61975 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Cache fonds
Bernard Cache fonds
Numéro de référence:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Personnes et institutions:
Date:
1992-2011
1992-2011
Titre:
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1992-2011
1992-2011
Personnes et institutions:
Classification:
livres, oeuvres d'art
livres, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, ingénierie
architecture, architecture de paysage, ingénierie
Date:
published 1837
published 1837
Titre:
MUSÉUM / D'HISTOIRE NATURELLE / SERRES CHAUDES, / GALERIE DE MINÉRALOGIE, / ETC. ETC. / PAR. CH. ROHAULT FILS, / ARCHITECTE DU MUSÉUM, ANCIEN ÉLEVE DE L'ECOLE POLYTECHNIQUE
Actions:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
MUSÉUM / D'HISTOIRE NATURELLE / SERRES CHAUDES, / GALERIE DE MINÉRALOGIE, / ETC. ETC. / PAR. CH. ROHAULT FILS, / ARCHITECTE DU MUSÉUM, ANCIEN ÉLEVE DE L'ECOLE POLYTECHNIQUE
Actions:
DR1974:0002:004:001-022
Description:
- This book contains 8 pages of text primarily describing projects by Charles Rohault de Fleury for the Muséum national d'histoire naturelle. The text is followed by a lithograph after Lemaitre, which depicts the exterior of the "serres chaudes", and by 14 prints engraved/etched by Marlier depicting the buildings designed by Rohault de Fleury for the Muséum national d'histoire naturelle between 1833 and 1839. The "serres chaudes" are illustrated by 8 prints: interior perspectives, plans, elevations, sections and details of the prefabricated columns. Four prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs - mostly elevations, plans and sections. Also included is a site plan of the Muséum national d'histoire naturelle and one print of comparative examples - mostly plans, sections and details - of English "serres chaudes", including the Warm House and the Temperate House at the Colosseum in London, the Temperate House at the Royal Botanic Gardens in Kew, Camellia House and Palm House at Loddiges Nursery in Hackney, and a glasshouse with a semidome, also in Hackney.
Classification:
livres, oeuvres d'art
livres, oeuvres d'art
Date:
published 1837
published 1837
Personnes et institutions:
Sujet:
architecture, architecture de paysage, ingénierie
architecture, architecture de paysage, ingénierie
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0027
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 and DR1987:0027. The first (DR1987:0026), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second (this print) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
DR1987:0027
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 and DR1987:0027. The first (DR1987:0026), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second (this print) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
published August 1586
published August 1586
Titre:
The lowering of the Vatican obelisk
Actions:
DR1987:0027
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 and DR1987:0027. The first (DR1987:0026), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second (this print) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
The lowering of the Vatican obelisk
Actions:
DR1987:0027
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 and DR1987:0027. The first (DR1987:0026), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second (this print) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Classification:
oeuvres d'art
oeuvres d'art
Date:
published August 1586
published August 1586
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
dessins
dessins
Numéro de référence:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1915
1915
Titre:
First floor plan for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
First floor plan for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:002
Description:
- This first floor plan, with the perspective (DR1980:0060:001) and the second floor plan (DR1980:0060:003) form a set of early presentation drawings. The scale is probably 1/4" = 1' (see object file, de Long report). This plan indicates reworking in the porch/stair and service entrance areas which appear in Hitchcock's book (plate 201) and were built as sketched. The fireplace and seat in the living room were shifted and subsequently built as sketched, as was the ice room. The wall added to the right was shifted back in the final Hitchcock plan. The entry behind the livingroom has sketched-in doors at the rear, as seen in the Hitchcock drawing -- other doors do not yet appear, nor does the garden court. The house became more private in the final adjustments to the site. Wright's further changes are: the wall extending left was crossed out; a freehand wall is roughed in to right; heavy masonry walls are roughed in to left over former wall. (There are other miscellaneous markings and crosshatchings in the reworking.)
Classification:
dessins
dessins
Date:
1915
1915
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Niveau de description archivistique:
Project
Project
Date:
1972-1980
1972-1980
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Education
Education
Numéro de référence:
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Personnes et institutions:
Date:
1800-1807
1800-1807
Titre:
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Education
CI001.S1.D1
Description:
Hubert Rohault de Fleury studied under Jean-Nicolas-Louis Durand at the École polytechnique and with Julien-David Leroy at the École des beaux-arts. The confluence of their respective pedagogies is evident in albums DR1974:0002:012:001-049 and DR1974:0002:013:001-008 where Durand's` "rationalized" methodology of design is applied to Leroy's vocabulary of antiquity(1). Hubert's two albums of student drawings for the École des Beaux-Arts (DR1974:0002:012:001-049 and DR1974:0002:013:001-008) are complimentary. The former contains competition drawings and programmes for the monthly competitions (Concours d'emulation) as well as drawing, prints, and programmes for the 1800 (2e), 1801, and 1802 (1er) Grand Prix competitions, each of which trace the entire process from "Concours d'essai" and "esquisse", up to and including, studies for final renderings. The latter album contains large-scale final renderings for the 1800, 1801, and possibly the 1798 Grand prix competitions. As in Durand's "mecanisme de la composition", Hubert proceeds from the simple to the complex, often utilizing the graph paper or hand drawn grid particular to Durand's design methodology (codified in his book 'Precis des Lecons' 1802). This process is readily apparent in both Hubert's "Concours d'emulation" drawings, and, more completely, in the drawings for the Grand Prix competitions. The studies for Hubert's winning 1802 Grand Prix entry for a'Foire' indicate that he isolated and studied different building types before combining them into the unified complex evident in his final renderings. The original final renderings of the Grand Prix winners were kept by the École des beaux-arts. Album DR1974:0002:012:001-049 contains only the prints of the final renderings. The success of Hubert in the Grand Prix competitions is not surprising. His large wash final renderings for the 1800 and 1801 competitions (DR1974:0002:013:001-008) indicate that the neo-classical simplicity then favoured by the judges at the École des beaux-arts dovetailed with the notions of economy implicit in Durand's functionalist approach to design. (1) Barry Bergdoll, "Hubert Rohault de Fleury: Architectural Education", 'CCA Research Report', n.d.
Niveau de description archivistique:
File 1
File 1
Date:
1800-1807
1800-1807
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Personnes et institutions:
Titre:
Projects photographs for various projects
Actions:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Projects photographs for various projects
Actions:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Classification:
photographies
photographies
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270971
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife, Spain (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas, Canary Islands (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
ARCH270971
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife, Spain (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas, Canary Islands (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Personnes et institutions:
Date:
2002 or after
2002 or after
Titre:
Portfolio of projects
Actions:
ARCH270971
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife, Spain (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas, Canary Islands (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Portfolio of projects
Actions:
ARCH270971
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife, Spain (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas, Canary Islands (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Classification:
documents textuels
documents textuels
Date:
2002 or after
2002 or after
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Personnes et institutions:
Date:
circa 2002
circa 2002
Titre:
Portfiolio of projects
Actions:
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Portfiolio of projects
Actions:
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Classification:
documents textuels
documents textuels
Date:
circa 2002
circa 2002
Personnes et institutions:
