Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Théâtre Paul-Desmarais
10 mai 2012 , 19h
L'enseignement de... Mexico : Arturo Ortiz Struck
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Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Théâtre Paul-Desmarais
PHCON2002:0016:018
Description:
Binder documents correspondence addressed to Anne Alpert in New York City, New York and at her summer house in Sag Harbor, New York, along with memorabilia and photographs from the mid-1970s to the end of her life in 1997. Included are the letters of condolences following the deaths of her two sons, John Sebastian Matta, who died in 1976, and Gordon Matta-Clark, who died in 1978. Also documented is Alpert's ongoing relationship with members of the Matta family, including Roberto Matta, Malitte Matta and their daughter Federica. Reviews and announcements of exhibitions by Roberto Matta as well as Matta-Clark are also included. Binder contains photographs and textual records.
1976-1997
Gordon Matta-Clark Mother's papers: Letters from 1976 to 1996
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PHCON2002:0016:018
Description:
Binder documents correspondence addressed to Anne Alpert in New York City, New York and at her summer house in Sag Harbor, New York, along with memorabilia and photographs from the mid-1970s to the end of her life in 1997. Included are the letters of condolences following the deaths of her two sons, John Sebastian Matta, who died in 1976, and Gordon Matta-Clark, who died in 1978. Also documented is Alpert's ongoing relationship with members of the Matta family, including Roberto Matta, Malitte Matta and their daughter Federica. Reviews and announcements of exhibitions by Roberto Matta as well as Matta-Clark are also included. Binder contains photographs and textual records.
1976-1997
Projet
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
1901-1931 (1917 and 1931 predominant)
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
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CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
project
1901-1931 (1917 and 1931 predominant)
Cedric Price : de tout temps
L’architecte britannique Cedric Price s’est servi de la collection du CCA pour établir des rapports complexes entre temps, espace et mouvement dans l’environnement bâti. Analysant des structures et des bâtiments de différentes époques, dont certains projets de Price lui-même, De tout temps présente des photographies d’un calendrier solaire aztèque, d’une gare de triage,(...)
Salle octogonale
19 octobre 1999 au 27 février 2000
Cedric Price : de tout temps
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Description:
L’architecte britannique Cedric Price s’est servi de la collection du CCA pour établir des rapports complexes entre temps, espace et mouvement dans l’environnement bâti. Analysant des structures et des bâtiments de différentes époques, dont certains projets de Price lui-même, De tout temps présente des photographies d’un calendrier solaire aztèque, d’une gare de triage,(...)
Salle octogonale
documents textuels
DR2012:0012:086:011
Description:
Assorted documents in English and French, including a copy of the January/February/March 1990 issue of Parachute which makes references to A Quebec construction… houses/poles/flags, with photocopies therefrom.
1990
Publication "Parachute" related to Melvin Charney and his projects
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DR2012:0012:086:011
Description:
Assorted documents in English and French, including a copy of the January/February/March 1990 issue of Parachute which makes references to A Quebec construction… houses/poles/flags, with photocopies therefrom.
documents textuels
1990
articles
En hommage à John Harris
Projet
AP018.S1.1958.PR03
Description:
This project series documents the design and construction of Toronto City Hall and Civic Square in Toronto from 1958-1965. The office identified the project number as 5867. The design of Toronto's New City Hall, built next to its older counterpart, was realized through an international architectural competition that attracted more than 500 entries from around the world. Eventually, a unanimous jury chose Finnish architect Viljo Revell's design, cementing the age of modernist architecture in Toronto. However, the rules stated that if the winning architect was not part of the Ontario Association of Architects, they were required to partner with a local firm. In this way, John B. Parkin Associates was chosen as the associate architects for this project. The design was comprised of a concrete dome house, which contained the city council chambers, surrounded by two curved office towers, all perched on top of a podium, with a public square to the south, known as Nathan Phillips Square. The buildings were 816,000 square feet in size, the west tower having 18 office floors and the east tower with 25. The project is recorded through drawings, a mounted presentation photograph of the project and textual records dating from 1958-1966. The drawings are mostly reprographic copies, which include plans, elevations, sections, details and perspectives. The textual records consist of a competition synopsis book, a book of submission materials for the competition, and correspondence between Parkin and Revell.
1958-1966
Toronto City Hall and Civic Square, Toronto (1958)
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AP018.S1.1958.PR03
Description:
This project series documents the design and construction of Toronto City Hall and Civic Square in Toronto from 1958-1965. The office identified the project number as 5867. The design of Toronto's New City Hall, built next to its older counterpart, was realized through an international architectural competition that attracted more than 500 entries from around the world. Eventually, a unanimous jury chose Finnish architect Viljo Revell's design, cementing the age of modernist architecture in Toronto. However, the rules stated that if the winning architect was not part of the Ontario Association of Architects, they were required to partner with a local firm. In this way, John B. Parkin Associates was chosen as the associate architects for this project. The design was comprised of a concrete dome house, which contained the city council chambers, surrounded by two curved office towers, all perched on top of a podium, with a public square to the south, known as Nathan Phillips Square. The buildings were 816,000 square feet in size, the west tower having 18 office floors and the east tower with 25. The project is recorded through drawings, a mounted presentation photograph of the project and textual records dating from 1958-1966. The drawings are mostly reprographic copies, which include plans, elevations, sections, details and perspectives. The textual records consist of a competition synopsis book, a book of submission materials for the competition, and correspondence between Parkin and Revell.
