2804 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D186
Description:
File documents an executed project for the installation of the XVIII Triennale di Milano, held in 1992 in Milan, Italy. Material in this file was produced in 1991 and 1992. File contains conceptual drawings, design development drawings, and presentation drawings. File also contains textual records, including sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, brochures, clippings, leaflets, business cards, agendas, a technical report, labels for drawings, exhibition layouts, Triennale catalogues, lists of exhibited works, lists of participants in the Triennale, and notes.
AP142.S1.D186
Description:
File documents an executed project for the installation of the XVIII Triennale di Milano, held in 1992 in Milan, Italy. Material in this file was produced in 1991 and 1992. File contains conceptual drawings, design development drawings, and presentation drawings. File also contains textual records, including sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, brochures, clippings, leaflets, business cards, agendas, a technical report, labels for drawings, exhibition layouts, Triennale catalogues, lists of exhibited works, lists of participants in the Triennale, and notes.
Personnes et institutions:
Date:
1991-1992
1991-1992
Titre:
XVIII Triennale Milano
Actions:
AP142.S1.D186
Description:
File documents an executed project for the installation of the XVIII Triennale di Milano, held in 1992 in Milan, Italy. Material in this file was produced in 1991 and 1992. File contains conceptual drawings, design development drawings, and presentation drawings. File also contains textual records, including sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, brochures, clippings, leaflets, business cards, agendas, a technical report, labels for drawings, exhibition layouts, Triennale catalogues, lists of exhibited works, lists of participants in the Triennale, and notes.
XVIII Triennale Milano
Actions:
AP142.S1.D186
Description:
File documents an executed project for the installation of the XVIII Triennale di Milano, held in 1992 in Milan, Italy. Material in this file was produced in 1991 and 1992. File contains conceptual drawings, design development drawings, and presentation drawings. File also contains textual records, including sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, brochures, clippings, leaflets, business cards, agendas, a technical report, labels for drawings, exhibition layouts, Triennale catalogues, lists of exhibited works, lists of participants in the Triennale, and notes.
Niveau de description archivistique:
File 186
File 186
Date:
1991-1992
1991-1992
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Date:
16 novembre 2016 au 9 avril 2017
16 novembre 2016 au 9 avril 2017
Titre:
Le temps presse
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Le temps presse
Actions:
Description:
À une époque où l’empreinte de l’homme sur la planète atteint un niveau inégalé, certains pays se distinguent par leur situation enviable et la complexité de leur relation au territoire. Les histoires entourant le Canada sont intimement liées à la découverte et à l’appropriation de ressources naturelles à la fois importantes et diversifiées, ainsi qu’à des points de vue(...)
Classification:
expositions
expositions
Date:
16 novembre 2016 au
9 avril 2017
16 novembre 2016 au
9 avril 2017
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS17
Description:
The sub-series documents various exhibitions in which Pettena's work was presented from 1983 to 2019. It includes material related to the 2003 exhibitions "Italie Radicale. Collection du FRAC Centre“ at the FRAC Centre in Orléans and "Archipensieri. Opere 1967-2003" at Museo Fondazione Piaggio in Pontedera. It also contains various files an exhibitions of Pettena's work at the Megalopoli galleria in Milan from 1983-1987. The sub-series contains chiefly photographs of openings or installation views. It also includes correspondence related to the planning of the exhibitions, contracts, promotional materials, and texts by Pettena or copies of texts sent to Pettena for approval.
AP207.S2.SS17
Description:
The sub-series documents various exhibitions in which Pettena's work was presented from 1983 to 2019. It includes material related to the 2003 exhibitions "Italie Radicale. Collection du FRAC Centre“ at the FRAC Centre in Orléans and "Archipensieri. Opere 1967-2003" at Museo Fondazione Piaggio in Pontedera. It also contains various files an exhibitions of Pettena's work at the Megalopoli galleria in Milan from 1983-1987. The sub-series contains chiefly photographs of openings or installation views. It also includes correspondence related to the planning of the exhibitions, contracts, promotional materials, and texts by Pettena or copies of texts sent to Pettena for approval.
Personnes et institutions:
Date:
1983-2019
1983-2019
Titre:
Exhibitions on Pettena's works
Actions:
AP207.S2.SS17
Description:
The sub-series documents various exhibitions in which Pettena's work was presented from 1983 to 2019. It includes material related to the 2003 exhibitions "Italie Radicale. Collection du FRAC Centre“ at the FRAC Centre in Orléans and "Archipensieri. Opere 1967-2003" at Museo Fondazione Piaggio in Pontedera. It also contains various files an exhibitions of Pettena's work at the Megalopoli galleria in Milan from 1983-1987. The sub-series contains chiefly photographs of openings or installation views. It also includes correspondence related to the planning of the exhibitions, contracts, promotional materials, and texts by Pettena or copies of texts sent to Pettena for approval.
Exhibitions on Pettena's works
Actions:
AP207.S2.SS17
Description:
The sub-series documents various exhibitions in which Pettena's work was presented from 1983 to 2019. It includes material related to the 2003 exhibitions "Italie Radicale. Collection du FRAC Centre“ at the FRAC Centre in Orléans and "Archipensieri. Opere 1967-2003" at Museo Fondazione Piaggio in Pontedera. It also contains various files an exhibitions of Pettena's work at the Megalopoli galleria in Milan from 1983-1987. The sub-series contains chiefly photographs of openings or installation views. It also includes correspondence related to the planning of the exhibitions, contracts, promotional materials, and texts by Pettena or copies of texts sent to Pettena for approval.
Niveau de description archivistique:
Subseries
Subseries
Date:
1983-2019
1983-2019
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:004:081
PHCON2002:0016:004:081
Personnes et institutions:
Date:
12 December 1976
12 December 1976
Classification:
documents textuels
documents textuels
Date:
12 December 1976
12 December 1976
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Ciudad del Sol collection
Ciudad del Sol collection
Numéro de référence:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Personnes et institutions:
Date:
1907 - 1913
1907 - 1913
Titre:
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Classification:
archives
Niveau de description archivistique:
collection documentaire
archives
Niveau de description archivistique:
collection documentaire
Date:
1907 - 1913
1907 - 1913
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Localisation:
Salles principales
Salles principales
Date:
26 novembre 2008 au 19 avril 2009
26 novembre 2008 au 19 avril 2009
Titre:
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Classification:
expositions
expositions
Date:
26 novembre 2008 au
19 avril 2009
26 novembre 2008 au
19 avril 2009
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1987-2015
circa 1987-2015
Titre:
Stanza [Room] (1987)
Actions:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Stanza [Room] (1987)
Actions:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Niveau de description archivistique:
Project
Project
Date:
1969-1970
1969-1970
Personnes et institutions:
