Sous-série
Photographs
AP037.S1.D3
Description:
This subseries contains the photographs published and unpublished in T-Square and Shelter and USA Tomorrow magazines. Included are photographs of authors, prints and photostats of drawings, photographs of art works. This subseries also contains a collection of photographs by well known photographers, and albums of photographs on architecture, building and housing problems in the United States and abroad. Some photographs were removed from their original files and arranged together in this subseries.The photographs are in two lots: a first lot of photographs by photographer and by subject, and a second lot of removed photographs which are arranged according to the alphabetical order of their original files. The photographs are not described. This subseries consists of 2 boxes of photographs (BOX 37-07 to BOX 37-08).
n.d.
Photographs
Actions:
AP037.S1.D3
Description:
This subseries contains the photographs published and unpublished in T-Square and Shelter and USA Tomorrow magazines. Included are photographs of authors, prints and photostats of drawings, photographs of art works. This subseries also contains a collection of photographs by well known photographers, and albums of photographs on architecture, building and housing problems in the United States and abroad. Some photographs were removed from their original files and arranged together in this subseries.The photographs are in two lots: a first lot of photographs by photographer and by subject, and a second lot of removed photographs which are arranged according to the alphabetical order of their original files. The photographs are not described. This subseries consists of 2 boxes of photographs (BOX 37-07 to BOX 37-08).
File 3
n.d.
L’artiste conceptuel britannique Victor Burgin exerce une grande influence à la fois comme artiste et comme théoricien de l’image statique et mobile. Commandé par le CCA, Voyage en Italie comprend deux séries de photographies en noir et blanc, de même qu’une vidéo évocatrice, qui illustrent la beauté intemporelle et la résonance d’une photographie du XIXe siècle de Carlo(...)
Salle octogonale
7 décembre 2006 au 25 mars 2007
Victor Burgin : voyage en Italie
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Description:
L’artiste conceptuel britannique Victor Burgin exerce une grande influence à la fois comme artiste et comme théoricien de l’image statique et mobile. Commandé par le CCA, Voyage en Italie comprend deux séries de photographies en noir et blanc, de même qu’une vidéo évocatrice, qui illustrent la beauté intemporelle et la résonance d’une photographie du XIXe siècle de Carlo(...)
Salle octogonale
Sur les traces de... rose
Le traitement de la couleur en architecture est autant lié à ses aspects matériels qu’aux qualités sensibles qui lui sont reconnues : pouvoir évocateur, création d’une ambiance particulière, effets psychologiques distincts. Issus de la collection du CCA, des photographies, dessins, nuanciers et autres recettes chromatiques représentent, communiquent et imaginent ici la(...)
Vitrines
11 septembre 2009 au 17 janvier 2010
Sur les traces de... rose
Actions:
Description:
Le traitement de la couleur en architecture est autant lié à ses aspects matériels qu’aux qualités sensibles qui lui sont reconnues : pouvoir évocateur, création d’une ambiance particulière, effets psychologiques distincts. Issus de la collection du CCA, des photographies, dessins, nuanciers et autres recettes chromatiques représentent, communiquent et imaginent ici la(...)
Vitrines
Sous-série
AP207.S2.SS17
Description:
The sub-series documents various exhibitions in which Pettena's work was presented from 1983 to 2019. It includes material related to the 2003 exhibitions "Italie Radicale. Collection du FRAC Centre“ at the FRAC Centre in Orléans and "Archipensieri. Opere 1967-2003" at Museo Fondazione Piaggio in Pontedera. It also contains various files an exhibitions of Pettena's work at the Megalopoli galleria in Milan from 1983-1987. The sub-series contains chiefly photographs of openings or installation views. It also includes correspondence related to the planning of the exhibitions, contracts, promotional materials, and texts by Pettena or copies of texts sent to Pettena for approval.
1983-2019
Exhibitions on Pettena's works
Actions:
AP207.S2.SS17
Description:
The sub-series documents various exhibitions in which Pettena's work was presented from 1983 to 2019. It includes material related to the 2003 exhibitions "Italie Radicale. Collection du FRAC Centre“ at the FRAC Centre in Orléans and "Archipensieri. Opere 1967-2003" at Museo Fondazione Piaggio in Pontedera. It also contains various files an exhibitions of Pettena's work at the Megalopoli galleria in Milan from 1983-1987. The sub-series contains chiefly photographs of openings or installation views. It also includes correspondence related to the planning of the exhibitions, contracts, promotional materials, and texts by Pettena or copies of texts sent to Pettena for approval.
Subseries
1983-2019
Sous-série
AP032.S2.SS2.D1.SD3
Description:
A collection of alphabetically - arranged files containing research information and documentation on a wide range of subjects: construction materials and techniques, building types, architects, engineering, art and sculpture, institutions, cities, machines, World Fairs, etc. A number of files, such as artists, bridges and stadiums, are exceptionally large. Some material is related to office projects, including colour samples for certain SOM buildings, and there are personal documents concerning Goldsmith's speech requests, RIBA lecture, and a number of business trips. The Files contain clippings, printed and published material, journals, correspondence and memos, notes and sketches, photographs and diazos, and 2 samples of building materials (stone).
1957-1983
Research and Documentation Files
Actions:
AP032.S2.SS2.D1.SD3
Description:
A collection of alphabetically - arranged files containing research information and documentation on a wide range of subjects: construction materials and techniques, building types, architects, engineering, art and sculpture, institutions, cities, machines, World Fairs, etc. A number of files, such as artists, bridges and stadiums, are exceptionally large. Some material is related to office projects, including colour samples for certain SOM buildings, and there are personal documents concerning Goldsmith's speech requests, RIBA lecture, and a number of business trips. The Files contain clippings, printed and published material, journals, correspondence and memos, notes and sketches, photographs and diazos, and 2 samples of building materials (stone).
Sub-file 3
1957-1983
Nouvelles entrées
Une exposition de dons à la collection reçus à l’occasion du 80e anniversaire de son directeur fondateur, Phyllis Lambert, Nouvelles entrées comprend des oeuvres originales de photographes et artistes réputés, maniant le langage de la photographie, tels Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Gordon(...)
Vitrines
24 janvier 2008 au 23 mars 2008
Nouvelles entrées
Actions:
Description:
Une exposition de dons à la collection reçus à l’occasion du 80e anniversaire de son directeur fondateur, Phyllis Lambert, Nouvelles entrées comprend des oeuvres originales de photographes et artistes réputés, maniant le langage de la photographie, tels Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Gordon(...)
Vitrines
Tangente - Alain Paiement
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
23 avril 2003 au 23 novembre 2003
Tangente - Alain Paiement
Actions:
Description:
Lartiste québécois Alain Paiement juxtapose dans cette exposition un large éventail de sujets photographiques – bâtiments en construction, maquettes de projets détudiants, abstractions architecturales, différents niveaux de transparence – avec sa propre imagerie du nouveau Palais des congrès de Montréal. Celle-ci est la première dune série dexpositions qui invite des(...)
Salle octagonale Mot(s)-clé(s):
Alain Paiement, Tangent, Tangente, Hubertus von Amelunxen
documents textuels
ARCH257537
Description:
1 three-ring binder - map of Malibu Beach, topographic maps, correspondence, agreement and construction permit forms, notes, construction cost estimates, catalogue of Goodstein art collection, information on elevators and sod roofs, sketches of roof plans, sections, floor plans (photocopies and diazotypes), colour photographs of study models, site and house interior photographs
1984-1985
Map of Malibu Beach, topographic maps, correspondence, agreement and construction permit forms
Actions:
ARCH257537
Description:
1 three-ring binder - map of Malibu Beach, topographic maps, correspondence, agreement and construction permit forms, notes, construction cost estimates, catalogue of Goodstein art collection, information on elevators and sod roofs, sketches of roof plans, sections, floor plans (photocopies and diazotypes), colour photographs of study models, site and house interior photographs
documents textuels
1984-1985
Projet
Handmade (2012)
AP207.S1.2012.PR08
Description:
The project series documents "Handmade", an installation by Pettena presented at ALT Collection, in Alzano Lombardo, in 2012. The installation consists of covering an entier existing wall of the exhibition space with handmade balls of clay that maintained the size and the imprints of fists that shaped them. The installation is "statement on the importance of the use of natural materials and of the presence of the human being as an actor to connote in whoever uses them a greater and more conscious participation in the gesture and in its production, whether creative or not." [1] The project series contains drawings of the installation and photograph. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-handmade-2012-1/ (last accessed 27 January 2020)
2012-2015
Handmade (2012)
Actions:
AP207.S1.2012.PR08
Description:
The project series documents "Handmade", an installation by Pettena presented at ALT Collection, in Alzano Lombardo, in 2012. The installation consists of covering an entier existing wall of the exhibition space with handmade balls of clay that maintained the size and the imprints of fists that shaped them. The installation is "statement on the importance of the use of natural materials and of the presence of the human being as an actor to connote in whoever uses them a greater and more conscious participation in the gesture and in its production, whether creative or not." [1] The project series contains drawings of the installation and photograph. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-handmade-2012-1/ (last accessed 27 January 2020)
Project
2012-2015
archives
Niveau de description archivistique:
Fonds
Fonds Richard Henriquez
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
1962-2002
Fonds Richard Henriquez
Actions:
AP059
Résumé:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
archives
Niveau de description archivistique:
Fonds
1962-2002