Project
1958-1966
photographies
PH1982:0284:001-023
Description:
Portfolio containing 23 photographs showing views of buildings and monuments in the German town of Hildesheim in Lower Saxony. Some of the buildings depicted date back from the 15th, 16th and 17th centuries. Churches (St. Michael's church, St. Andrew's evangelical Church, St. Godehard's Church, Church of the Holy Cross), the Emperor's House, the Butcher's Guild Hall, a baptismal font, houses, hospital, hotels and the market place of the town, are the main subjects composing this portfolio : Knochenhauer - Amthaus; Zwei Häuser am Markt; Altdeutsches Haus, Osterstrasse; Rathhaus; Altdeutsches Haus, Dammstrasse, Altdeutsches Haus (Wiener Hof.); Roland-Hospital, Eckemeckerstrasse; Haus mit Medaillonbildern römisher Kaiser; Häuser am Andreas - Platz; Mittelalterliches Haus am Andreas-Platz mit der Durchfahrt; Taufbecken in Dom; Dom, Inneres mit Kronleuchter; Dom mit 1000 jähr, Rosenstock, Alte Ansicht; Domfriedhof mit Annenkapelle; Bernwards -Säule; Godehardi-Kirche, Mittelschiff; Godehardi-Kirche, Aeusseres; Michaelis-Kirche; Mittelschiff; Kreuzgang der Michaelis-Kirche;; Renaissance-Haus Neustädter Markt; Andreas-Kirche; Altdeutsches Haus, Hoherweg (Kniep).
ca. 1885-1899
Album von Hildesheim Ansichtenund Kunstwerke
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PH1982:0284:001-023
Description:
Portfolio containing 23 photographs showing views of buildings and monuments in the German town of Hildesheim in Lower Saxony. Some of the buildings depicted date back from the 15th, 16th and 17th centuries. Churches (St. Michael's church, St. Andrew's evangelical Church, St. Godehard's Church, Church of the Holy Cross), the Emperor's House, the Butcher's Guild Hall, a baptismal font, houses, hospital, hotels and the market place of the town, are the main subjects composing this portfolio : Knochenhauer - Amthaus; Zwei Häuser am Markt; Altdeutsches Haus, Osterstrasse; Rathhaus; Altdeutsches Haus, Dammstrasse, Altdeutsches Haus (Wiener Hof.); Roland-Hospital, Eckemeckerstrasse; Haus mit Medaillonbildern römisher Kaiser; Häuser am Andreas - Platz; Mittelalterliches Haus am Andreas-Platz mit der Durchfahrt; Taufbecken in Dom; Dom, Inneres mit Kronleuchter; Dom mit 1000 jähr, Rosenstock, Alte Ansicht; Domfriedhof mit Annenkapelle; Bernwards -Säule; Godehardi-Kirche, Mittelschiff; Godehardi-Kirche, Aeusseres; Michaelis-Kirche; Mittelschiff; Kreuzgang der Michaelis-Kirche;; Renaissance-Haus Neustädter Markt; Andreas-Kirche; Altdeutsches Haus, Hoherweg (Kniep).
photographies
ca. 1885-1899
Projet
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
1976
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Project
1976
documents textuels
ARCH276270
Description:
46 files - Group contains subject and project files, many relating to Arthur Erickson Architectural Corporation, Vancouver. Files are arranged alphabetically (D-Z) and include: Dance Center; Ferris, MO; Frank Lloyd Wright Foundation; Greater Vancouver Transportation Centre; Hangzhou; I.A.A.; Iraq claim; Indonesia; Keller; Kitimat; Kirkor Architects; Kuwait; Michigan House; NATO; PEMB; Photographers; Potential Projects; Proposals; Qatar; Qui, Kang; Qui, Jiang; Presentations; Robson Revitalization; Saudi Embassy, Ottawa; SFU Housing; Silverlink; Sitkum Loidge, Victoria; Stichler; Stockton & Bush; Streetcars; Social Correspondence; Technical info; "New Modernist Group" - Richard Snibbe; Tokyo Embassy; Transvision; UBC Pres. Committee; University of Guelph; U.S. Immigration - Arthur; Walter/Mills Residence; Wang, A; Washington Chancery; Zecha Holdings.
1983-2001
Correspondence, project files from Erickson's office
Actions:
ARCH276270
Description:
46 files - Group contains subject and project files, many relating to Arthur Erickson Architectural Corporation, Vancouver. Files are arranged alphabetically (D-Z) and include: Dance Center; Ferris, MO; Frank Lloyd Wright Foundation; Greater Vancouver Transportation Centre; Hangzhou; I.A.A.; Iraq claim; Indonesia; Keller; Kitimat; Kirkor Architects; Kuwait; Michigan House; NATO; PEMB; Photographers; Potential Projects; Proposals; Qatar; Qui, Kang; Qui, Jiang; Presentations; Robson Revitalization; Saudi Embassy, Ottawa; SFU Housing; Silverlink; Sitkum Loidge, Victoria; Stichler; Stockton & Bush; Streetcars; Social Correspondence; Technical info; "New Modernist Group" - Richard Snibbe; Tokyo Embassy; Transvision; UBC Pres. Committee; University of Guelph; U.S. Immigration - Arthur; Walter/Mills Residence; Wang, A; Washington Chancery; Zecha Holdings.
documents textuels
1983-2001