1816 Résultats
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111 pages : chiefly illustrations (chiefly color), portraits (1 color) ; 24 cm.
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111 pages : chiefly illustrations (chiefly color), portraits (1 color) ; 24 cm.
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Los Angeles, CA : Inventory Press ; Colorado Springs, CO : Colorado Springs Fine Arts Center at Colorado College, [2024], New York, NY : Distributed by ARTBOOK / D.A.P., Belgium : Printed and bound by die Keure, ©2024
Los Angeles, CA : Inventory Press ; Colorado Springs, CO : Colorado Springs Fine Arts Center at Colorado College, [2024], New York, NY : Distributed by ARTBOOK / D.A.P., Belgium : Printed and bound by die Keure, ©2024
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Ungrafting : Hương Ngô / edited by Katja Rivera.
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111 pages : chiefly illustrations (chiefly color), portraits (1 color) ; 24 cm.
Ungrafting : Hương Ngô / edited by Katja Rivera.
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111 pages : chiefly illustrations (chiefly color), portraits (1 color) ; 24 cm.
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Los Angeles, CA : Inventory Press ; Colorado Springs, CO : Colorado Springs Fine Arts Center at Colorado College, [2024], New York, NY : Distributed by ARTBOOK / D.A.P., Belgium : Printed and bound by die Keure, ©2024
Los Angeles, CA : Inventory Press ; Colorado Springs, CO : Colorado Springs Fine Arts Center at Colorado College, [2024], New York, NY : Distributed by ARTBOOK / D.A.P., Belgium : Printed and bound by die Keure, ©2024
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Women on Aeroplanes 2018
Women on Aeroplanes 2018
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Women on Aeroplanes 2018
Women on Aeroplanes 2018
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Commune Editions AK Press 2015
Commune Editions AK Press 2015
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Commune Editions AK Press 2015
Commune Editions AK Press 2015
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OnCurating.org 2020
OnCurating.org 2020
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OnCurating.org 2020
OnCurating.org 2020
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Archive Books Haus der Kulturen der Welt 2022
Archive Books Haus der Kulturen der Welt 2022
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Archive Books Haus der Kulturen der Welt 2022
Archive Books Haus der Kulturen der Welt 2022
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223 pages : illustrations (some color) ; 23 cm
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223 pages : illustrations (some color) ; 23 cm
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New York : Aperture : D.A.P./Distributed Art Publishers [distributor], ©2009.
New York : Aperture : D.A.P./Distributed Art Publishers [distributor], ©2009.
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Photography after Frank / essays by Philip Gefter.
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223 pages : illustrations (some color) ; 23 cm
Photography after Frank / essays by Philip Gefter.
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223 pages : illustrations (some color) ; 23 cm
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New York : Aperture : D.A.P./Distributed Art Publishers [distributor], ©2009.
New York : Aperture : D.A.P./Distributed Art Publishers [distributor], ©2009.
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$44.00
(disponible sur commande)
Résumé:
This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the(...)
$44.00
(disponible sur commande)
Résumé:
This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the(...)
Publication:
novembre 2008, New York, London, San Francisco
novembre 2008, New York, London, San Francisco
Titre:
The art of participation: 1950 to now
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$44.00
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This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm. Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures—from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX—rounding out the survey.
The art of participation: 1950 to now
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$44.00
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This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm. Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures—from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX—rounding out the survey.
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novembre 2008, New York, London, San Francisco
novembre 2008, New York, London, San Francisco
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livres
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Art and the end of apartheid
Art and the end of apartheid
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$35.95
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The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of(...)
$35.95
(disponible sur commande)
Résumé:
The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of(...)
Titre:
Art and the end of apartheid
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$35.95
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The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of Apartheid,John Peffer considers in depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives (such as the Thupelo Art Project and the Medu Art Ensemble) and individuals such as Durant Sihlali and Santu Mofokeng. He shows how South African artists imagined what “postapartheid” could mean during the time of apartheid, even as they struggled with immediate issues of censorship, militancy, street violence and torture, and, more broadly, the problem of self-representation and the social role of art.
Art and the end of apartheid
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$35.95
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Résumé:
The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of Apartheid,John Peffer considers in depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives (such as the Thupelo Art Project and the Medu Art Ensemble) and individuals such as Durant Sihlali and Santu Mofokeng. He shows how South African artists imagined what “postapartheid” could mean during the time of apartheid, even as they struggled with immediate issues of censorship, militancy, street violence and torture, and, more broadly, the problem of self-representation and the social role of art.
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Publication:
février 2009, Minneapolis, London
février 2009, Minneapolis, London
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Théorie de l’art
Théorie de l’art
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Saraba 2014
Saraba 2014
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189 pages : illustrations (chiefly color), color maps ; 20 cm
Description:
189 pages : illustrations (chiefly color), color maps ; 20 cm
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Berlin : Archive Books, [2018], ©2018
Berlin : Archive Books, [2018], ©2018
Titre:
Cantiere Barca / Raumlabor ; edited by a.titolo.
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189 pages : illustrations (chiefly color), color maps ; 20 cm
Cantiere Barca / Raumlabor ; edited by a.titolo.
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189 pages : illustrations (chiefly color), color maps ; 20 cm
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Berlin : Archive Books, [2018], ©2018
Berlin : Archive Books, [2018], ©2018
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