16290 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the residence of architect Gerald Sheff and his wife Shanitha Kachan on Glen Road in Toronto. Oberlander worked on this project from 1997-2000 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. The landscaping project consisted in restoring the grass slope on the side of the driveway leading to the residence, and adding planting, including trees on the around the edge of the property to create more intimacy. The project series contains sketches, design developement drawings, including a landscape section, and working drawings, including site plans, drawing plans and landscape plans. The project series also comprises research material for the project, correspondence, including correspondence with architects and client, and photographs of the existing landscaping and of the construction work.
AP075.S1.2000.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the residence of architect Gerald Sheff and his wife Shanitha Kachan on Glen Road in Toronto. Oberlander worked on this project from 1997-2000 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. The landscaping project consisted in restoring the grass slope on the side of the driveway leading to the residence, and adding planting, including trees on the around the edge of the property to create more intimacy. The project series contains sketches, design developement drawings, including a landscape section, and working drawings, including site plans, drawing plans and landscape plans. The project series also comprises research material for the project, correspondence, including correspondence with architects and client, and photographs of the existing landscaping and of the construction work.
Personnes et institutions:
Date:
2000
2000
Titre:
Sheff Residence, Toronto, Ontario (2000)
Actions:
AP075.S1.2000.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the residence of architect Gerald Sheff and his wife Shanitha Kachan on Glen Road in Toronto. Oberlander worked on this project from 1997-2000 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. The landscaping project consisted in restoring the grass slope on the side of the driveway leading to the residence, and adding planting, including trees on the around the edge of the property to create more intimacy. The project series contains sketches, design developement drawings, including a landscape section, and working drawings, including site plans, drawing plans and landscape plans. The project series also comprises research material for the project, correspondence, including correspondence with architects and client, and photographs of the existing landscaping and of the construction work.
Sheff Residence, Toronto, Ontario (2000)
Actions:
AP075.S1.2000.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the residence of architect Gerald Sheff and his wife Shanitha Kachan on Glen Road in Toronto. Oberlander worked on this project from 1997-2000 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. The landscaping project consisted in restoring the grass slope on the side of the driveway leading to the residence, and adding planting, including trees on the around the edge of the property to create more intimacy. The project series contains sketches, design developement drawings, including a landscape section, and working drawings, including site plans, drawing plans and landscape plans. The project series also comprises research material for the project, correspondence, including correspondence with architects and client, and photographs of the existing landscaping and of the construction work.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Pierre Jeanneret
Pierre Jeanneret
Numéro de référence:
AP156.S4.SS5.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret durant son passage à Chandigarh, en Inde, de 1951 à 1965. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab et du Capitol. Le matériel dans ce dossier a été produit entre 1954 et 1965. Le dossier contient des photographies. File documents the photographs taken by Pierre Jeanneret during his stay at Chandigarh, in India, in 19510 to 1965. The file includes photographs of the everyday life at Chandigarh, private and governmental residences, schools, the Panjab University and the Capitol, and a photograph of furniture he designed. The material in this file was produced between 1954 and 1965. The file contains photographs.
AP156.S4.SS5.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret durant son passage à Chandigarh, en Inde, de 1951 à 1965. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab et du Capitol. Le matériel dans ce dossier a été produit entre 1954 et 1965. Le dossier contient des photographies. File documents the photographs taken by Pierre Jeanneret during his stay at Chandigarh, in India, in 19510 to 1965. The file includes photographs of the everyday life at Chandigarh, private and governmental residences, schools, the Panjab University and the Capitol, and a photograph of furniture he designed. The material in this file was produced between 1954 and 1965. The file contains photographs.
Personnes et institutions:
Date:
1954-1965
1954-1965
Titre:
Pierre Jeanneret
Actions:
AP156.S4.SS5.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret durant son passage à Chandigarh, en Inde, de 1951 à 1965. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab et du Capitol. Le matériel dans ce dossier a été produit entre 1954 et 1965. Le dossier contient des photographies. File documents the photographs taken by Pierre Jeanneret during his stay at Chandigarh, in India, in 19510 to 1965. The file includes photographs of the everyday life at Chandigarh, private and governmental residences, schools, the Panjab University and the Capitol, and a photograph of furniture he designed. The material in this file was produced between 1954 and 1965. The file contains photographs.
Pierre Jeanneret
Actions:
AP156.S4.SS5.D1
Description:
Le dossier documente les photographies prises par Pierre Jeanneret durant son passage à Chandigarh, en Inde, de 1951 à 1965. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab et du Capitol. Le matériel dans ce dossier a été produit entre 1954 et 1965. Le dossier contient des photographies. File documents the photographs taken by Pierre Jeanneret during his stay at Chandigarh, in India, in 19510 to 1965. The file includes photographs of the everyday life at Chandigarh, private and governmental residences, schools, the Panjab University and the Capitol, and a photograph of furniture he designed. The material in this file was produced between 1954 and 1965. The file contains photographs.
Niveau de description archivistique:
Dossier 1
Dossier 1
Date:
1954-1965
1954-1965
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Personnes et institutions:
Date:
1955
1955
Titre:
Paston House School, Cambridge
Actions:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Paston House School, Cambridge
Actions:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Niveau de description archivistique:
File 21
File 21
Date:
1955
1955
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
IBA
IBA
Numéro de référence:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Personnes et institutions:
Date:
1980-1988
1980-1988
Titre:
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Niveau de description archivistique:
File 32
File 32
Date:
1980-1988
1980-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Ice House I (1971)
Ice House I (1971)
Numéro de référence:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Personnes et institutions:
Date:
circa 1971-2015
circa 1971-2015
Titre:
Ice House I (1971)
Actions:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Ice House I (1971)
Actions:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1971-2015
circa 1971-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP149.S1.1984.PR01
Description:
This project series documents Minimum Cost Housing Group's post-occupancy study for Aranya Township, India, which was a newly development township completed in 1988 near Indore. Minimum Cost Housing Group initially work on the design of a plot of the township, which was the first one to be built and served as an alternative model to the whole township. The masterplan for the township was created by architect Balkrishna Doshi and the Vastu-Shilpa Foundation in 1981. The other plots started to be planned by and built in 1989. The Minimum Cost Housing Group then returned to Aranya to undertake the post-occupancy survey of the whole site and students from the group kept studying the site up to 2018. The material for this file was produced between 1984 and 2012. The project series contains slides, study drawings of the township and a publication on the post-occupancy study by the McGill group.
AP149.S1.1984.PR01
Description:
This project series documents Minimum Cost Housing Group's post-occupancy study for Aranya Township, India, which was a newly development township completed in 1988 near Indore. Minimum Cost Housing Group initially work on the design of a plot of the township, which was the first one to be built and served as an alternative model to the whole township. The masterplan for the township was created by architect Balkrishna Doshi and the Vastu-Shilpa Foundation in 1981. The other plots started to be planned by and built in 1989. The Minimum Cost Housing Group then returned to Aranya to undertake the post-occupancy survey of the whole site and students from the group kept studying the site up to 2018. The material for this file was produced between 1984 and 2012. The project series contains slides, study drawings of the township and a publication on the post-occupancy study by the McGill group.
Personnes et institutions:
Date:
1984-2002
1984-2002
Titre:
Aranya township post-occupancy study
Actions:
AP149.S1.1984.PR01
Description:
This project series documents Minimum Cost Housing Group's post-occupancy study for Aranya Township, India, which was a newly development township completed in 1988 near Indore. Minimum Cost Housing Group initially work on the design of a plot of the township, which was the first one to be built and served as an alternative model to the whole township. The masterplan for the township was created by architect Balkrishna Doshi and the Vastu-Shilpa Foundation in 1981. The other plots started to be planned by and built in 1989. The Minimum Cost Housing Group then returned to Aranya to undertake the post-occupancy survey of the whole site and students from the group kept studying the site up to 2018. The material for this file was produced between 1984 and 2012. The project series contains slides, study drawings of the township and a publication on the post-occupancy study by the McGill group.
Aranya township post-occupancy study
Actions:
AP149.S1.1984.PR01
Description:
This project series documents Minimum Cost Housing Group's post-occupancy study for Aranya Township, India, which was a newly development township completed in 1988 near Indore. Minimum Cost Housing Group initially work on the design of a plot of the township, which was the first one to be built and served as an alternative model to the whole township. The masterplan for the township was created by architect Balkrishna Doshi and the Vastu-Shilpa Foundation in 1981. The other plots started to be planned by and built in 1989. The Minimum Cost Housing Group then returned to Aranya to undertake the post-occupancy survey of the whole site and students from the group kept studying the site up to 2018. The material for this file was produced between 1984 and 2012. The project series contains slides, study drawings of the township and a publication on the post-occupancy study by the McGill group.
