8415 Résultats
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Technological violence is essentially remote, invisible and indirect. Exclusion, which many do not immediately notice, happens deep inside the code and network architecture. The answer will not be pacification or regulation but the dismantling of the platform principle itself. ''Platform Brutality'' not just offers critical analyses but also dives into alternatives.(...)
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Technological violence is essentially remote, invisible and indirect. Exclusion, which many do not immediately notice, happens deep inside the code and network architecture. The answer will not be pacification or regulation but the dismantling of the platform principle itself. ''Platform Brutality'' not just offers critical analyses but also dives into alternatives.(...)
Titre:
Platform Brutality : Closing Down Internet Toxicity
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Technological violence is essentially remote, invisible and indirect. Exclusion, which many do not immediately notice, happens deep inside the code and network architecture. The answer will not be pacification or regulation but the dismantling of the platform principle itself. ''Platform Brutality'' not just offers critical analyses but also dives into alternatives. Topics range from the violent turn of the internet and techno-feudalism debates, to loneliness on social media, radical data critique, mythologies that surround the smart phone, dreaming in the computer age, offline romanticism to question how to leave the platforms, bring back social networks and design a new balance between analogue and digital.
Platform Brutality : Closing Down Internet Toxicity
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Technological violence is essentially remote, invisible and indirect. Exclusion, which many do not immediately notice, happens deep inside the code and network architecture. The answer will not be pacification or regulation but the dismantling of the platform principle itself. ''Platform Brutality'' not just offers critical analyses but also dives into alternatives. Topics range from the violent turn of the internet and techno-feudalism debates, to loneliness on social media, radical data critique, mythologies that surround the smart phone, dreaming in the computer age, offline romanticism to question how to leave the platforms, bring back social networks and design a new balance between analogue and digital.
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livres
livres
Publication:
novembre 2025
novembre 2025
Classification:
périodiques
périodiques
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not(...)
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not(...)
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TURBA vol. 4 issue 2 : Curating audience-relationships & engagements
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.
TURBA vol. 4 issue 2 : Curating audience-relationships & engagements
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.
Classification:
périodiques
périodiques
Publication:
octobre 2025
octobre 2025
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livres
livres
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$73.00
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"Architecture of invention" explores the experimental side of architecture through an architecture of books. It brings together ten experimental bibliographies conceived as a dialogue between expanded, spatial art and a critical, relational architecture that reflects on its own status. An intertextual and generative framework structures the project, producing narratives(...)
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"Architecture of invention" explores the experimental side of architecture through an architecture of books. It brings together ten experimental bibliographies conceived as a dialogue between expanded, spatial art and a critical, relational architecture that reflects on its own status. An intertextual and generative framework structures the project, producing narratives(...)
Titre:
Architecture of invention: 10 experimental biographies
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"Architecture of invention" explores the experimental side of architecture through an architecture of books. It brings together ten experimental bibliographies conceived as a dialogue between expanded, spatial art and a critical, relational architecture that reflects on its own status. An intertextual and generative framework structures the project, producing narratives and cross-references among books and publications that are not necessarily contemporaneous or disciplinary. The ordering maps multiple cultural trajectories along a non-linear timeline marked by epochal leaps, ranging from avant-garde architecture to conceptual, radical, experimental and hardcore architecture. These constellations address themes such as construction and deconstruction, image and media, the body, the city, crisis, and critical practice.
Architecture of invention: 10 experimental biographies
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"Architecture of invention" explores the experimental side of architecture through an architecture of books. It brings together ten experimental bibliographies conceived as a dialogue between expanded, spatial art and a critical, relational architecture that reflects on its own status. An intertextual and generative framework structures the project, producing narratives and cross-references among books and publications that are not necessarily contemporaneous or disciplinary. The ordering maps multiple cultural trajectories along a non-linear timeline marked by epochal leaps, ranging from avant-garde architecture to conceptual, radical, experimental and hardcore architecture. These constellations address themes such as construction and deconstruction, image and media, the body, the city, crisis, and critical practice.
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livres
livres
Publication:
juin 2026
juin 2026
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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This issue looks at the following recent buildings: Frank O. Gehry Guggenheim Museum, Bilbao, Spain; OMA / Rem Koolhaas Educatorium in Utrecht, Holland; Jean Nouvel Euralille Centre, (...)
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This issue looks at the following recent buildings: Frank O. Gehry Guggenheim Museum, Bilbao, Spain; OMA / Rem Koolhaas Educatorium in Utrecht, Holland; Jean Nouvel Euralille Centre, (...)
Sujet:
El Croquis
El Croquis
Publication:
janvier 1900, Madrid
janvier 1900, Madrid
Titre:
El croquis 88/89 : worlds one ...towards the end of the 20th century
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This issue looks at the following recent buildings: Frank O. Gehry Guggenheim Museum, Bilbao, Spain; OMA / Rem Koolhaas Educatorium in Utrecht, Holland; Jean Nouvel Euralille Centre, Lille, France, Lucerne Cultural and Congress Centre, Switzerland, Andel Project, Prague, Czech Republic; Architekturbüro Bolles-Wilson WLV Office Building, Munster, Germany, New Luxor Theater, Rotterdam, Holland; Toyo Ito Nagaoka Lyric Hall, Nigata, Japan, Sendai Mediatheque, Miyagi, Japan; Steven Holl Chapel of St. Ignatius Seattle University, Washington, U.S.A., Knut Hamsun Museum , Hamarøy, Norway; Kazuyo Sejima & Ryue Nishizawa Multi-Media Studio in Oogaki, Gifu, Japan, S-House, Okayama, Japan; and Peter Zumthor Thermal Bath at Vals, Vals, Switzerland, Art Museum in Bregenz, Austria.
El croquis 88/89 : worlds one ...towards the end of the 20th century
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This issue looks at the following recent buildings: Frank O. Gehry Guggenheim Museum, Bilbao, Spain; OMA / Rem Koolhaas Educatorium in Utrecht, Holland; Jean Nouvel Euralille Centre, Lille, France, Lucerne Cultural and Congress Centre, Switzerland, Andel Project, Prague, Czech Republic; Architekturbüro Bolles-Wilson WLV Office Building, Munster, Germany, New Luxor Theater, Rotterdam, Holland; Toyo Ito Nagaoka Lyric Hall, Nigata, Japan, Sendai Mediatheque, Miyagi, Japan; Steven Holl Chapel of St. Ignatius Seattle University, Washington, U.S.A., Knut Hamsun Museum , Hamarøy, Norway; Kazuyo Sejima & Ryue Nishizawa Multi-Media Studio in Oogaki, Gifu, Japan, S-House, Okayama, Japan; and Peter Zumthor Thermal Bath at Vals, Vals, Switzerland, Art Museum in Bregenz, Austria.
Classification:
périodiques
périodiques
Publication:
janvier 1900, Madrid
janvier 1900, Madrid
Sujet:
El Croquis
El Croquis
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livres
livres
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Street art has taken over the world in recent years. Cities have been "liberated" by artists who are as motivated by the drive to invent new forms of media as they are to create new images. Art of Rebellion features the broadest possible variety of street art including flyers, stickers, spraycan and stencil art, and a host of interesting hybrids that fall somewhere in(...)
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Street art has taken over the world in recent years. Cities have been "liberated" by artists who are as motivated by the drive to invent new forms of media as they are to create new images. Art of Rebellion features the broadest possible variety of street art including flyers, stickers, spraycan and stencil art, and a host of interesting hybrids that fall somewhere in(...)
Sujet:
Arts graphiques imprimés
Arts graphiques imprimés
Publication:
janvier 1900, Corte Madera
janvier 1900, Corte Madera
Titre:
The art of rebellion : world of streetart
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Street art has taken over the world in recent years. Cities have been "liberated" by artists who are as motivated by the drive to invent new forms of media as they are to create new images. Art of Rebellion features the broadest possible variety of street art including flyers, stickers, spraycan and stencil art, and a host of interesting hybrids that fall somewhere in between. Provocateurs such as Space Invader, Above, Lefunk, Milk, Fume, Hoernchen and East Eric use an amazing variety of techniques to create their own individual iconography in projects as crazy as bathrooms painted gold, battle tanks painted pink and cities plastered with pictures of toasters.
The art of rebellion : world of streetart
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Street art has taken over the world in recent years. Cities have been "liberated" by artists who are as motivated by the drive to invent new forms of media as they are to create new images. Art of Rebellion features the broadest possible variety of street art including flyers, stickers, spraycan and stencil art, and a host of interesting hybrids that fall somewhere in between. Provocateurs such as Space Invader, Above, Lefunk, Milk, Fume, Hoernchen and East Eric use an amazing variety of techniques to create their own individual iconography in projects as crazy as bathrooms painted gold, battle tanks painted pink and cities plastered with pictures of toasters.
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livres
livres
Publication:
janvier 1900, Corte Madera
janvier 1900, Corte Madera
Sujet:
Arts graphiques imprimés
Arts graphiques imprimés
Classification:
livres
livres
Titre:
Performing image
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video(...)
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video(...)
Titre:
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video to social media suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms.
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video to social media suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
périodiques
périodiques
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In the midst of the turbulent 1960s, when the world was undergoing radical shifts in cultural values, Expo ’70 was conceived, planned, and executed in Osaka. The master plan for the site was created by Kenzo Tange and Uzo Nishiyama. They were aware of the imminent transition from an industrial to an information society, and the emphasis changed from hardware exhibits to(...)
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In the midst of the turbulent 1960s, when the world was undergoing radical shifts in cultural values, Expo ’70 was conceived, planned, and executed in Osaka. The master plan for the site was created by Kenzo Tange and Uzo Nishiyama. They were aware of the imminent transition from an industrial to an information society, and the emphasis changed from hardware exhibits to(...)
Titre:
JA 113 reprint edition. Expo '70
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In the midst of the turbulent 1960s, when the world was undergoing radical shifts in cultural values, Expo ’70 was conceived, planned, and executed in Osaka. The master plan for the site was created by Kenzo Tange and Uzo Nishiyama. They were aware of the imminent transition from an industrial to an information society, and the emphasis changed from hardware exhibits to software-inspired environments. The question arose whether architecture can function as a communication media, or even if it should. In a few years, Osaka will host World Expo 2025. This issue looks back at selected articles originally published in ''Shinkenchiku'' (May 1970) and in ''JA'' (May/June English edition).
JA 113 reprint edition. Expo '70
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In the midst of the turbulent 1960s, when the world was undergoing radical shifts in cultural values, Expo ’70 was conceived, planned, and executed in Osaka. The master plan for the site was created by Kenzo Tange and Uzo Nishiyama. They were aware of the imminent transition from an industrial to an information society, and the emphasis changed from hardware exhibits to software-inspired environments. The question arose whether architecture can function as a communication media, or even if it should. In a few years, Osaka will host World Expo 2025. This issue looks back at selected articles originally published in ''Shinkenchiku'' (May 1970) and in ''JA'' (May/June English edition).
Classification:
périodiques
périodiques
Publication:
juin 2019
juin 2019
Sujet:
Revues
Revues
Classification:
livres
livres
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$64.95
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s.(...)
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s.(...)
Titre:
Pierre Jean Giloux : invisible cities : Machinami, Japanese urban landscapes
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s. It follows the films’ production as he explores the connections between four cities (Tokyo, Yokohama, Osaka, Kyoto) to create urban portraits combining digital with filmed or photographed images of social and urban reality. The book includes texts by Pierre Musso, Élie During, and Vincent Romagny.
Pierre Jean Giloux : invisible cities : Machinami, Japanese urban landscapes
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s. It follows the films’ production as he explores the connections between four cities (Tokyo, Yokohama, Osaka, Kyoto) to create urban portraits combining digital with filmed or photographed images of social and urban reality. The book includes texts by Pierre Musso, Élie During, and Vincent Romagny.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Classification:
périodiques
périodiques
Titre:
Doma Issue 01: Fake Industries Architectural Agonism, MAIO, Steven Holl Architects, MOS Architects
Doma Issue 01: Fake Industries Architectural Agonism, MAIO, Steven Holl Architects, MOS Architects
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A magazine focusing on the architectural process, ''DOMa'' aims to revisit architecture in a more informed and elaborate manner, to understand and criticise it from within. These days we are often pushed to simply consume the final architectural product. The creative process is frequently overlooked, and only too seldom recorded in the media. With the launch of its first(...)
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A magazine focusing on the architectural process, ''DOMa'' aims to revisit architecture in a more informed and elaborate manner, to understand and criticise it from within. These days we are often pushed to simply consume the final architectural product. The creative process is frequently overlooked, and only too seldom recorded in the media. With the launch of its first(...)
Sujet:
Revues
Revues
Publication:
septembre 2020
septembre 2020
Titre:
Doma Issue 01: Fake Industries Architectural Agonism, MAIO, Steven Holl Architects, MOS Architects
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A magazine focusing on the architectural process, ''DOMa'' aims to revisit architecture in a more informed and elaborate manner, to understand and criticise it from within. These days we are often pushed to simply consume the final architectural product. The creative process is frequently overlooked, and only too seldom recorded in the media. With the launch of its first issue, this Athens-based independent institution for contemporary architecture looks at OE House by Fake Industries Architectural Agonism and Aixopluc, MAIO’s 22 Dwellings Housing Block in Barcelona, Hunters Point Library by Steven Holl Architects, and the subtle mutations of the House with Courtyard by MOS.
Doma Issue 01: Fake Industries Architectural Agonism, MAIO, Steven Holl Architects, MOS Architects
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A magazine focusing on the architectural process, ''DOMa'' aims to revisit architecture in a more informed and elaborate manner, to understand and criticise it from within. These days we are often pushed to simply consume the final architectural product. The creative process is frequently overlooked, and only too seldom recorded in the media. With the launch of its first issue, this Athens-based independent institution for contemporary architecture looks at OE House by Fake Industries Architectural Agonism and Aixopluc, MAIO’s 22 Dwellings Housing Block in Barcelona, Hunters Point Library by Steven Holl Architects, and the subtle mutations of the House with Courtyard by MOS.
Classification:
périodiques
périodiques
Publication:
septembre 2020
septembre 2020
Sujet:
Revues
Revues
Classification:
livres
livres
Prix:
$53.95
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The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely(...)
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The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely(...)
Titre:
Franziska Klose: Detroit, field notes from a wild city
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The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely consumed by industry, its structure a manifestation of social inequality, despite all the conjurations of an imminent economic boom. The story of the “comeback” is set against land speculation and water shut-offs and contrasts with the emergence of a potential post-growth society based on urban agriculture and individual autonomy.
Franziska Klose: Detroit, field notes from a wild city
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The artist’s book “Detroit“ presents the contemporary urban landscape of this de- industrialized metropolis as an overlay of social and natural history. The catchwords “ruin porn” and “future city” are currently being used in the media to describe what was once celebrated as the “Motor City”. In her photographs and texts, Franziska Klose describes a landscape absolutely consumed by industry, its structure a manifestation of social inequality, despite all the conjurations of an imminent economic boom. The story of the “comeback” is set against land speculation and water shut-offs and contrasts with the emergence of a potential post-growth society based on urban agriculture and individual autonomy.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Monographies photo
Monographies photo
