957 Résultats
Classification:
expositions
expositions
Localisation:
Salles principales Mot(s)-clé(s):
Álvaro Siza, Siza, Giovanna Borasi. adamo-faiden, ville, quartier
Salles principales Mot(s)-clé(s):
Álvaro Siza, Siza, Giovanna Borasi. adamo-faiden, ville, quartier
Date:
21 mai 2026 au 10 janvier 2027
21 mai 2026 au 10 janvier 2027
Classification:
expositions
expositions
Date:
21 mai 2026 au
10 janvier 2027
21 mai 2026 au
10 janvier 2027
Localisation:
Salles principales Mot(s)-clé(s):
Álvaro Siza, Siza, Giovanna Borasi. adamo-faiden, ville, quartier
Salles principales Mot(s)-clé(s):
Álvaro Siza, Siza, Giovanna Borasi. adamo-faiden, ville, quartier
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
Personnes et institutions:
Date:
2009-2011
2009-2011
Titre:
Projects lists and invoices, notes, sketches and photographs related to various projects
Actions:
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
Projects lists and invoices, notes, sketches and photographs related to various projects
Actions:
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
2009-2011
2009-2011
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
7 octobre 2023, 14h
7 octobre 2023, 14h
Classification:
événements
événements
Date:
7 octobre 2023
14h
7 octobre 2023
14h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
expositions
expositions
Classification:
expositions
expositions
Date:
septembre 2018 au
mars 2019
septembre 2018 au
mars 2019
Classification:
dessins
Quantité:
8 reprographie(s)
dessins
Quantité:
8 reprographie(s)
Titre:
Vues aériennes de Montréal
Vues aériennes de Montréal
Numéro de référence:
ARCH172920
Description:
Vues aériennes de Montréal : quartiers Plateau Mont-Royal, Centre-Sud, Vieux Montréal, Centre-Ville, s.d.
ARCH172920
Description:
Vues aériennes de Montréal : quartiers Plateau Mont-Royal, Centre-Sud, Vieux Montréal, Centre-Ville, s.d.
Personnes et institutions:
Titre:
Vues aériennes de Montréal
Actions:
ARCH172920
Description:
Vues aériennes de Montréal : quartiers Plateau Mont-Royal, Centre-Sud, Vieux Montréal, Centre-Ville, s.d.
Vues aériennes de Montréal
Actions:
ARCH172920
Description:
Vues aériennes de Montréal : quartiers Plateau Mont-Royal, Centre-Sud, Vieux Montréal, Centre-Ville, s.d.
Classification:
dessins
Quantité:
8 reprographie(s)
dessins
Quantité:
8 reprographie(s)
Personnes et institutions:
Classification:
événements
événements
Titre:
Echosystèmes
Echosystèmes
Actions:
Description:
Situé à la rencontre d’une méthodologie et d’une production de contenu alternatives, cet atelier public propose d’identifier et de documenter les politiques hétérogènes du quartier entourant le Centre Canadien d’Architecture. Modérée par Léopold Lambert de la plateforme Archipelago, cette journée intensive de réflexion et de création polyphonique abordera les(...)
Situé à la rencontre d’une méthodologie et d’une production de contenu alternatives, cet atelier public propose d’identifier et de documenter les politiques hétérogènes du quartier entourant le Centre Canadien d’Architecture. Modérée par Léopold Lambert de la plateforme Archipelago, cette journée intensive de réflexion et de création polyphonique abordera les(...)
Date:
5 mars 2016
5 mars 2016
Titre:
Echosystèmes
Actions:
Description:
Situé à la rencontre d’une méthodologie et d’une production de contenu alternatives, cet atelier public propose d’identifier et de documenter les politiques hétérogènes du quartier entourant le Centre Canadien d’Architecture. Modérée par Léopold Lambert de la plateforme Archipelago, cette journée intensive de réflexion et de création polyphonique abordera les(...)
Echosystèmes
Actions:
Description:
Situé à la rencontre d’une méthodologie et d’une production de contenu alternatives, cet atelier public propose d’identifier et de documenter les politiques hétérogènes du quartier entourant le Centre Canadien d’Architecture. Modérée par Léopold Lambert de la plateforme Archipelago, cette journée intensive de réflexion et de création polyphonique abordera les(...)
Classification:
événements
événements
Date:
5 mars 2016
5 mars 2016
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Numéro de référence:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Personnes et institutions:
Date:
1946-2020
1946-2020
Titre:
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1946-2020
1946-2020
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
CD035.S1.1979.PR01.002
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (A) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
CD035.S1.1979.PR01.002
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (A) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
Personnes et institutions:
Date:
1979-1999
1979-1999
Titre:
Reports and evaluations of the spontaneous neighourhood in Ouagadougou, Burkina Faso
Actions:
CD035.S1.1979.PR01.002
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (A) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
Reports and evaluations of the spontaneous neighourhood in Ouagadougou, Burkina Faso
Actions:
CD035.S1.1979.PR01.002
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (A) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
Classification:
documents textuels
documents textuels
Date:
1979-1999
1979-1999
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
CD035.S1.1979.PR01.003
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (B) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
CD035.S1.1979.PR01.003
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (B) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
Personnes et institutions:
Date:
1988-2005
1988-2005
Titre:
Reports and evaluations of the spontaneous neighourhood in Ouagadougou, Burkina Faso
Actions:
CD035.S1.1979.PR01.003
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (B) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
Reports and evaluations of the spontaneous neighourhood in Ouagadougou, Burkina Faso
Actions:
CD035.S1.1979.PR01.003
Description:
Documents previously stored in a box labelled "BEEKER / OUAGA / AMENAGEMENT / QUARTIERS / SPONTANÉES / ÉTUDES / ÉVALUATIONS / (B) / 1979-2005". Also includes thesis an reports from students of Coen Beeker.
Classification:
documents textuels
documents textuels
Date:
1988-2005
1988-2005
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