Niveau de description archivistique:
Project
Project
Date:
1984-2002
1984-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1987-2015
circa 1987-2015
Titre:
Stanza [Room] (1987)
Actions:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Stanza [Room] (1987)
Actions:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Personnes et institutions:
Date:
1995-2014
1995-2014
Titre:
Restauro E Riconversione dell’Edifico Storico "Tonnara dell’Enfola" [Restoration and Conversion of the Historic “Tonnara Dell’Enfola”], Portoferraio, Italy (1995)
Actions:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Restauro E Riconversione dell’Edifico Storico "Tonnara dell’Enfola" [Restoration and Conversion of the Historic “Tonnara Dell’Enfola”], Portoferraio, Italy (1995)
Actions:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Niveau de description archivistique:
Project
Project
Date:
1995-2014
1995-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP156.S3.SS3.D20
Description:
Le dossier documente le projet de Pierre Jeanneret pour le Convocation Hall de l'Université du Panjab, dans le secteur 14 à Chandigarh, Inde. Le matériel dans ce dossier a probablement été produit vers 1961. Le dossier contient des dessins et des reprographies de dessins conceptuels, dessin de developpement du design et de dessins d'exécution. Le dossier contient aussi des photographies de la maquette et des documents textuels. File documents Pierre Jeanneret's project for the Convocation Hall at the Panjab University in sector 14 in Chandigarh, India. Material in this file was probably produced around 1961. The file contains drawings and reprographic copies of conceptual drawings, design developement drawings and working drawings. The file contains also photographs of the model and textual records.
AP156.S3.SS3.D20
Description:
Le dossier documente le projet de Pierre Jeanneret pour le Convocation Hall de l'Université du Panjab, dans le secteur 14 à Chandigarh, Inde. Le matériel dans ce dossier a probablement été produit vers 1961. Le dossier contient des dessins et des reprographies de dessins conceptuels, dessin de developpement du design et de dessins d'exécution. Le dossier contient aussi des photographies de la maquette et des documents textuels. File documents Pierre Jeanneret's project for the Convocation Hall at the Panjab University in sector 14 in Chandigarh, India. Material in this file was probably produced around 1961. The file contains drawings and reprographic copies of conceptual drawings, design developement drawings and working drawings. The file contains also photographs of the model and textual records.
Personnes et institutions:
Date:
ca. 1961
ca. 1961
Titre:
Convocation Hall, Université du Panjab, Secteur 14 = Convocation Hall, Panjab University, Sector 14
Actions:
AP156.S3.SS3.D20
Description:
Le dossier documente le projet de Pierre Jeanneret pour le Convocation Hall de l'Université du Panjab, dans le secteur 14 à Chandigarh, Inde. Le matériel dans ce dossier a probablement été produit vers 1961. Le dossier contient des dessins et des reprographies de dessins conceptuels, dessin de developpement du design et de dessins d'exécution. Le dossier contient aussi des photographies de la maquette et des documents textuels. File documents Pierre Jeanneret's project for the Convocation Hall at the Panjab University in sector 14 in Chandigarh, India. Material in this file was probably produced around 1961. The file contains drawings and reprographic copies of conceptual drawings, design developement drawings and working drawings. The file contains also photographs of the model and textual records.
Convocation Hall, Université du Panjab, Secteur 14 = Convocation Hall, Panjab University, Sector 14
Actions:
AP156.S3.SS3.D20
Description:
Le dossier documente le projet de Pierre Jeanneret pour le Convocation Hall de l'Université du Panjab, dans le secteur 14 à Chandigarh, Inde. Le matériel dans ce dossier a probablement été produit vers 1961. Le dossier contient des dessins et des reprographies de dessins conceptuels, dessin de developpement du design et de dessins d'exécution. Le dossier contient aussi des photographies de la maquette et des documents textuels. File documents Pierre Jeanneret's project for the Convocation Hall at the Panjab University in sector 14 in Chandigarh, India. Material in this file was probably produced around 1961. The file contains drawings and reprographic copies of conceptual drawings, design developement drawings and working drawings. The file contains also photographs of the model and textual records.
Niveau de description archivistique:
Dossier 20
Dossier 20
Date:
ca. 1961
ca. 1961
Personnes et institutions:
