8232 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
Personnes et institutions:
Date:
1951-1952
1951-1952
Titre:
Competition for Zuid-Holland Provinciehuis (South Holland Local Government Headquarters), The Hague, Netherlands (1951-1952)
Actions:
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
Competition for Zuid-Holland Provinciehuis (South Holland Local Government Headquarters), The Hague, Netherlands (1951-1952)
Actions:
CI005.S1.1951.PR2
Description:
Oud was one of a number of architects invited to enter the competition for the new offices of the Province of South Holland, a complex due to replace the bombed headquarters on Korte Voorhout. The design for the new site – located on the grounds of a former zoo – was required to conform to the reconstruction plan of the architect-town planner, W.M. Dudok. Oud designed a four-storey building that conformed to building requirement and located the buildings at the southwest corner of the site to accommodate the existing zoo. The governor's residence was also designed, and another two office wings were placed at right angles to the main concentration of buildings. Ultimately, to Oud's great disappointment, the jury selected a design by Peutz for its complex (Taverne et al. 2001, 453-456). Project series includes photographs of perspective drawings and of a model.
Niveau de description archivistique:
project
project
Date:
1951-1952
1951-1952
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Personnes et institutions:
Date:
May 1997
May 1997
Titre:
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Classification:
dessins
dessins
Date:
May 1997
May 1997
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
Personnes et institutions:
Date:
June 1991
June 1991
Titre:
Sketchbook 318: Barcelona Revisão Projecto - Igreja - Santiago - Ceramica - Boavista Paris - Fac. Arq.ra Inter.
Actions:
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
Sketchbook 318: Barcelona Revisão Projecto - Igreja - Santiago - Ceramica - Boavista Paris - Fac. Arq.ra Inter.
Actions:
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
Classification:
dessins
dessins
Date:
June 1991
June 1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
Personnes et institutions:
Date:
1995-2002
1995-2002
Titre:
Centro de control y aula medioambiental de Arico, Tenerife, Spain (1998-2001)
Actions:
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
Centro de control y aula medioambiental de Arico, Tenerife, Spain (1998-2001)
Actions:
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1995-2002
1995-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Personnes et institutions:
Date:
1989-circa 1994
1989-circa 1994
Titre:
Hasbro Headquarters, Phase 2B, Pawtucket, Rhode Island (1991-1994)
Actions:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Hasbro Headquarters, Phase 2B, Pawtucket, Rhode Island (1991-1994)
Actions:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Niveau de description archivistique:
Project
Project
Date:
1989-circa 1994
1989-circa 1994
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.009
Description:
This sketchbook includes sketches for the Vitra International in Germany, Complexo de Habitação e Escritórios na Avenida da Boavista, urban and circulation study for Praça de Espanha and reconstruction of Chiado in Portugal, as well as residential settlement in Schilderswijk and Ceramic Terrain housing and offices in Netherlands. It also includes notes, sketches of people, animals, churches, and kitchen accessories.
AP178.S2.1991.009
Description:
This sketchbook includes sketches for the Vitra International in Germany, Complexo de Habitação e Escritórios na Avenida da Boavista, urban and circulation study for Praça de Espanha and reconstruction of Chiado in Portugal, as well as residential settlement in Schilderswijk and Ceramic Terrain housing and offices in Netherlands. It also includes notes, sketches of people, animals, churches, and kitchen accessories.
Personnes et institutions:
Date:
October 1991
October 1991
Titre:
Sketchbook 322: Boavista - Ceramica- Candeeiro - Vitra - Salemi - Lusitania - Holanda- V. do Conde
Actions:
AP178.S2.1991.009
Description:
This sketchbook includes sketches for the Vitra International in Germany, Complexo de Habitação e Escritórios na Avenida da Boavista, urban and circulation study for Praça de Espanha and reconstruction of Chiado in Portugal, as well as residential settlement in Schilderswijk and Ceramic Terrain housing and offices in Netherlands. It also includes notes, sketches of people, animals, churches, and kitchen accessories.
Sketchbook 322: Boavista - Ceramica- Candeeiro - Vitra - Salemi - Lusitania - Holanda- V. do Conde
Actions:
AP178.S2.1991.009
Description:
This sketchbook includes sketches for the Vitra International in Germany, Complexo de Habitação e Escritórios na Avenida da Boavista, urban and circulation study for Praça de Espanha and reconstruction of Chiado in Portugal, as well as residential settlement in Schilderswijk and Ceramic Terrain housing and offices in Netherlands. It also includes notes, sketches of people, animals, churches, and kitchen accessories.
Classification:
dessins
dessins
Date:
October 1991
October 1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
Personnes et institutions:
Date:
1967-1970
1967-1970
Titre:
State University College at Potsdam, New York (1967)
Actions:
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
State University College at Potsdam, New York (1967)
Actions:
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
Niveau de description archivistique:
project
project
Date:
1967-1970
1967-1970
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280818
Description:
Group consists of photographs of government housing in Chandigarh, India. There are two photographs of the House Type 12-JB in sector 22 or 23, a photograph of the House for Senior officers (House Type 5-J) in sector 16. The group also includes two photographs of the House for Chief Minister (House Type 1) in sector 6 (a view of the Governor's offices) and a photograph of the Circuit House in sector 6.
ARCH280818
Description:
Group consists of photographs of government housing in Chandigarh, India. There are two photographs of the House Type 12-JB in sector 22 or 23, a photograph of the House for Senior officers (House Type 5-J) in sector 16. The group also includes two photographs of the House for Chief Minister (House Type 1) in sector 6 (a view of the Governor's offices) and a photograph of the Circuit House in sector 6.
Personnes et institutions:
Date:
ca. 1956-1966
ca. 1956-1966
Titre:
Photographs of government housing in Chandigarh, India
Actions:
ARCH280818
Description:
Group consists of photographs of government housing in Chandigarh, India. There are two photographs of the House Type 12-JB in sector 22 or 23, a photograph of the House for Senior officers (House Type 5-J) in sector 16. The group also includes two photographs of the House for Chief Minister (House Type 1) in sector 6 (a view of the Governor's offices) and a photograph of the Circuit House in sector 6.
Photographs of government housing in Chandigarh, India
Actions:
ARCH280818
Description:
Group consists of photographs of government housing in Chandigarh, India. There are two photographs of the House Type 12-JB in sector 22 or 23, a photograph of the House for Senior officers (House Type 5-J) in sector 16. The group also includes two photographs of the House for Chief Minister (House Type 1) in sector 6 (a view of the Governor's offices) and a photograph of the Circuit House in sector 6.
Classification:
photographies
photographies
Date:
ca. 1956-1966
ca. 1956-1966
Personnes et institutions:
Classification:
dessins
Quantité:
20 File
dessins
Quantité:
20 File
Numéro de référence:
ARCH41278
Description:
assembly hall for Torpedo and Gunnery School, Combined Shops doors, Central Heating Plant doors, mastic and cement bases for hospital, Hospital galley and foyer, hospital x-ray room, windows and doors for Signal A.S.D.I.C. Building, hospital kitchen, galleys for General Office Building, Signal and A.S.D.I.C. Building conversion to barracks, changes to Barracks Building, counters and partitions, Hospital door, concrete column for General Offices, Hospital passage, pump house, fences and gates
ARCH41278
Description:
assembly hall for Torpedo and Gunnery School, Combined Shops doors, Central Heating Plant doors, mastic and cement bases for hospital, Hospital galley and foyer, hospital x-ray room, windows and doors for Signal A.S.D.I.C. Building, hospital kitchen, galleys for General Office Building, Signal and A.S.D.I.C. Building conversion to barracks, changes to Barracks Building, counters and partitions, Hospital door, concrete column for General Offices, Hospital passage, pump house, fences and gates
Personnes et institutions:
Titre:
Assembly hall for Torpedo and Gunnery School, Combined Shops doors
Actions:
ARCH41278
Description:
assembly hall for Torpedo and Gunnery School, Combined Shops doors, Central Heating Plant doors, mastic and cement bases for hospital, Hospital galley and foyer, hospital x-ray room, windows and doors for Signal A.S.D.I.C. Building, hospital kitchen, galleys for General Office Building, Signal and A.S.D.I.C. Building conversion to barracks, changes to Barracks Building, counters and partitions, Hospital door, concrete column for General Offices, Hospital passage, pump house, fences and gates
Assembly hall for Torpedo and Gunnery School, Combined Shops doors
Actions:
ARCH41278
Description:
assembly hall for Torpedo and Gunnery School, Combined Shops doors, Central Heating Plant doors, mastic and cement bases for hospital, Hospital galley and foyer, hospital x-ray room, windows and doors for Signal A.S.D.I.C. Building, hospital kitchen, galleys for General Office Building, Signal and A.S.D.I.C. Building conversion to barracks, changes to Barracks Building, counters and partitions, Hospital door, concrete column for General Offices, Hospital passage, pump house, fences and gates
Classification:
dessins
Quantité:
20 File
dessins
Quantité:
20 File
Personnes et institutions:
