4023 Résultats
Classification:
articles
articles
Titre:
Souvenirs imprévus
Souvenirs imprévus
Actions:
Naoya Hatakeyama en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
Les vies des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Naoya Hatakeyama, conversation, histoire orale
Les vies des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Naoya Hatakeyama, conversation, histoire orale
Publié:
11 septembre 2023
11 septembre 2023
Titre:
Souvenirs imprévus
Naoya Hatakeyama en conversation avec Stefano Graziani et Bas Princen
Actions:
Souvenirs imprévus
Naoya Hatakeyama en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
expositions
expositions
Actions:
Description:
Entre 1836 et 1848, l’explorateur germano-néerlandais Franz Wilhelm Junghuhn mène plusieurs expéditions à Java pour le compte des autorités coloniales des Pays-Bas. Parmi les premiers Européens à gravir les nombreux volcans de l’île, il est surnommé le « Humboldt de Java » en raison de ses travaux scientifiques (livres, cartes et lithographies). L’exposition suit les(...)
Entre 1836 et 1848, l’explorateur germano-néerlandais Franz Wilhelm Junghuhn mène plusieurs expéditions à Java pour le compte des autorités coloniales des Pays-Bas. Parmi les premiers Européens à gravir les nombreux volcans de l’île, il est surnommé le « Humboldt de Java » en raison de ses travaux scientifiques (livres, cartes et lithographies). L’exposition suit les(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
29 septembre 2016 au 22 janvier 2017
29 septembre 2016 au 22 janvier 2017
Titre:
17 volcans : oeuvres de Franz Wilhelm Junghuhn, Armin Linke et Bas Princen
Actions:
Description:
Entre 1836 et 1848, l’explorateur germano-néerlandais Franz Wilhelm Junghuhn mène plusieurs expéditions à Java pour le compte des autorités coloniales des Pays-Bas. Parmi les premiers Européens à gravir les nombreux volcans de l’île, il est surnommé le « Humboldt de Java » en raison de ses travaux scientifiques (livres, cartes et lithographies). L’exposition suit les(...)
17 volcans : oeuvres de Franz Wilhelm Junghuhn, Armin Linke et Bas Princen
Actions:
Description:
Entre 1836 et 1848, l’explorateur germano-néerlandais Franz Wilhelm Junghuhn mène plusieurs expéditions à Java pour le compte des autorités coloniales des Pays-Bas. Parmi les premiers Européens à gravir les nombreux volcans de l’île, il est surnommé le « Humboldt de Java » en raison de ses travaux scientifiques (livres, cartes et lithographies). L’exposition suit les(...)
Classification:
expositions
expositions
Date:
29 septembre 2016 au
22 janvier 2017
29 septembre 2016 au
22 janvier 2017
Localisation:
Salle octogonale
Salle octogonale
Actions:
Numéro de référence:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Personnes et institutions:
Date:
1989
1989
Titre:
Building sights (Television program)
Actions:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Building sights (Television program)
Actions:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Date:
1989
1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Copper House II
Copper House II
Numéro de référence:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Personnes et institutions:
Date:
2009-2014
2009-2014
Titre:
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Niveau de description archivistique:
Project
Project
Date:
2009-2014
2009-2014
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Housings
Housings
Numéro de référence:
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
Personnes et institutions:
Date:
1998-2000
1998-2000
Titre:
Housings
Actions:
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
Housings
Actions:
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
Niveau de description archivistique:
Series
Series
Date:
1998-2000
1998-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Quantité:
15 videocassette(s)
15 videocassette(s)
Titre:
Videocassettes
Videocassettes
Numéro de référence:
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
Personnes et institutions:
Titre:
Videocassettes
Actions:
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
Videocassettes
Actions:
AP140.S2.SS7.D3.P13
Description:
videocassettes, including 'Seventh Praemium Imperial'; 'J.S. Memorial Video (B.B.C.)'; The Second Praemium Imperiale: Awards Ceremony', dated 1990; Praemium Imperiale Laureates Profiles 2001'; Praemium Imperiale Laureates Profiles 2003'; 'Sir James Stirling Memorial Celebration', dated 1992; 'Building Sights: Series Two, Katharine Stephen Room, Newnham College, Cambridge, Presenter James Stirling, Director Geoff Dunlop', dated 1989; 'Thema: "Stirling"', Hessischer Rundfunk, dated 1992; 'Stirling in Stuttgart', dated 1992; 'RIBA Building of the Year, Centenary Building, University of Salford', dated 1996
Quantité:
15 videocassette(s)
15 videocassette(s)
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Personnes et institutions:
Date:
1991-2009
1991-2009
Titre:
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2009
1991-2009
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1987-2015
circa 1987-2015
Titre:
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
Personnes et institutions:
