recherche
Subventions de recherche Groupe Banque TD dans la collection du CCA : Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook(...)
juin 2015 au septembre 2015
Programme pour les doctorants 2015
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook(...)
recherche
juin 2015 au
septembre 2015
Sous-série
AP032.S3.D5
Description:
Architectural drawings and photographs of models by graduate students relating to thesis projects.
1950-1996
Student Drawings and Photographs
Actions:
AP032.S3.D5
Description:
Architectural drawings and photographs of models by graduate students relating to thesis projects.
File 5
1950-1996
Sous-série
SOM Project Drawings
AP032.S2.SS1.D2
Description:
Architectural and structural working drawings for 4 SOM buildings (1955-1958).
1955-1958
SOM Project Drawings
Actions:
AP032.S2.SS1.D2
Description:
Architectural and structural working drawings for 4 SOM buildings (1955-1958).
File 2
1955-1958
livres
ARCH269252
1976
livres
1976
Projet
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
circa 1967-2015
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Project
circa 1967-2015
des pros : construction auto-documentée sur les réseaux sociaux étudie l’émergence, sur les médias sociaux, de clips populaires documentant les travaux de construction par les personnes présentes sur le chantier elles-mêmes. Inspirés par l’essor de l’économie de la création, les entrepreneurs, les ouvriers et les artisans ont commencé à enregistrer et à partager leurs(...)
salle octogonale Mot(s)-clé(s):
médias sociaux, TikTok, Instagram, photographie d'architecture, travailleurs de la construction, main-d'œuvre, compétences
juin 2024 au octobre 2024
des pros : construction auto documentée sur les réseaux sociaux
Actions:
Description:
des pros : construction auto-documentée sur les réseaux sociaux étudie l’émergence, sur les médias sociaux, de clips populaires documentant les travaux de construction par les personnes présentes sur le chantier elles-mêmes. Inspirés par l’essor de l’économie de la création, les entrepreneurs, les ouvriers et les artisans ont commencé à enregistrer et à partager leurs(...)
salle octogonale Mot(s)-clé(s):
médias sociaux, TikTok, Instagram, photographie d'architecture, travailleurs de la construction, main-d'œuvre, compétences
documents textuels
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
1985-1997
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
documents textuels
1985-1997
DR1985:0388:001-006
Description:
- In this letter from J.J.P. Oud to Sigfried Giedion, Oud critiques Giedon's book about Modernist Dutch architecture (title not indicated). Oud challenges several points made by Giedion and rebukes the author for his anti-socialist approach to architectural analysis. Oud suggests a less romantic and speculative methodology, and concludes the letter with a proposal to meet with the author and discuss their ideas. The letter is addressed to "Pep", Sigfried Giedion's nickname.
architecture
24 June 1928
Letter from J.J.P. Oud to Sigfried [Pep] Giedion, 28 June 1924, Rotterdam, Netherlands
Actions:
DR1985:0388:001-006
Description:
- In this letter from J.J.P. Oud to Sigfried Giedion, Oud critiques Giedon's book about Modernist Dutch architecture (title not indicated). Oud challenges several points made by Giedion and rebukes the author for his anti-socialist approach to architectural analysis. Oud suggests a less romantic and speculative methodology, and concludes the letter with a proposal to meet with the author and discuss their ideas. The letter is addressed to "Pep", Sigfried Giedion's nickname.
architecture
recherche
Subventions de recherche Groupe Banque TD dans la collection du CCA : José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan(...)
juin 2013 au août 2013
Programme pour les doctorants 2013
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan(...)
recherche
juin 2013 au
août 2013
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
architecture, portrait
1930-1931
Portrait of D. Fridman and G. Glushchenko through a glass model for the Building of Industry, Sverdlovsk, Soviet Union (now Ekaterinburg, Russia)
Actions:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
architecture, portrait