26590 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.034
Description:
File was originally housed in a binder along with content arranged in AP206.S2.031, AP206.S2.032 and AP206.S2.033. This file includes the following papers: "Research Cells" "Chandigarh" "Our Environment," 1977 "Administrative Aspects of Urban and Regional Planning," 1978 "Chandigarh - Its Trials and Travails," 1978 "Technology and Chandigarh," 1978 "Varanasi," 1976
AP206.S2.034
Description:
File was originally housed in a binder along with content arranged in AP206.S2.031, AP206.S2.032 and AP206.S2.033. This file includes the following papers: "Research Cells" "Chandigarh" "Our Environment," 1977 "Administrative Aspects of Urban and Regional Planning," 1978 "Chandigarh - Its Trials and Travails," 1978 "Technology and Chandigarh," 1978 "Varanasi," 1976
Personnes et institutions:
Date:
1973-1978
1973-1978
Titre:
Unpublished papers (folder 4 of 4)
Actions:
AP206.S2.034
Description:
File was originally housed in a binder along with content arranged in AP206.S2.031, AP206.S2.032 and AP206.S2.033. This file includes the following papers: "Research Cells" "Chandigarh" "Our Environment," 1977 "Administrative Aspects of Urban and Regional Planning," 1978 "Chandigarh - Its Trials and Travails," 1978 "Technology and Chandigarh," 1978 "Varanasi," 1976
Unpublished papers (folder 4 of 4)
Actions:
AP206.S2.034
Description:
File was originally housed in a binder along with content arranged in AP206.S2.031, AP206.S2.032 and AP206.S2.033. This file includes the following papers: "Research Cells" "Chandigarh" "Our Environment," 1977 "Administrative Aspects of Urban and Regional Planning," 1978 "Chandigarh - Its Trials and Travails," 1978 "Technology and Chandigarh," 1978 "Varanasi," 1976
Classification:
documents textuels
documents textuels
Date:
1973-1978
1973-1978
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.071
Description:
File was originally housed in a binder along with content arranged in AP206.S2.069 and AP206.S2.070. This file includes the following papers: "Ludhiana at the Crossroads" "What Haryana's Capital should be like," newspaper article, 1985 "Lessons from Chandigarh" "Urbanisation and Environment" "Blueprint for Survival" "The other crisis of Delhi," newspaper article "The Capital Scenario"
AP206.S2.071
Description:
File was originally housed in a binder along with content arranged in AP206.S2.069 and AP206.S2.070. This file includes the following papers: "Ludhiana at the Crossroads" "What Haryana's Capital should be like," newspaper article, 1985 "Lessons from Chandigarh" "Urbanisation and Environment" "Blueprint for Survival" "The other crisis of Delhi," newspaper article "The Capital Scenario"
Personnes et institutions:
Date:
1985-1990
1985-1990
Titre:
Published and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.071
Description:
File was originally housed in a binder along with content arranged in AP206.S2.069 and AP206.S2.070. This file includes the following papers: "Ludhiana at the Crossroads" "What Haryana's Capital should be like," newspaper article, 1985 "Lessons from Chandigarh" "Urbanisation and Environment" "Blueprint for Survival" "The other crisis of Delhi," newspaper article "The Capital Scenario"
Published and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.071
Description:
File was originally housed in a binder along with content arranged in AP206.S2.069 and AP206.S2.070. This file includes the following papers: "Ludhiana at the Crossroads" "What Haryana's Capital should be like," newspaper article, 1985 "Lessons from Chandigarh" "Urbanisation and Environment" "Blueprint for Survival" "The other crisis of Delhi," newspaper article "The Capital Scenario"
Classification:
documents textuels
documents textuels
Date:
1985-1990
1985-1990
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:007
Description:
Consists of studies and plans for the installation of work at the Canadian Pavilion for the Venice Biennale of Architecture, 1986 and 2000. Also included are two sketches labelled "Barracks reduced, Kafka - 21/8/94" and "Construction study, Kafka - 21/8/94". Material was originally housed in a tube labelled "Canadian Pavilion Venice Biennale 2000".
DR2012:0012:007
Description:
Consists of studies and plans for the installation of work at the Canadian Pavilion for the Venice Biennale of Architecture, 1986 and 2000. Also included are two sketches labelled "Barracks reduced, Kafka - 21/8/94" and "Construction study, Kafka - 21/8/94". Material was originally housed in a tube labelled "Canadian Pavilion Venice Biennale 2000".
Personnes et institutions:
Date:
circa 2000
circa 2000
Titre:
Studies and plans for the installation of work at the Canadian Pavilion at the 7th Venice Biennale
Actions:
DR2012:0012:007
Description:
Consists of studies and plans for the installation of work at the Canadian Pavilion for the Venice Biennale of Architecture, 1986 and 2000. Also included are two sketches labelled "Barracks reduced, Kafka - 21/8/94" and "Construction study, Kafka - 21/8/94". Material was originally housed in a tube labelled "Canadian Pavilion Venice Biennale 2000".
Studies and plans for the installation of work at the Canadian Pavilion at the 7th Venice Biennale
Actions:
DR2012:0012:007
Description:
Consists of studies and plans for the installation of work at the Canadian Pavilion for the Venice Biennale of Architecture, 1986 and 2000. Also included are two sketches labelled "Barracks reduced, Kafka - 21/8/94" and "Construction study, Kafka - 21/8/94". Material was originally housed in a tube labelled "Canadian Pavilion Venice Biennale 2000".
Classification:
dessins
dessins
Date:
circa 2000
circa 2000
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256267
Description:
"Le pavillon de l'Algérie avec, en premier plan, une gondole vénitienne, voilà une des nombreuses images que nous offre la terre des hommes. / Algerian Pavilion at Expo 67 --- The Algerian exhibit is housed in a pavilion complex devoted to the Arab nations. The many facets of Algeria are presented with an accent on education, industrial development and the exploitation of natural resources."--Description.
ARCH256267
Description:
"Le pavillon de l'Algérie avec, en premier plan, une gondole vénitienne, voilà une des nombreuses images que nous offre la terre des hommes. / Algerian Pavilion at Expo 67 --- The Algerian exhibit is housed in a pavilion complex devoted to the Arab nations. The many facets of Algeria are presented with an accent on education, industrial development and the exploitation of natural resources."--Description.
Personnes et institutions:
Date:
1967
1967
Titre:
Back view of the Algerian Pavilion with a gondola in foreground, Expo 67, Montréal, Québec
Actions:
ARCH256267
Description:
"Le pavillon de l'Algérie avec, en premier plan, une gondole vénitienne, voilà une des nombreuses images que nous offre la terre des hommes. / Algerian Pavilion at Expo 67 --- The Algerian exhibit is housed in a pavilion complex devoted to the Arab nations. The many facets of Algeria are presented with an accent on education, industrial development and the exploitation of natural resources."--Description.
Back view of the Algerian Pavilion with a gondola in foreground, Expo 67, Montréal, Québec
Actions:
ARCH256267
Description:
"Le pavillon de l'Algérie avec, en premier plan, une gondole vénitienne, voilà une des nombreuses images que nous offre la terre des hommes. / Algerian Pavilion at Expo 67 --- The Algerian exhibit is housed in a pavilion complex devoted to the Arab nations. The many facets of Algeria are presented with an accent on education, industrial development and the exploitation of natural resources."--Description.
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
dessins, oeuvres d'art
Quantité:
32 drawing(s)
dessins, oeuvres d'art
Quantité:
32 drawing(s)
Numéro de référence:
DR1986:0379-0413
Description:
- This group of drawings and prints for Château de Marcoussis (designed by Charles Rohault de Fleury in 1862-1863), and for later additions to the château by Rohault de Fleury and other architects, is composed mostly of design development and presentation drawings and transfer lithographs - mainly plans and elevations. Three wash drawings and 13 transfer lithographs, some coloured with wash, are for the château as constructed and are mostly dated June 1863 (drawings: DR1986:0380, DR1986:0382, DR1986:0383; transfer lithographs: DR1986:0387 - DR1986:0389, DR1986:0397 - DR1986:0407). Drawings for two unexecuted designs for the château are included: the first is dated 3 May 1862, and possibly 23 May 1862 (DR1986:0379, DR1986:0393, DR1986:394), and the second 15 May 1862 (DR1986:0395 and DR1986:0396). Three untitled drawings may also be designs for Château Marcoussis, although the inscription "1er projet" in conjunction with the later date of April 1863, suggests that they are perhaps for a different unidentified project (DR1986:0390 - DR1986:0392). A proposal for a tower addition by Rohault de Fleury is dated 1 April 1864 (DR1986:0381). This tower also appears on a plan of Château Marcoussis by an unknown hand (DR1986:0408). A land survey for part of the château's park is signed and stamped by the landscape architect, L.L. Le Breton, whose stamp also appears on a drainage plan for the château (DR1986:0409 and DR1986:0397 R). Also included are a proposal for a winter garden for Château Marcoussis designed by Geriche (DR1986:0384), an unattributed project for modifications to the winter garden (DR1986:0385), and plans for an unidentified house (DR1986:0412 and DR1986:0413). Folder DR1986:0386 and mounts DR1986:0410 and DR1986:0411 were acquired with this group. All three objects are inscribed with titles, and those on the mounts indicate the existence of two drawings that were not acquired with the group: "Marcoussis / Mr le Mis de la Baume" (DR1986:0410) and "Escalier au tourelle / (projet) / 1900" (DR1986:0411). The inscribed title which figures on the verso of mount DR1986:0410 indicates that it was at one time used as a folder: "Château de Marcoussis / projets d'agrandissement / et de constructions".
DR1986:0379-0413
Description:
- This group of drawings and prints for Château de Marcoussis (designed by Charles Rohault de Fleury in 1862-1863), and for later additions to the château by Rohault de Fleury and other architects, is composed mostly of design development and presentation drawings and transfer lithographs - mainly plans and elevations. Three wash drawings and 13 transfer lithographs, some coloured with wash, are for the château as constructed and are mostly dated June 1863 (drawings: DR1986:0380, DR1986:0382, DR1986:0383; transfer lithographs: DR1986:0387 - DR1986:0389, DR1986:0397 - DR1986:0407). Drawings for two unexecuted designs for the château are included: the first is dated 3 May 1862, and possibly 23 May 1862 (DR1986:0379, DR1986:0393, DR1986:394), and the second 15 May 1862 (DR1986:0395 and DR1986:0396). Three untitled drawings may also be designs for Château Marcoussis, although the inscription "1er projet" in conjunction with the later date of April 1863, suggests that they are perhaps for a different unidentified project (DR1986:0390 - DR1986:0392). A proposal for a tower addition by Rohault de Fleury is dated 1 April 1864 (DR1986:0381). This tower also appears on a plan of Château Marcoussis by an unknown hand (DR1986:0408). A land survey for part of the château's park is signed and stamped by the landscape architect, L.L. Le Breton, whose stamp also appears on a drainage plan for the château (DR1986:0409 and DR1986:0397 R). Also included are a proposal for a winter garden for Château Marcoussis designed by Geriche (DR1986:0384), an unattributed project for modifications to the winter garden (DR1986:0385), and plans for an unidentified house (DR1986:0412 and DR1986:0413). Folder DR1986:0386 and mounts DR1986:0410 and DR1986:0411 were acquired with this group. All three objects are inscribed with titles, and those on the mounts indicate the existence of two drawings that were not acquired with the group: "Marcoussis / Mr le Mis de la Baume" (DR1986:0410) and "Escalier au tourelle / (projet) / 1900" (DR1986:0411). The inscribed title which figures on the verso of mount DR1986:0410 indicates that it was at one time used as a folder: "Château de Marcoussis / projets d'agrandissement / et de constructions".
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur
architecture, architecture de paysage, design d'intérieur
Date:
prints executed in 1863
prints executed in 1863
Titre:
Drawings and prints for Château de Marcoussis, France
Actions:
DR1986:0379-0413
Description:
- This group of drawings and prints for Château de Marcoussis (designed by Charles Rohault de Fleury in 1862-1863), and for later additions to the château by Rohault de Fleury and other architects, is composed mostly of design development and presentation drawings and transfer lithographs - mainly plans and elevations. Three wash drawings and 13 transfer lithographs, some coloured with wash, are for the château as constructed and are mostly dated June 1863 (drawings: DR1986:0380, DR1986:0382, DR1986:0383; transfer lithographs: DR1986:0387 - DR1986:0389, DR1986:0397 - DR1986:0407). Drawings for two unexecuted designs for the château are included: the first is dated 3 May 1862, and possibly 23 May 1862 (DR1986:0379, DR1986:0393, DR1986:394), and the second 15 May 1862 (DR1986:0395 and DR1986:0396). Three untitled drawings may also be designs for Château Marcoussis, although the inscription "1er projet" in conjunction with the later date of April 1863, suggests that they are perhaps for a different unidentified project (DR1986:0390 - DR1986:0392). A proposal for a tower addition by Rohault de Fleury is dated 1 April 1864 (DR1986:0381). This tower also appears on a plan of Château Marcoussis by an unknown hand (DR1986:0408). A land survey for part of the château's park is signed and stamped by the landscape architect, L.L. Le Breton, whose stamp also appears on a drainage plan for the château (DR1986:0409 and DR1986:0397 R). Also included are a proposal for a winter garden for Château Marcoussis designed by Geriche (DR1986:0384), an unattributed project for modifications to the winter garden (DR1986:0385), and plans for an unidentified house (DR1986:0412 and DR1986:0413). Folder DR1986:0386 and mounts DR1986:0410 and DR1986:0411 were acquired with this group. All three objects are inscribed with titles, and those on the mounts indicate the existence of two drawings that were not acquired with the group: "Marcoussis / Mr le Mis de la Baume" (DR1986:0410) and "Escalier au tourelle / (projet) / 1900" (DR1986:0411). The inscribed title which figures on the verso of mount DR1986:0410 indicates that it was at one time used as a folder: "Château de Marcoussis / projets d'agrandissement / et de constructions".
Drawings and prints for Château de Marcoussis, France
Actions:
DR1986:0379-0413
Description:
- This group of drawings and prints for Château de Marcoussis (designed by Charles Rohault de Fleury in 1862-1863), and for later additions to the château by Rohault de Fleury and other architects, is composed mostly of design development and presentation drawings and transfer lithographs - mainly plans and elevations. Three wash drawings and 13 transfer lithographs, some coloured with wash, are for the château as constructed and are mostly dated June 1863 (drawings: DR1986:0380, DR1986:0382, DR1986:0383; transfer lithographs: DR1986:0387 - DR1986:0389, DR1986:0397 - DR1986:0407). Drawings for two unexecuted designs for the château are included: the first is dated 3 May 1862, and possibly 23 May 1862 (DR1986:0379, DR1986:0393, DR1986:394), and the second 15 May 1862 (DR1986:0395 and DR1986:0396). Three untitled drawings may also be designs for Château Marcoussis, although the inscription "1er projet" in conjunction with the later date of April 1863, suggests that they are perhaps for a different unidentified project (DR1986:0390 - DR1986:0392). A proposal for a tower addition by Rohault de Fleury is dated 1 April 1864 (DR1986:0381). This tower also appears on a plan of Château Marcoussis by an unknown hand (DR1986:0408). A land survey for part of the château's park is signed and stamped by the landscape architect, L.L. Le Breton, whose stamp also appears on a drainage plan for the château (DR1986:0409 and DR1986:0397 R). Also included are a proposal for a winter garden for Château Marcoussis designed by Geriche (DR1986:0384), an unattributed project for modifications to the winter garden (DR1986:0385), and plans for an unidentified house (DR1986:0412 and DR1986:0413). Folder DR1986:0386 and mounts DR1986:0410 and DR1986:0411 were acquired with this group. All three objects are inscribed with titles, and those on the mounts indicate the existence of two drawings that were not acquired with the group: "Marcoussis / Mr le Mis de la Baume" (DR1986:0410) and "Escalier au tourelle / (projet) / 1900" (DR1986:0411). The inscribed title which figures on the verso of mount DR1986:0410 indicates that it was at one time used as a folder: "Château de Marcoussis / projets d'agrandissement / et de constructions".
Classification:
dessins, oeuvres d'art
Quantité:
32 drawing(s)
dessins, oeuvres d'art
Quantité:
32 drawing(s)
Date:
prints executed in 1863
prints executed in 1863
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur
architecture, architecture de paysage, design d'intérieur
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Actions:
Numéro de référence:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Date:
1980s-1990s
1980s-1990s
Titre:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1978:0014:005
Description:
- A student project for an ornate lakeside pavilion described in elevation, plan, and section. The pavilion, a richly decorated aedicular structure surmounted by a tall, mansard cupola, stands on a rusticated stone terrace connected to the shore by a double flight of stairs. Docking facilities for pleasure craft are housed within the terrace and are connected with the pavilion above by curved internal stairs. At the corners on one side of the terrace are two jets of water rising to the height of the pavilion's pediments.
DR1978:0014:005
Description:
- A student project for an ornate lakeside pavilion described in elevation, plan, and section. The pavilion, a richly decorated aedicular structure surmounted by a tall, mansard cupola, stands on a rusticated stone terrace connected to the shore by a double flight of stairs. Docking facilities for pleasure craft are housed within the terrace and are connected with the pavilion above by curved internal stairs. At the corners on one side of the terrace are two jets of water rising to the height of the pavilion's pediments.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1884
1884
Titre:
Student project for a lakeside pavilion
Actions:
DR1978:0014:005
Description:
- A student project for an ornate lakeside pavilion described in elevation, plan, and section. The pavilion, a richly decorated aedicular structure surmounted by a tall, mansard cupola, stands on a rusticated stone terrace connected to the shore by a double flight of stairs. Docking facilities for pleasure craft are housed within the terrace and are connected with the pavilion above by curved internal stairs. At the corners on one side of the terrace are two jets of water rising to the height of the pavilion's pediments.
Student project for a lakeside pavilion
Actions:
DR1978:0014:005
Description:
- A student project for an ornate lakeside pavilion described in elevation, plan, and section. The pavilion, a richly decorated aedicular structure surmounted by a tall, mansard cupola, stands on a rusticated stone terrace connected to the shore by a double flight of stairs. Docking facilities for pleasure craft are housed within the terrace and are connected with the pavilion above by curved internal stairs. At the corners on one side of the terrace are two jets of water rising to the height of the pavilion's pediments.
Classification:
dessins
dessins
Date:
1884
1884
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modulor" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modulor" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
Personnes et institutions:
Date:
1959-1972
1959-1972
Titre:
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modulor" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modulor" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
Classification:
documents textuels
documents textuels
Date:
1959-1972
1959-1972
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
Personnes et institutions:
Date:
circa 1966-1982
circa 1966-1982
Titre:
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
Classification:
documents textuels
documents textuels
Date:
circa 1966-1982
circa 1966-1982
Personnes et institutions:
