118876 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Personnes et institutions:
Date:
1967-1968
1967-1968
Titre:
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Niveau de description archivistique:
Project
Project
Date:
1967-1968
1967-1968
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Date:
septembre 2000 au août 2001
septembre 2000 au août 2001
Titre:
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Classification:
recherche
recherche
Date:
septembre 2000 au
août 2001
septembre 2000 au
août 2001
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
Classification:
articles
articles
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
articles
articles
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
articles
articles
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
articles
articles
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
articles
articles
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
articles
articles
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Mot(s)-clé(s):
Monarchie de Juillet, Jeu des monuments de Paris, jeu, jeu de sociéte, monuments, Paris, Napoléon Bonaparte, Arc de Triomphe
Monarchie de Juillet, Jeu des monuments de Paris, jeu, jeu de sociéte, monuments, Paris, Napoléon Bonaparte, Arc de Triomphe
Publié:
18 septembre 2009
18 septembre 2009
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
articles
articles
Dossier:
Architecture de l’invocation
Architecture de l’invocation
