21482 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Personnes et institutions:
Date:
1971-1989
1971-1989
Titre:
Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63
Description:
File documents an executed project for the Performing Arts Centre, Cornell University, in Ithaca, New York. This project was originally planned in two phases, with the second phase to be constructed at a later date, when funding was made available. File also documents an urban design study of the Collegetown area of the City of Ithaca, encompassing the site of the Performing Arts Centre, as well as unexecuted projects for a hotel and student housing, on a site adjacent to the Performing Arts Centre. These projects were part of an urban redevelopment programme for the Collegetown area, centered on the Performing Arts Centre, and instigated by Cornell University, with the City of Ithaca and private developers. Material in this file was produced between 1971 and 1989. File contains reference and measured drawings, conceptual drawings, a large number of design development drawings, as well as several presentation drawings and working drawings for the Performing Arts Centre. File also contains reference and measured drawings, design development and presentation drawings for the Collegetown urban design study. A smaller number of design development drawings depict hotel and student housing projects. Photographic materials include views of study and presentation models by John Donat Photography, photographers Wolfgang Hoyt (Esto Photographics) and Peter Walser, views of the completed Performing Arts Centre by photographer Richard Bryant, as well as views of existing buildings by photographer John Reis for the Collegetown urban study. Textual records are also present in the file. Study and presentation models represent the Performing Arts Centre.
Niveau de description archivistique:
File 63
File 63
Date:
1971-1989
1971-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Date:
1967-1968
1967-1968
Titre:
Interlake Housing Study
Actions:
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
Interlake Housing Study
Actions:
AP027.S1.D43
Description:
A study of the housing stock and community facilities with reference to regional development in the Interlake area of Manitoba. This project assesses the regional development possibilities and proposed future urban patterns based on land use, resource development, and economic goals anticipated by 1979.
Niveau de description archivistique:
File 43
File 43
Date:
1967-1968
1967-1968
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Niveau de description archivistique:
Projet
Projet
Titre:
Tarnòw
Tarnòw
Numéro de référence:
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
Personnes et institutions:
Date:
between 1945 and 1950
between 1945 and 1950
Titre:
Tarnòw
Actions:
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
Tarnòw
Actions:
AP163.S1.SS1.D21
Description:
File documents Victor Prus's urban planning project for Tarnòw, Poland. Material in this file was produced between 1945 and 1950, in England. Drawings in this file are original work, mostly paint on paper. File contains presentation drawings and textual records.
Niveau de description archivistique:
File 21
File 21
Date:
between 1945 and 1950
between 1945 and 1950
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Numéro de référence:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Personnes et institutions:
Date:
1933-1934
1933-1934
Titre:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Niveau de description archivistique:
Series
Series
Date:
1933-1934
1933-1934
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Personnes et institutions:
Date:
1975-1978
1975-1978
Titre:
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Classification:
documents textuels
documents textuels
Date:
1975-1978
1975-1978
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Photograph Collections
Photograph Collections
Numéro de référence:
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
Personnes et institutions:
Date:
1949-1985
1949-1985
Titre:
Photograph Collections
Actions:
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
Photograph Collections
Actions:
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
Niveau de description archivistique:
Series 5
Series 5
Date:
1949-1985
1949-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Northern Airlift (1967-1968)
Northern Airlift (1967-1968)
Numéro de référence:
AP027.S1.D41
Description:
This project series documents a proposed scheme for the weekly flying of personnel to northern mining camps as an alternative to building new towns in the North. An airstrip integrated into the transportation system of a large urban centre would allow labour to commute to remote job sites.
AP027.S1.D41
Description:
This project series documents a proposed scheme for the weekly flying of personnel to northern mining camps as an alternative to building new towns in the North. An airstrip integrated into the transportation system of a large urban centre would allow labour to commute to remote job sites.
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Date:
1967-1968
1967-1968
Titre:
Northern Airlift (1967-1968)
Actions:
AP027.S1.D41
Description:
This project series documents a proposed scheme for the weekly flying of personnel to northern mining camps as an alternative to building new towns in the North. An airstrip integrated into the transportation system of a large urban centre would allow labour to commute to remote job sites.
Northern Airlift (1967-1968)
Actions:
AP027.S1.D41
Description:
This project series documents a proposed scheme for the weekly flying of personnel to northern mining camps as an alternative to building new towns in the North. An airstrip integrated into the transportation system of a large urban centre would allow labour to commute to remote job sites.
Niveau de description archivistique:
File 41
File 41
Date:
1967-1968
1967-1968
Personnes et institutions:
Sujet:
urbanisme
urbanisme
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP187.S1.1952.PR02
Description:
This project series documents a student project which was likely an urban plan for Weissenfels, Germany. It was probably produced during his year at the Hochschule für Bildende Künste Berlin. Material was produced in 1952 and 1953. Documenting the project are black-and-white photographs.
AP187.S1.1952.PR02
Description:
This project series documents a student project which was likely an urban plan for Weissenfels, Germany. It was probably produced during his year at the Hochschule für Bildende Künste Berlin. Material was produced in 1952 and 1953. Documenting the project are black-and-white photographs.
Personnes et institutions:
Date:
1952-1953
1952-1953
Titre:
Studenten Arbeit, Weissenfels, Germany (1952-1953)
Actions:
AP187.S1.1952.PR02
Description:
This project series documents a student project which was likely an urban plan for Weissenfels, Germany. It was probably produced during his year at the Hochschule für Bildende Künste Berlin. Material was produced in 1952 and 1953. Documenting the project are black-and-white photographs.
Studenten Arbeit, Weissenfels, Germany (1952-1953)
Actions:
AP187.S1.1952.PR02
Description:
This project series documents a student project which was likely an urban plan for Weissenfels, Germany. It was probably produced during his year at the Hochschule für Bildende Künste Berlin. Material was produced in 1952 and 1953. Documenting the project are black-and-white photographs.
Niveau de description archivistique:
Project
Project
Date:
1952-1953
1952-1953
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D5
Description:
The project series documents the individual design of a tree grate. The firm identified this project as number 183. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are design development drawings
AP164.S1.2004.D5
Description:
The project series documents the individual design of a tree grate. The firm identified this project as number 183. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are design development drawings
Personnes et institutions:
Date:
circa 2003-2004
circa 2003-2004
Titre:
Alcorque para León, Spain (2004)
Actions:
AP164.S1.2004.D5
Description:
The project series documents the individual design of a tree grate. The firm identified this project as number 183. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are design development drawings
Alcorque para León, Spain (2004)
Actions:
AP164.S1.2004.D5
Description:
The project series documents the individual design of a tree grate. The firm identified this project as number 183. This project is related to the urban and landscaping development project in the area of La Lastra, in León (AP164.S1.2003.D10). Documenting the project are design development drawings
Niveau de description archivistique:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Personnes et institutions:
Date:
1947, 1970-2012
1947, 1970-2012
Titre:
Fonds Minimum Cost Housing Group
Actions:
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Fonds Minimum Cost Housing Group
Actions:
AP149
Résumé:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947, 1970-2012
1947, 1970-2012
Personnes et institutions:
