14849 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Aditya Prakash fonds
Aditya Prakash fonds
Numéro de référence:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2008
1947-2008
Personnes et institutions:
Classification:
articles
articles
Dossier:
Trajets et transferts
Trajets et transferts
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
Personnes et institutions:
Date:
1974-1981
1974-1981
Titre:
D. Programmes and Publications, 1978-1981: 4. Oppositions Magazine
Actions:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
D. Programmes and Publications, 1978-1981: 4. Oppositions Magazine
Actions:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
Classification:
documents textuels
documents textuels
Date:
1974-1981
1974-1981
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Comparative critical analysis (1973-2015, 2018)
Actions:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Comparative critical analysis (1973-2015, 2018)
Actions:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH257818
Description:
« Sketches Abroad » par Millard Sheets; « Heards from life », «How to draw the head », « Figures From Life » par Walter F. Foster; « How to Draw Horses » par Don Louis Perceval; « Modern Architecture » par Allen M. Weary.
ARCH257818
Description:
« Sketches Abroad » par Millard Sheets; « Heards from life », «How to draw the head », « Figures From Life » par Walter F. Foster; « How to Draw Horses » par Don Louis Perceval; « Modern Architecture » par Allen M. Weary.
Personnes et institutions:
Date:
publié 1930
publié 1930
Titre:
Livres sur le dessin
Actions:
ARCH257818
Description:
« Sketches Abroad » par Millard Sheets; « Heards from life », «How to draw the head », « Figures From Life » par Walter F. Foster; « How to Draw Horses » par Don Louis Perceval; « Modern Architecture » par Allen M. Weary.
Livres sur le dessin
Actions:
ARCH257818
Description:
« Sketches Abroad » par Millard Sheets; « Heards from life », «How to draw the head », « Figures From Life » par Walter F. Foster; « How to Draw Horses » par Don Louis Perceval; « Modern Architecture » par Allen M. Weary.
Classification:
livres
livres
Date:
publié 1930
publié 1930
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
John C. Parkin fonds
John C. Parkin fonds
Numéro de référence:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Personnes et institutions:
Date:
1929-1987
1929-1987
Titre:
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1929-1987
1929-1987
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Carousels of lecture slides
Carousels of lecture slides
Numéro de référence:
ARCH255628
Description:
2 carousels of "Lecture slides of 1972 Munich Olympics"; 2 carousels of "Swiss (Modern) architecture slides of lecture by M.G."; 2 carousels of "Myron Goldsmith basic lecture, very important summary of M.G. work and philosophy"
ARCH255628
Description:
2 carousels of "Lecture slides of 1972 Munich Olympics"; 2 carousels of "Swiss (Modern) architecture slides of lecture by M.G."; 2 carousels of "Myron Goldsmith basic lecture, very important summary of M.G. work and philosophy"
Personnes et institutions:
Titre:
Carousels of lecture slides
Actions:
ARCH255628
Description:
2 carousels of "Lecture slides of 1972 Munich Olympics"; 2 carousels of "Swiss (Modern) architecture slides of lecture by M.G."; 2 carousels of "Myron Goldsmith basic lecture, very important summary of M.G. work and philosophy"
Carousels of lecture slides
Actions:
ARCH255628
Description:
2 carousels of "Lecture slides of 1972 Munich Olympics"; 2 carousels of "Swiss (Modern) architecture slides of lecture by M.G."; 2 carousels of "Myron Goldsmith basic lecture, very important summary of M.G. work and philosophy"
Classification:
photographies
photographies
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:098:011
Description:
File containing two complete photocopies of the article, "Architectural references: the consequences of the post-modern in contemporary art and architecture", from Vanguard vol. 9, no.4 (May 1980), which makes reference to Melvin Charney. Original folder inscribed in graphite: VANGUARD / MAY 1980
DR2012:0012:098:011
Description:
File containing two complete photocopies of the article, "Architectural references: the consequences of the post-modern in contemporary art and architecture", from Vanguard vol. 9, no.4 (May 1980), which makes reference to Melvin Charney. Original folder inscribed in graphite: VANGUARD / MAY 1980
Personnes et institutions:
Date:
1980
1980
Titre:
Article with reference to Melvin Charney
Actions:
DR2012:0012:098:011
Description:
File containing two complete photocopies of the article, "Architectural references: the consequences of the post-modern in contemporary art and architecture", from Vanguard vol. 9, no.4 (May 1980), which makes reference to Melvin Charney. Original folder inscribed in graphite: VANGUARD / MAY 1980
Article with reference to Melvin Charney
Actions:
DR2012:0012:098:011
Description:
File containing two complete photocopies of the article, "Architectural references: the consequences of the post-modern in contemporary art and architecture", from Vanguard vol. 9, no.4 (May 1980), which makes reference to Melvin Charney. Original folder inscribed in graphite: VANGUARD / MAY 1980
Classification:
documents textuels
documents textuels
Date:
1980
1980
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Sur les traces de… fenêtres
Sur les traces de… fenêtres
Actions:
Description:
Une fenêtre peut être un vide, une ouverture ou devenir une surface de verre. Placées aux frontières de l’intérieur et de l’extérieur, les fenêtres permettent à la lumière et à l’air d’entrer, et cadrent les vues. L’idée de fenêtre, combinée aux avancées dans les domaines du verre et des matériaux de construction, devient centrale dans l’expérimentation architecturale au(...)
Une fenêtre peut être un vide, une ouverture ou devenir une surface de verre. Placées aux frontières de l’intérieur et de l’extérieur, les fenêtres permettent à la lumière et à l’air d’entrer, et cadrent les vues. L’idée de fenêtre, combinée aux avancées dans les domaines du verre et des matériaux de construction, devient centrale dans l’expérimentation architecturale au(...)
Localisation:
Vitrines
Vitrines
Date:
17 juin 2010 au 27 septembre 2010
17 juin 2010 au 27 septembre 2010
Titre:
Sur les traces de… fenêtres
Actions:
Description:
Une fenêtre peut être un vide, une ouverture ou devenir une surface de verre. Placées aux frontières de l’intérieur et de l’extérieur, les fenêtres permettent à la lumière et à l’air d’entrer, et cadrent les vues. L’idée de fenêtre, combinée aux avancées dans les domaines du verre et des matériaux de construction, devient centrale dans l’expérimentation architecturale au(...)
Sur les traces de… fenêtres
Actions:
Description:
Une fenêtre peut être un vide, une ouverture ou devenir une surface de verre. Placées aux frontières de l’intérieur et de l’extérieur, les fenêtres permettent à la lumière et à l’air d’entrer, et cadrent les vues. L’idée de fenêtre, combinée aux avancées dans les domaines du verre et des matériaux de construction, devient centrale dans l’expérimentation architecturale au(...)
Classification:
expositions
expositions
Date:
17 juin 2010 au
27 septembre 2010
17 juin 2010 au
27 septembre 2010
Localisation:
Vitrines
Vitrines
