4023 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Anything Conference and Journal
Actions:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Anything Conference and Journal
Actions:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Niveau de description archivistique:
Sub-series 11
Sub-series 11
Date:
1999-2001
1999-2001
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
expositions
expositions
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Localisation:
Salles principales
Salles principales
Date:
18 juin 1996 au 29 septembre 1996
18 juin 1996 au 29 septembre 1996
Titre:
Frank Lloyd Wright : inventer un paysage américain, 1922-1932
Actions:
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Frank Lloyd Wright : inventer un paysage américain, 1922-1932
Actions:
Description:
Le rapport révolutionnaire établi entre bâtiment et paysage, conçus ensemble selon des idéaux américains particuliers est au centre de Frank Lloyd Wright : Inventer un paysage américain, 1922-1932. Avec cette exposition, le CCA reconstitue cinq projets visionnaires qui ne devaient représenter rien de moins qu’un nouveau paysage, intégrant sur une vaste échelle terrain,(...)
Classification:
expositions
expositions
Date:
18 juin 1996 au
29 septembre 1996
18 juin 1996 au
29 septembre 1996
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Personnes et institutions:
Date:
circa 1967-2015
circa 1967-2015
Titre:
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Niveau de description archivistique:
Project
Project
Date:
circa 1967-2015
circa 1967-2015
Personnes et institutions:
Classification:
né numérique, photographies
né numérique, photographies
Numéro de référence:
AP195.S2.014
Description:
This directory contains more than 4000 photographs of the Phaeno Science Centre construction site, documenting in detail the project's progress over time. Original directory name: "Site_Pictures". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Tagged Image File Format, Audio/Video Interleaved Format, Adobe Photoshop.
AP195.S2.014
Description:
This directory contains more than 4000 photographs of the Phaeno Science Centre construction site, documenting in detail the project's progress over time. Original directory name: "Site_Pictures". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Tagged Image File Format, Audio/Video Interleaved Format, Adobe Photoshop.
Personnes et institutions:
Date:
31 December 1999 - 7 August 2006
31 December 1999 - 7 August 2006
Titre:
Photographs of Phaeno Science Centre site and construction
Actions:
AP195.S2.014
Description:
This directory contains more than 4000 photographs of the Phaeno Science Centre construction site, documenting in detail the project's progress over time. Original directory name: "Site_Pictures". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Tagged Image File Format, Audio/Video Interleaved Format, Adobe Photoshop.
Photographs of Phaeno Science Centre site and construction
Actions:
AP195.S2.014
Description:
This directory contains more than 4000 photographs of the Phaeno Science Centre construction site, documenting in detail the project's progress over time. Original directory name: "Site_Pictures". Most common file formats: Exchangeable Image File Format (Compressed), JPEG File Interchange Format, Tagged Image File Format, Audio/Video Interleaved Format, Adobe Photoshop.
Classification:
né numérique, photographies
né numérique, photographies
Date:
31 December 1999 - 7 August 2006
31 December 1999 - 7 August 2006
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Audio-Visual Materials
Audio-Visual Materials
Numéro de référence:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Personnes et institutions:
Date:
1966-1987
1966-1987
Titre:
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Niveau de description archivistique:
Series
Series
Date:
1966-1987
1966-1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1989.PR01
Description:
The project series documents "Tappeto “Sprofondo”", a rug design by Pettena and produced by the Galleria Speciale in Bari, in 1989, for the "I tappeti della meditazione" project that aimed to "underline the importance of an object that [...] can stimulate other uses and behaviors apart from its simple decorative function." [1] Pettena designed a rug with a pattern creating a sinking illusion, to put emphasis on the feeling of dizziness and imbalance that could come with meditation, rather than serenity and contemplation. The project series contains various design studies for the pattern of the "Sprofondo" rug, a transparency of the final design, and photographs and a video of the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-sinking-1989/ (last accessed 11 December 2019).
AP207.S1.1989.PR01
Description:
The project series documents "Tappeto “Sprofondo”", a rug design by Pettena and produced by the Galleria Speciale in Bari, in 1989, for the "I tappeti della meditazione" project that aimed to "underline the importance of an object that [...] can stimulate other uses and behaviors apart from its simple decorative function." [1] Pettena designed a rug with a pattern creating a sinking illusion, to put emphasis on the feeling of dizziness and imbalance that could come with meditation, rather than serenity and contemplation. The project series contains various design studies for the pattern of the "Sprofondo" rug, a transparency of the final design, and photographs and a video of the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-sinking-1989/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1989-2015
circa 1989-2015
Titre:
Tappeto “Sprofondo” [“Sinking” Carpet] (1989)
Actions:
AP207.S1.1989.PR01
Description:
The project series documents "Tappeto “Sprofondo”", a rug design by Pettena and produced by the Galleria Speciale in Bari, in 1989, for the "I tappeti della meditazione" project that aimed to "underline the importance of an object that [...] can stimulate other uses and behaviors apart from its simple decorative function." [1] Pettena designed a rug with a pattern creating a sinking illusion, to put emphasis on the feeling of dizziness and imbalance that could come with meditation, rather than serenity and contemplation. The project series contains various design studies for the pattern of the "Sprofondo" rug, a transparency of the final design, and photographs and a video of the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-sinking-1989/ (last accessed 11 December 2019).
Tappeto “Sprofondo” [“Sinking” Carpet] (1989)
Actions:
AP207.S1.1989.PR01
Description:
The project series documents "Tappeto “Sprofondo”", a rug design by Pettena and produced by the Galleria Speciale in Bari, in 1989, for the "I tappeti della meditazione" project that aimed to "underline the importance of an object that [...] can stimulate other uses and behaviors apart from its simple decorative function." [1] Pettena designed a rug with a pattern creating a sinking illusion, to put emphasis on the feeling of dizziness and imbalance that could come with meditation, rather than serenity and contemplation. The project series contains various design studies for the pattern of the "Sprofondo" rug, a transparency of the final design, and photographs and a video of the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-sinking-1989/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1989-2015
circa 1989-2015
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Date:
24 avril 2014 , 18h
24 avril 2014 , 18h
Titre:
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Classification:
événements
événements
Date:
24 avril 2014
18h
24 avril 2014
18h
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Virtools files
Virtools files
Numéro de référence:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Niveau de description archivistique:
Subseries
Subseries
Date:
1995-2013
1995-2013
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
