31793 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Personnes et institutions:
Date:
2002-2010
2002-2010
Titre:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Niveau de description archivistique:
Series
Series
Date:
2002-2010
2002-2010
Personnes et institutions:
Classification:
photographies
Quantité:
2 File
photographies
Quantité:
2 File
Numéro de référence:
ARCH24622
Description:
63P-1: b/w (18.3 x 23.7 cm); Mount Royal Hotel, Peel St. facade. Photographer; S.J. Hayward, Montreal 63P-2: b/w (18.5 x 24 cm); Mount Royal Hotel, Peel St. facade and south elevation. Photographer; Rice Studio, Montreal
ARCH24622
Description:
63P-1: b/w (18.3 x 23.7 cm); Mount Royal Hotel, Peel St. facade. Photographer; S.J. Hayward, Montreal 63P-2: b/w (18.5 x 24 cm); Mount Royal Hotel, Peel St. facade and south elevation. Photographer; Rice Studio, Montreal
Personnes et institutions:
Titre:
Mount Royal Hotel, Peel St. facade and south elevation
Actions:
ARCH24622
Description:
63P-1: b/w (18.3 x 23.7 cm); Mount Royal Hotel, Peel St. facade. Photographer; S.J. Hayward, Montreal 63P-2: b/w (18.5 x 24 cm); Mount Royal Hotel, Peel St. facade and south elevation. Photographer; Rice Studio, Montreal
Mount Royal Hotel, Peel St. facade and south elevation
Actions:
ARCH24622
Description:
63P-1: b/w (18.3 x 23.7 cm); Mount Royal Hotel, Peel St. facade. Photographer; S.J. Hayward, Montreal 63P-2: b/w (18.5 x 24 cm); Mount Royal Hotel, Peel St. facade and south elevation. Photographer; Rice Studio, Montreal
Classification:
photographies
Quantité:
2 File
photographies
Quantité:
2 File
Personnes et institutions:
Classification:
photographies
Quantité:
2 File
photographies
Quantité:
2 File
Numéro de référence:
ARCH50508
Description:
01P-01: b/w (19,5 x 24,3 cm); Bell Telephone Work Centre, Ville d'Anjou. Photographer; B&I (Business & Industrial) Photography. Montreal 01P-02: b/w (19,2 x 23,7 cm); Bell Telephone Work Centre [Ville d'Anjou?], interior view. Photographer unknown
ARCH50508
Description:
01P-01: b/w (19,5 x 24,3 cm); Bell Telephone Work Centre, Ville d'Anjou. Photographer; B&I (Business & Industrial) Photography. Montreal 01P-02: b/w (19,2 x 23,7 cm); Bell Telephone Work Centre [Ville d'Anjou?], interior view. Photographer unknown
Personnes et institutions:
Titre:
Bell Telephone Work Centre, Ville d'Anjou
Actions:
ARCH50508
Description:
01P-01: b/w (19,5 x 24,3 cm); Bell Telephone Work Centre, Ville d'Anjou. Photographer; B&I (Business & Industrial) Photography. Montreal 01P-02: b/w (19,2 x 23,7 cm); Bell Telephone Work Centre [Ville d'Anjou?], interior view. Photographer unknown
Bell Telephone Work Centre, Ville d'Anjou
Actions:
ARCH50508
Description:
01P-01: b/w (19,5 x 24,3 cm); Bell Telephone Work Centre, Ville d'Anjou. Photographer; B&I (Business & Industrial) Photography. Montreal 01P-02: b/w (19,2 x 23,7 cm); Bell Telephone Work Centre [Ville d'Anjou?], interior view. Photographer unknown
Classification:
photographies
Quantité:
2 File
photographies
Quantité:
2 File
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH284096
Description:
Inclus des photographies de la Cour suprême du Canada, de le Résidence Ernest Cormier, de l'Hôtel Windsor, du Grand Séminiaire de Québec, de l'Imprimerie Nationale du Canada, de l'aggrandissement des bureaux du Petit Journal, du Saint-Basil's Seminary, de l'Église Saint-Louis de France, du Campus de l'Université de Montréal et de la Maison des Étudiants de l'Université de Montréal. Contient les photographies numérotées P-4315 à P-4676.
ARCH284096
Description:
Inclus des photographies de la Cour suprême du Canada, de le Résidence Ernest Cormier, de l'Hôtel Windsor, du Grand Séminiaire de Québec, de l'Imprimerie Nationale du Canada, de l'aggrandissement des bureaux du Petit Journal, du Saint-Basil's Seminary, de l'Église Saint-Louis de France, du Campus de l'Université de Montréal et de la Maison des Étudiants de l'Université de Montréal. Contient les photographies numérotées P-4315 à P-4676.
