8496 Résultats
Classification:
événements
événements
Localisation:
en ligne Mot(s)-clé(s):
Charrette interuniversitaire 2021, george floyd, après macdonald, statue
en ligne Mot(s)-clé(s):
Charrette interuniversitaire 2021, george floyd, après macdonald, statue
Date:
11 novembre 2021 au 19 novembre 2021, 18h30
11 novembre 2021 au 19 novembre 2021, 18h30
Classification:
événements
événements
Date:
11 novembre 2021 au
19 novembre 2021
18h30
11 novembre 2021 au
19 novembre 2021
18h30
Localisation:
en ligne Mot(s)-clé(s):
Charrette interuniversitaire 2021, george floyd, après macdonald, statue
en ligne Mot(s)-clé(s):
Charrette interuniversitaire 2021, george floyd, après macdonald, statue
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
Personnes et institutions:
Date:
February 1978
February 1978
Titre:
Sketchbook 17: A. Nobre - BB - Bouça - Berlim Fr.
Actions:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
Sketchbook 17: A. Nobre - BB - Bouça - Berlim Fr.
Actions:
AP178.S2.1978.001
Description:
This sketchbook includes sketches for the Banco Borges & Irmão in Vila do Conde, Portugal and for the Bouça housing complex in Porto, Portugal. It also contains notes regarding Berlin, Germany and some monuments as well as what appears to be studies of block apartments in Berlin.
Classification:
dessins
dessins
Date:
February 1978
February 1978
Personnes et institutions:
Classification:
événements
événements
Titre:
Adieu, Mel
Adieu, Mel
Actions:
Description:
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
23 janvier 2013 , 18h
23 janvier 2013 , 18h
Titre:
Adieu, Mel
Actions:
Description:
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Adieu, Mel
Actions:
Description:
Dans une conversation sur la vie et la carrière de l’artiste-architecte feu Melvin Charney, le CCA rend hommage à son l’oeuvre. Décédé le 17 septembre 2012, Charney était un ami proche du CCA dans la mesure où il a conçu et élaboré son jardin de sculpture. Pour lui rendre hommage, George Baird, Serge Carreau, Odile Decq, Alan J. Knight et Gwendolyn Owens analysent son(...)
Classification:
événements
événements
Date:
23 janvier 2013
18h
23 janvier 2013
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1870s-1880s
1870s-1880s
Titre:
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Classification:
photographies
photographies
Date:
1870s-1880s
1870s-1880s
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Titre:
Un dictionnaire
Un dictionnaire
Numéro de référence:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Personnes et institutions:
Date:
1970-2001
1970-2001
Titre:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Niveau de description archivistique:
Project
Project
Date:
1970-2001
1970-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Personnes et institutions:
Date:
1985
1985
Titre:
Mémoire présenté au Comité consultatif du Vieux-Port de Montréal
Actions:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Mémoire présenté au Comité consultatif du Vieux-Port de Montréal
Actions:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Niveau de description archivistique:
Projet
Projet
Date:
1985
1985
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Cedric Price
Fonds Cedric Price
Numéro de référence:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Personnes et institutions:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Titre:
Fonds Cedric Price
Actions:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Fonds Cedric Price
Actions:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1985:0638
Description:
war memorial monument with sculptural relief
DR1985:0638
Description:
war memorial monument with sculptural relief
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1937-1938
1937-1938
Titre:
Perspective sketch of the Memorial to Paul Vaillant-Couturier
Actions:
DR1985:0638
Description:
war memorial monument with sculptural relief
Perspective sketch of the Memorial to Paul Vaillant-Couturier
Actions:
DR1985:0638
Description:
war memorial monument with sculptural relief
Classification:
dessins
dessins
Date:
1937-1938
1937-1938
Personnes et institutions:
Sujet:
architecture
architecture
