3584 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Personnes et institutions:
Date:
1961-1995
1961-1995
Titre:
Piscina de Marés [Ocean swimming pool], Leça da Palmeira, Matosinhos, Portugal (1961-1966)
Actions:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Piscina de Marés [Ocean swimming pool], Leça da Palmeira, Matosinhos, Portugal (1961-1966)
Actions:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Niveau de description archivistique:
Project
Project
Date:
1961-1995
1961-1995
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
Personnes et institutions:
Date:
1956-c.1970
1956-c.1970
Titre:
Photographs of miscellaneous public buildings and installations in Chandigarh, India
Actions:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
Photographs of miscellaneous public buildings and installations in Chandigarh, India
Actions:
ARCH280811
Description:
Group consists of photographs of various public buildings and installations in Chandigarh, India. There are photographs of bus terminus, including the central bus terminus and industrial buildings. The group also includes photographs of the Cinema in sector 22, the Central State Library in sector 17, office buildings and shopping centres. There are also photographs of the open-air theatre, on the Panjab University campus in sector 14, and photographs of a concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1956-c.1970
1956-c.1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
Personnes et institutions:
Date:
2000-2007
2000-2007
Titre:
Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden, Vancouver, British Columbia (2000)
Actions:
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden, Vancouver, British Columbia (2000)
Actions:
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
Niveau de description archivistique:
Project
Project
Date:
2000-2007
2000-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Personnes et institutions:
Date:
1987-1988
1987-1988
Titre:
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Tudhope Studios, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR07
Description:
This project series documents alterations to Tudhope Studios located at 284 King Street East in Toronto from 1987-1988. The office identified the project number as 18733. This project, headed by Marianne McKenna, consisted of alterations to the interiors and exterior of a two-storey building, originally constructed in 1947. The building, owned by design firm Tudhope Associates Inc., had approximately 12,758 square feet of space, 19 of which were added on the second floor during the alterations. The building's lower floor was used as a wholesale area, the first floor as offices, and the third floor as design studios and workshops. The interiors used a mix of carpeting, vinyl tiles, epoxy terrazzo and unfinished concrete for the floors. The interior walls were largely painted gypsum board while the exterior facade was masonry and stucco. The project also included the design and construction of furnishings inside the offices, such as signs, lighting fixtures, desks and the boardroom table. The project is recorded through drawings and a photograph of the finished exterior dating from 1987-1988. The drawings are mostly originals and include sketches, plans, elevations, sections, details, perspectives, axonometric and furnishing drawings for design and construction. The detail drawings are for the site, exterior, schedules, interiors, stairs and millwork.
Niveau de description archivistique:
Project
Project
Date:
1987-1988
1987-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Personnes et institutions:
Date:
circa 1963
circa 1963
Titre:
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Niveau de description archivistique:
Project
Project
Date:
circa 1963
circa 1963
Personnes et institutions:
Classification:
articles
articles
Titre:
Vers un urbanisme sensoriel
Vers un urbanisme sensoriel
Actions:
Texte de Mirko Zardini
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Classification:
photographies
photographies
Numéro de référence:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Personnes et institutions:
Date:
1960s
1960s
Titre:
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1960s
1960s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Personnes et institutions:
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Titre:
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement de… Bombay
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
9 avril 2009
9 avril 2009
Titre:
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Classification:
événements
événements
Date:
9 avril 2009
9 avril 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
périodiques, photographies
périodiques, photographies
Titre:
Periodicals
Periodicals
Numéro de référence:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Personnes et institutions:
Date:
circa 1957-2015
circa 1957-2015
Titre:
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Classification:
périodiques, photographies
périodiques, photographies
Date:
circa 1957-2015
circa 1957-2015
Personnes et institutions:
