Projet
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
2011-2015
Random Movies (1972)
Actions:
AP207.S1.1972.PR06
Description:
The project series documents the film "Random Movies" produced by Pettena in 1972. The project consists of a film created by Pettena with randomly selected filmstrips of film reels that were going to be thrown away. The film was then presented to the public in Salt Lake City without anyone looking at the content before. The filmstrips "were out-of-date promotional films, many of them in two copies, commercial advertisements as well as electoral propaganda. So the screening proved particularly provocative for an audience that had come to attend a “cultured” lecture and found themselves, in an insistent manner, treated as an audience of “advertising skits.” "[1] The project series contains project descriptions in English and in Italian, a film still and a digital version of the film. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-random-movies-1972-1/ (last accessed 12 November 2019).
Project
2011-2015
Projet
AP018.S1.1984.PR03
Description:
This project series document the exterior restauration work of Toronto Union Station in Toronto from 1984-1985. The office identified the project number as 8405. This project consisted of restoration to the exterior of the train station commissioned by VIA Rail Canada Inc. This work was referred to as a clean up in the project documentation. Restauration work was done to the existing exterior stonework, colannades, screens and skylights. This project was referred to as Package A in the materials, with Package B representing a project for interior work (see project series AP018.S1.1984.PR01 in this fonds). This project is recorded through drawings, photographs and textual records dating from 1984-1985. The drawings are of earlier plans for the station, prepared by architects Ross & Macdonald and some by Public Works Canada. The textual records include correspondence, conference and site reports, contract data, construction documentation, financial records, interoffice letters.
1984-1985
Toronto Union Station, Exterior Cleaning of Facades and Colonnades, Toronto (1984-1985)
Actions:
AP018.S1.1984.PR03
Description:
This project series document the exterior restauration work of Toronto Union Station in Toronto from 1984-1985. The office identified the project number as 8405. This project consisted of restoration to the exterior of the train station commissioned by VIA Rail Canada Inc. This work was referred to as a clean up in the project documentation. Restauration work was done to the existing exterior stonework, colannades, screens and skylights. This project was referred to as Package A in the materials, with Package B representing a project for interior work (see project series AP018.S1.1984.PR01 in this fonds). This project is recorded through drawings, photographs and textual records dating from 1984-1985. The drawings are of earlier plans for the station, prepared by architects Ross & Macdonald and some by Public Works Canada. The textual records include correspondence, conference and site reports, contract data, construction documentation, financial records, interoffice letters.
Project
1984-1985
articles
Corpus
3 septembre 2024
Corpus
Emma Rath se penche sur les photographies de la bibliothèque d’Álvaro Siza à Viana do Castelo
Actions:
Projet
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
2001-2005
Plaza y torre Woermann, Las Palmas de Gran Canaria, Spain (2001-2005)
Actions:
AP164.S1.2001.D7
Description:
The project series documents the competition, design, and construction of the Plaza and Tower Woermann, on the Canary Islands. The competition was organised by the City Council of Las Palmas. Abalos & Herreros and Renata Sentkiewicz in collaboration with Joaquín Casariego and Elsa Guerra won first place for their entry. They also worked with Ferrovial Inmobiliaria, Irene Zúñiga, David Sobrino and Obiol y Moya. The firm identified the project as number 142. The building includes offices, residential and retail units, and a public library. The square was designed with collaborating artist Albert Oehlen using Portuguese stone. Both the tower and the plaza were designed with the idea of integrating them in a hybrid-natural and artificial-landscape. In 2005, the firm was a finalist at the Premios FAD de Arquitectura e Interiorismo for this project. Documenting the project are contains design development and working drawings, graphic and photographic materials, correspondence, notes and a model.
Project
2001-2005
documents textuels
ARCH186553
Description:
certificates and diplomas awarded to Desbarats from the National Design Council (c.1981), Canada Museum's Construction Corporation (1985), Ordre des architectes du Québec (1974), Ordre des architectes du Québec Prix d'excellence en architecture (1984), Concordia University (1977), American Public Works Association (1980), Médaille du Centenaire (1967), final proof of Who's Who entry, Guy Desbarats' C.V., correspondence from Jeanne Sauvé concerning Governor General's residence, correspondence with Roméo LeBlanc
Certificates and diplomas awarded to Desbarats
Actions:
ARCH186553
Description:
certificates and diplomas awarded to Desbarats from the National Design Council (c.1981), Canada Museum's Construction Corporation (1985), Ordre des architectes du Québec (1974), Ordre des architectes du Québec Prix d'excellence en architecture (1984), Concordia University (1977), American Public Works Association (1980), Médaille du Centenaire (1967), final proof of Who's Who entry, Guy Desbarats' C.V., correspondence from Jeanne Sauvé concerning Governor General's residence, correspondence with Roméo LeBlanc
documents textuels
dessins, documents textuels
DR1995:0255:382-511
Description:
clippings, brochure, pamphlets, sketches, drawings, calculations, graphs, drawings by Yorke Rosenberg Mardall Architects, maps, some with annotations, price lists, charts, draft feasibility report, promotional material, promotional catalogue, publications, correspondence, perspective sketches, report, minutes of meetings, trade catalogues, conceptual sketches, guidelines, design notes, consultant reports, tables, notes on housing symposium, report with annotations titled 'Two Tree Island Development for David Keddie / Consultant's Preliminary Report' (January 1972), press release, promotional brochure for Two Tree Island development, and poster for public meeting
Clippings, brochure, pamphlets, sketches, drawings
Actions:
DR1995:0255:382-511
Description:
clippings, brochure, pamphlets, sketches, drawings, calculations, graphs, drawings by Yorke Rosenberg Mardall Architects, maps, some with annotations, price lists, charts, draft feasibility report, promotional material, promotional catalogue, publications, correspondence, perspective sketches, report, minutes of meetings, trade catalogues, conceptual sketches, guidelines, design notes, consultant reports, tables, notes on housing symposium, report with annotations titled 'Two Tree Island Development for David Keddie / Consultant's Preliminary Report' (January 1972), press release, promotional brochure for Two Tree Island development, and poster for public meeting
dessins, documents textuels
documents textuels
PHCON2002:0016:003:073
14 May 1975
documents textuels
14 May 1975
documents textuels
PHCON2002:0016:003:163.1
1 December 1975
documents textuels
1 December 1975
DR1986:0265
early 20th century
early 20th century
archives
Niveau de description archivistique:
Fonds
Pierlucio Pellissier fonds
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
1946-2020
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
archives
Niveau de description archivistique:
Fonds
1946-2020