlino [1966-68]
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xii, 284 pages : illustrations, map ; 22 cm
Plano, Tex. : Republic of Texas Press, ©2002.
Grand old Texas theaters that won't quit / Joan Upton Hall and Stacey Hasbrook.
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xii, 284 pages : illustrations, map ; 22 cm
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Plano, Tex. : Republic of Texas Press, ©2002.
$54.95
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief(...)
Eugenio Miozzi: Modern Venice between innovation and tradition 1931-1969
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Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Libertà, to the Ponte dell’Accademia; from the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief engineer of the Commune of Venice from 1931 to 1954, carried out a large number of works and projects, including a vast modernist parking garage and the Casino on the Lido. The prolific engineer-architect played a role in the development of the Teatro La Fenice, made plans for the restoration of the city and the extension of the Tronchetto, and designed a translagoon road and a motorway from Venice to Munich. These projects and the others presented in this illustrated volume represent Miozzi’s tireless efforts to guarantee the city’s survival by combining its centuries-old traditions with a spirit of innovation.
Architecture, monographies
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The Viipuri Library has international reputation as a seminal early work of Alvar Aalto, and is a key example of modern architecture. Simultaneously, the meanings associated with it stem from its geopolitical location: the library was originally opened to the Finnish city of Viipuri, but at the end of the World War II the city was annexed to the Soviet Union. Since 1991(...)
The building that disappeared: the Viipuri library by Alvar Aalto
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The Viipuri Library has international reputation as a seminal early work of Alvar Aalto, and is a key example of modern architecture. Simultaneously, the meanings associated with it stem from its geopolitical location: the library was originally opened to the Finnish city of Viipuri, but at the end of the World War II the city was annexed to the Soviet Union. Since 1991 the building has been located in modern day Russia. The title of the book reflects the widely spread misunderstanding that the Library has been lost at war, and future generations can learn about it only from drawings and images. This work unfolds its 'life’ in four thematic chapters, each presenting a totally different perspective to what this building is all about: First, the context of the city of Viipuri, second, the Library as a work of Aalto, third, the time period of the Second World War and the Soviet Union, and last, the international restoration project.
Architecture, monographies
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the(...)
Rome 1600: the city and the visual arts under Clement VIII
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In 1600 Rome was the center of the artistic world. This book offers a new look at the art and architecture of the great Baroque city at this time of major innovation—especially in painting, largely owing to the presence of Annibale Carracci (1560–1609) and Caravaggio (1571–1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter’s, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
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Since 1812, when architect Robert Mills drew up plans for rebuilding the steeple of Independence Hall, the impulse to preserve historic American sites and buildings has snowballed. Today tens of thousands of buildings and some 5000 historic districts are recognized by the federally coordinated National Register of Historic Places. In part an illustrated historical survey,(...)
Keeping time: the history and theory of preservation in America
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Since 1812, when architect Robert Mills drew up plans for rebuilding the steeple of Independence Hall, the impulse to preserve historic American sites and buildings has snowballed. Today tens of thousands of buildings and some 5000 historic districts are recognized by the federally coordinated National Register of Historic Places. In part an illustrated historical survey, in part a handbook for civic activists, this primer by the first Keeper of the National Register of Historic Places traces the shift in the preservation movement from the restoration of isolated landmarks and houses where "Washington slept," to an emphasis on outdoor museums (Old Salem, N.C.; Sturbridge Village, Mass.) and, in recent years, a concern for the neighborhood in which a building stands. Through a case study of the Historic Savannah Foundation, which has saved some 1000 buildings in that city, Murtagh illustrates how the public can treat the built environment as a conservable national resource.
Guides des villes
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Architecture contemporaine
septembre 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Architecture contemporaine