Personnes et institutions:
Date:
1900s-1972
1900s-1972
Titre:
Photographies de divers projets d'Ernest Cormier
Actions:
ARCH284096
Description:
Inclus des photographies de la Cour suprême du Canada, de le Résidence Ernest Cormier, de l'Hôtel Windsor, du Grand Séminiaire de Québec, de l'Imprimerie Nationale du Canada, de l'aggrandissement des bureaux du Petit Journal, du Saint-Basil's Seminary, de l'Église Saint-Louis de France, du Campus de l'Université de Montréal et de la Maison des Étudiants de l'Université de Montréal. Contient les photographies numérotées P-4315 à P-4676.
Photographies de divers projets d'Ernest Cormier
Actions:
ARCH284096
Description:
Inclus des photographies de la Cour suprême du Canada, de le Résidence Ernest Cormier, de l'Hôtel Windsor, du Grand Séminiaire de Québec, de l'Imprimerie Nationale du Canada, de l'aggrandissement des bureaux du Petit Journal, du Saint-Basil's Seminary, de l'Église Saint-Louis de France, du Campus de l'Université de Montréal et de la Maison des Étudiants de l'Université de Montréal. Contient les photographies numérotées P-4315 à P-4676.
Classification:
photographies
photographies
Date:
1900s-1972
1900s-1972
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
ARCH166328
Description:
1 fiche d'identification Prix de l'excellence de l'OAQ 4 photocopies: plans 2 photocopies couleurs: photographies de l'intérieur 21,5 x 28cm 1 opti-négatif: plans 22 x 27 cm 3 photographies couleurs: intérieur 20x 25,5 cm 4 opti-négatifs et 2 photostats jusqu'à 17 x 35 cm
ARCH166328
Description:
1 fiche d'identification Prix de l'excellence de l'OAQ 4 photocopies: plans 2 photocopies couleurs: photographies de l'intérieur 21,5 x 28cm 1 opti-négatif: plans 22 x 27 cm 3 photographies couleurs: intérieur 20x 25,5 cm 4 opti-négatifs et 2 photostats jusqu'à 17 x 35 cm
Personnes et institutions:
Titre:
Fiche d'identification, Prix de l'excellence de l'OAQ, photographies couleurs, opti-négatifs et photostats
Actions:
ARCH166328
Description:
1 fiche d'identification Prix de l'excellence de l'OAQ 4 photocopies: plans 2 photocopies couleurs: photographies de l'intérieur 21,5 x 28cm 1 opti-négatif: plans 22 x 27 cm 3 photographies couleurs: intérieur 20x 25,5 cm 4 opti-négatifs et 2 photostats jusqu'à 17 x 35 cm
Fiche d'identification, Prix de l'excellence de l'OAQ, photographies couleurs, opti-négatifs et photostats
Actions:
ARCH166328
Description:
1 fiche d'identification Prix de l'excellence de l'OAQ 4 photocopies: plans 2 photocopies couleurs: photographies de l'intérieur 21,5 x 28cm 1 opti-négatif: plans 22 x 27 cm 3 photographies couleurs: intérieur 20x 25,5 cm 4 opti-négatifs et 2 photostats jusqu'à 17 x 35 cm
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Classification:
photographies
Quantité:
2 File
photographies
Quantité:
2 File
Numéro de référence:
ARCH41854
Description:
10P-01: b/w (18,0 x 24,3 cm); North American Cyanamid Building, exterior view showing main facade. Photographer; Architecte-Photos, Montreal 10P-02: b/w (17,9 x 24,3 cm); North American Cyanamid Building, interior view of corridor. Photographer; Architecte-Photos, Montreal
ARCH41854
Description:
10P-01: b/w (18,0 x 24,3 cm); North American Cyanamid Building, exterior view showing main facade. Photographer; Architecte-Photos, Montreal 10P-02: b/w (17,9 x 24,3 cm); North American Cyanamid Building, interior view of corridor. Photographer; Architecte-Photos, Montreal
Personnes et institutions:
Titre:
North American Cyanamid Building
Actions:
ARCH41854
Description:
10P-01: b/w (18,0 x 24,3 cm); North American Cyanamid Building, exterior view showing main facade. Photographer; Architecte-Photos, Montreal 10P-02: b/w (17,9 x 24,3 cm); North American Cyanamid Building, interior view of corridor. Photographer; Architecte-Photos, Montreal
North American Cyanamid Building
Actions:
ARCH41854
Description:
10P-01: b/w (18,0 x 24,3 cm); North American Cyanamid Building, exterior view showing main facade. Photographer; Architecte-Photos, Montreal 10P-02: b/w (17,9 x 24,3 cm); North American Cyanamid Building, interior view of corridor. Photographer; Architecte-Photos, Montreal
Classification:
photographies
Quantité:
2 File
photographies
Quantité:
2 File
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0901:017
Description:
- The inscription accompanying this photograph refers to events between 18 September and 14 October 1860. On 18 September 1860, during the Second Opium War (1858-1860), 39 British and French civilians and soldiers were taken hostage by the Chinese. Among the hostages were Harry Smith Parkes, the British commissioner in Canton (now Guangzhou) and Henry Loch, private secretary to Lord Elgin, who were later released, and Captain Brabazon of the Royal Artillery, who was killed (Harris, p. 153).
PH1986:0901:017
Description:
- The inscription accompanying this photograph refers to events between 18 September and 14 October 1860. On 18 September 1860, during the Second Opium War (1858-1860), 39 British and French civilians and soldiers were taken hostage by the Chinese. Among the hostages were Harry Smith Parkes, the British commissioner in Canton (now Guangzhou) and Henry Loch, private secretary to Lord Elgin, who were later released, and Captain Brabazon of the Royal Artillery, who was killed (Harris, p. 153).
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Date:
between 21 September and 2 October 1860
between 21 September and 2 October 1860
Titre:
View of the Palichao (now Baliqiao) bridge, Tung-chow (Tongzhou, also now known as Tongxian), near Peking (now Beijing), China
Actions:
PH1986:0901:017
Description:
- The inscription accompanying this photograph refers to events between 18 September and 14 October 1860. On 18 September 1860, during the Second Opium War (1858-1860), 39 British and French civilians and soldiers were taken hostage by the Chinese. Among the hostages were Harry Smith Parkes, the British commissioner in Canton (now Guangzhou) and Henry Loch, private secretary to Lord Elgin, who were later released, and Captain Brabazon of the Royal Artillery, who was killed (Harris, p. 153).
View of the Palichao (now Baliqiao) bridge, Tung-chow (Tongzhou, also now known as Tongxian), near Peking (now Beijing), China
Actions:
PH1986:0901:017
Description:
- The inscription accompanying this photograph refers to events between 18 September and 14 October 1860. On 18 September 1860, during the Second Opium War (1858-1860), 39 British and French civilians and soldiers were taken hostage by the Chinese. Among the hostages were Harry Smith Parkes, the British commissioner in Canton (now Guangzhou) and Henry Loch, private secretary to Lord Elgin, who were later released, and Captain Brabazon of the Royal Artillery, who was killed (Harris, p. 153).
Classification:
photographies
photographies
Date:
between 21 September and 2 October 1860
between 21 September and 2 October 1860
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH3146
Description:
Coupure du journal La Presse : " Le “Vieux Montréal” disparaît peu à peu " avec photographie des bâtiments à démolir pour faire place à l'annexe au Palais de justice.
ARCH3146
Description:
Coupure du journal La Presse : " Le “Vieux Montréal” disparaît peu à peu " avec photographie des bâtiments à démolir pour faire place à l'annexe au Palais de justice.
Personnes et institutions:
Date:
1920
1920
Titre:
Coupure de presse sur les démolitions pour nouveau Palais de justice
Actions:
ARCH3146
Description:
Coupure du journal La Presse : " Le “Vieux Montréal” disparaît peu à peu " avec photographie des bâtiments à démolir pour faire place à l'annexe au Palais de justice.
Coupure de presse sur les démolitions pour nouveau Palais de justice
Actions:
ARCH3146
Description:
Coupure du journal La Presse : " Le “Vieux Montréal” disparaît peu à peu " avec photographie des bâtiments à démolir pour faire place à l'annexe au Palais de justice.
Classification:
documents textuels
documents textuels
Date:
1920
1920
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258668
Description:
Correspondance avec l'entrepreneur, la paroisse et les fournisseurs, incluant des offres de services, 15 photographies d'ornements et médaillons, le « Historique du contrat », des télégrammes, des calculs, des croquis.
ARCH258668
Description:
Correspondance avec l'entrepreneur, la paroisse et les fournisseurs, incluant des offres de services, 15 photographies d'ornements et médaillons, le « Historique du contrat », des télégrammes, des calculs, des croquis.
Personnes et institutions:
Date:
1925-1929
1925-1929
Titre:
Correspondance avec l'entrepreneur, la paroisse et les fournisseurs
Actions:
ARCH258668
Description:
Correspondance avec l'entrepreneur, la paroisse et les fournisseurs, incluant des offres de services, 15 photographies d'ornements et médaillons, le « Historique du contrat », des télégrammes, des calculs, des croquis.
Correspondance avec l'entrepreneur, la paroisse et les fournisseurs
Actions:
ARCH258668
Description:
Correspondance avec l'entrepreneur, la paroisse et les fournisseurs, incluant des offres de services, 15 photographies d'ornements et médaillons, le « Historique du contrat », des télégrammes, des calculs, des croquis.
Classification:
documents textuels
documents textuels
Date:
1925-1929
1925-1929
Personnes et institutions:
