8325 Résultats
Classification:
photographies
Quantité:
14 File
photographies
Quantité:
14 File
Numéro de référence:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Personnes et institutions:
Date:
1967
1967
Titre:
Coloured slides of the Pavilions of Trinidad & Tobago, and Grenada, of India, of the Katimavik and of the Steel Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Coloured slides of the Pavilions of Trinidad & Tobago, and Grenada, of India, of the Katimavik and of the Steel Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Classification:
photographies
Quantité:
14 File
photographies
Quantité:
14 File
Date:
1967
1967
Personnes et institutions:
Classification:
articles
articles
Titre:
Empire
Empire
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Mot(s)-clé(s):
pouvoir, empire, Desert Storm, Victory Day, jet, bombardier, vol, furtif, Lockheed, Boeing, hélicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dôme, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, bassin
pouvoir, empire, Desert Storm, Victory Day, jet, bombardier, vol, furtif, Lockheed, Boeing, hélicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dôme, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, bassin
Publié:
23 juillet 2009
23 juillet 2009
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Cedric Price
Fonds Cedric Price
Numéro de référence:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Personnes et institutions:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Titre:
Fonds Cedric Price
Actions:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Fonds Cedric Price
Actions:
AP144
Résumé:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0313
Description:
The temple was moved four kilometres west between 1960 and 1980 as part of the International Campaign to Save the Monuments of Nubia.
PH1979:0313
Description:
The temple was moved four kilometres west between 1960 and 1980 as part of the International Campaign to Save the Monuments of Nubia.
Personnes et institutions:
Date:
ca. 1850
ca. 1850
Titre:
View of the Temple of Maharraqa, Lower Nubia (relocated to New Wadi es-Sebua), Egypt
Actions:
PH1979:0313
Description:
The temple was moved four kilometres west between 1960 and 1980 as part of the International Campaign to Save the Monuments of Nubia.
View of the Temple of Maharraqa, Lower Nubia (relocated to New Wadi es-Sebua), Egypt
Actions:
PH1979:0313
Description:
The temple was moved four kilometres west between 1960 and 1980 as part of the International Campaign to Save the Monuments of Nubia.
Classification:
photographies
photographies
Date:
ca. 1850
ca. 1850
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Personnes et institutions:
Date:
[1800-1868]
[1800-1868]
Titre:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Niveau de description archivistique:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Personnes et institutions:
Date:
1936-2021
1936-2021
Titre:
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1936-2021
1936-2021
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:057:002
Description:
Panels and unfolded brochures related to the following projects: - Other monuments; - Le trésor de Trois-Rivières; - Memo series; - Fragments; - Un dictionnaire...; - Corridart (brochures).
DR2012:0012:057:002
Description:
Panels and unfolded brochures related to the following projects: - Other monuments; - Le trésor de Trois-Rivières; - Memo series; - Fragments; - Un dictionnaire...; - Corridart (brochures).
Personnes et institutions:
Date:
1969-1977
1969-1977
Titre:
Various posters and brochures related to Melvin Charney's exhibitions and projects
Actions:
DR2012:0012:057:002
Description:
Panels and unfolded brochures related to the following projects: - Other monuments; - Le trésor de Trois-Rivières; - Memo series; - Fragments; - Un dictionnaire...; - Corridart (brochures).
Various posters and brochures related to Melvin Charney's exhibitions and projects
Actions:
DR2012:0012:057:002
Description:
Panels and unfolded brochures related to the following projects: - Other monuments; - Le trésor de Trois-Rivières; - Memo series; - Fragments; - Un dictionnaire...; - Corridart (brochures).
Classification:
dessins
dessins
Date:
1969-1977
1969-1977
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1987:1193.06:001-051
Description:
Volume six of twelve; contains primarily views of monuments, gardens, alleys, national and thematic pavilions, including the Eiffel Tower, Paris World Exposition of 1889.
PH1987:1193.06:001-051
Description:
Volume six of twelve; contains primarily views of monuments, gardens, alleys, national and thematic pavilions, including the Eiffel Tower, Paris World Exposition of 1889.
Personnes et institutions:
Date:
1889
1889
Titre:
Exposition universelle de 1889: Jardins
Actions:
PH1987:1193.06:001-051
Description:
Volume six of twelve; contains primarily views of monuments, gardens, alleys, national and thematic pavilions, including the Eiffel Tower, Paris World Exposition of 1889.
Exposition universelle de 1889: Jardins
Actions:
PH1987:1193.06:001-051
Description:
Volume six of twelve; contains primarily views of monuments, gardens, alleys, national and thematic pavilions, including the Eiffel Tower, Paris World Exposition of 1889.
Classification:
photographies
photographies
Date:
1889
1889
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1988:0331
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0331
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Titre:
Design for an altar with an altarpiece showing the Baptism of Christ
Actions:
DR1988:0331
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Baptism of Christ
Actions:
DR1988:0331
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1988:0306
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0306
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Titre:
Half-elevation of Michelangelo's design for San Giovanni dei Fiorentini, Rome
Actions:
DR1988:0306
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Half-elevation of Michelangelo's design for San Giovanni dei Fiorentini, Rome
Actions:
DR1988:0306
Description:
- The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Personnes et institutions:
Sujet:
architecture
architecture
