Projet
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
circa 2003-2004
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Project
circa 2003-2004
Projet
AP178.S1.1979.PR01
Description:
This project series documents the Caixa Geral de Depósitos in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 47/70. The office assigned the date 1979 to this project. The Caixa Geral de Depósitos bank was a building divided for three purposes: the Serviços da Caixa Economica, the Casa de Crédito Popular, and dwellings. The Serviços da Caixa Economica included a public service area, archive vaults, manager's office, writing room, bank vaults, dressing rooms and bathrooms. The Casa de Crédito popular includes a public service area, warehouse, dressing rooms and bathrooms. The rest of the space was supposed to be used for apartments. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographs document the project site.
1976-2012
Caixa Geral de Depósitos [Caixa Geral de Depósitos bank], Matosinhos, Portugal (1979)
Actions:
AP178.S1.1979.PR01
Description:
This project series documents the Caixa Geral de Depósitos in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 47/70. The office assigned the date 1979 to this project. The Caixa Geral de Depósitos bank was a building divided for three purposes: the Serviços da Caixa Economica, the Casa de Crédito Popular, and dwellings. The Serviços da Caixa Economica included a public service area, archive vaults, manager's office, writing room, bank vaults, dressing rooms and bathrooms. The Casa de Crédito popular includes a public service area, warehouse, dressing rooms and bathrooms. The rest of the space was supposed to be used for apartments. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographs document the project site.
Project
1976-2012
Projet
AP022.S1.1980.PR12
Description:
File documents a mixed-use development consisting of a glass-vaulted galleria between two office towers, public spaces, and three above-grade and below-grade retail levels, underground parking, Pier B-C, Vancouver, British Columbia. File contains survey drawings, design development drawings, presentation drawings, presentation panels, textual records (includes photographs) and slides.
1980-1983
Waterfront Centre
Actions:
AP022.S1.1980.PR12
Description:
File documents a mixed-use development consisting of a glass-vaulted galleria between two office towers, public spaces, and three above-grade and below-grade retail levels, underground parking, Pier B-C, Vancouver, British Columbia. File contains survey drawings, design development drawings, presentation drawings, presentation panels, textual records (includes photographs) and slides.
Project
1980-1983
Projet
AP140.S2.SS1.D78
Description:
File documents an unexecuted project for a public space on the site of a former Roman bath, in the old town of Aachen, Germany. The proposal was conceived by the office of Marlies Hentrup Norbert Heyers in association with James Stirling. It includes an exhibition building, a fountain and a café and restaurant. Material in this file was produced between 1987 and 1990. File contains photographic materials, including a photograph of the site by Marlies Hentrup and photographs of a presentation model by photographers Fotodesign. File also contains textual records.
1987-1990
Kaiserquelle, Aachen, Germany
Actions:
AP140.S2.SS1.D78
Description:
File documents an unexecuted project for a public space on the site of a former Roman bath, in the old town of Aachen, Germany. The proposal was conceived by the office of Marlies Hentrup Norbert Heyers in association with James Stirling. It includes an exhibition building, a fountain and a café and restaurant. Material in this file was produced between 1987 and 1990. File contains photographic materials, including a photograph of the site by Marlies Hentrup and photographs of a presentation model by photographers Fotodesign. File also contains textual records.
File 78
1987-1990
dessins
AP178.S1.1998.PR05.005
Description:
This box includes details for the public spaces, kitchen, brise soleil, doors, roof, cabinets, interior hardware. It also contains drawings for the air conditionning system and security system.
15 June 2001
Box of working details, Nova Sede do Banco Nacional de Cabo Verde, Cape Verde
Actions:
AP178.S1.1998.PR05.005
Description:
This box includes details for the public spaces, kitchen, brise soleil, doors, roof, cabinets, interior hardware. It also contains drawings for the air conditionning system and security system.
dessins
15 June 2001
Projet
AP164.S1.2003.D3
Description:
The project series documents the competition entry for the plan of the Trejo-Guadalporcún riverside, in Setenil de las Bodegas, Spain. The firm identified this project as number 163. The architects described their project as: “[…] a great public entertainment space, a beach which in one bank would accommodate the main tourist and citizen activity, and on the other bank, covering the terraced parking buildings, with bushes, flowers and trees would create an oceanic garden […]” (ARCH270975). Documenting the project are design development and presentation drawings, correspondence, and reference, photographic, digital and cartographic materials.
2002-2003
Ordenación de la ribera del arroyo Trejo-Guadalporcún, Setenil de las Bodegas, Cádiz, Spain (2003)
Actions:
AP164.S1.2003.D3
Description:
The project series documents the competition entry for the plan of the Trejo-Guadalporcún riverside, in Setenil de las Bodegas, Spain. The firm identified this project as number 163. The architects described their project as: “[…] a great public entertainment space, a beach which in one bank would accommodate the main tourist and citizen activity, and on the other bank, covering the terraced parking buildings, with bushes, flowers and trees would create an oceanic garden […]” (ARCH270975). Documenting the project are design development and presentation drawings, correspondence, and reference, photographic, digital and cartographic materials.
Project
2002-2003
documents textuels
ARCH277009
Description:
Documents relating to the University Boulevard Architectural Competition, University of British Columbia, including the competition information kit, Conditions of Competition and Design Guidelines, Findings and Feedback from the Public Space Workshop, Neighbourhood Plan and the Comprehensive Community Plan; Museum of Anthropology Functional Program (2003) by Lundhol Associates Architects and Schematic Design Submission by Stantec Architecture and Arthur Erickson (2004).
2000-2005
Design competition information kits, and submission for various project proposals
Actions:
ARCH277009
Description:
Documents relating to the University Boulevard Architectural Competition, University of British Columbia, including the competition information kit, Conditions of Competition and Design Guidelines, Findings and Feedback from the Public Space Workshop, Neighbourhood Plan and the Comprehensive Community Plan; Museum of Anthropology Functional Program (2003) by Lundhol Associates Architects and Schematic Design Submission by Stantec Architecture and Arthur Erickson (2004).
documents textuels
2000-2005
Projet
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
1991-1997
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Project
1991-1997
Projet
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
1988-1995
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Project
1988-1995
Projet
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
2003-2011
Telus Garden Presentation Centre, Vancouver, British Columbia (2011)
Actions:
AP075.S1.2011.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the interior atrium of the Telus Garden Presentation Centre, located at the corner of West Georgia and Richards streets in Vancouver, British Columbia. Oberlander worked on this project in 2011 with architectural firm Henriquez Partners Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in designing an interior atrium space of eight-storey high. The atrium included an interior garden with trees and low growing fern, a restaurant, a commercial area, a public space and an outdoor patio with pines and ornemental trees. It was completed in 2012. This project is documented through correspondence, including correspondence with architects, concept presentation documents, and landscape services proposals from Sharp and Diamond Landscape Architects. The project series also contains design development drawings, including planters details, sections, plans and building working drawings used as reference.
Project
2003-2011