493 Résultats
Classification:
photographies
photographies
Numéro de référence:
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
Personnes et institutions:
Date:
2010-2011
2010-2011
Titre:
Gordon Matta Clark: Dai Primi Lavori Ai Tagli Architecttonici
Actions:
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
Gordon Matta Clark: Dai Primi Lavori Ai Tagli Architecttonici
Actions:
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
Classification:
photographies
photographies
Date:
2010-2011
2010-2011
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256990
Description:
pages from AEA book ''Ya se ai li ke sen: Arthur Erickson'' - full-page photographs views of Simon Fraser University, Graham House, Canadian Pavilian in Osaka, Baldwin House, Hilborn House, Macmillan Bloedel Building, Cathrdral Place, Catton House, Man in the Community Pavilion
ARCH256990
Description:
pages from AEA book ''Ya se ai li ke sen: Arthur Erickson'' - full-page photographs views of Simon Fraser University, Graham House, Canadian Pavilian in Osaka, Baldwin House, Hilborn House, Macmillan Bloedel Building, Cathrdral Place, Catton House, Man in the Community Pavilion
Personnes et institutions:
Titre:
Pages from AEA book ''Ya se ai li ke sen: Arthur Erickson''
Actions:
ARCH256990
Description:
pages from AEA book ''Ya se ai li ke sen: Arthur Erickson'' - full-page photographs views of Simon Fraser University, Graham House, Canadian Pavilian in Osaka, Baldwin House, Hilborn House, Macmillan Bloedel Building, Cathrdral Place, Catton House, Man in the Community Pavilion
Pages from AEA book ''Ya se ai li ke sen: Arthur Erickson''
Actions:
ARCH256990
Description:
pages from AEA book ''Ya se ai li ke sen: Arthur Erickson'' - full-page photographs views of Simon Fraser University, Graham House, Canadian Pavilian in Osaka, Baldwin House, Hilborn House, Macmillan Bloedel Building, Cathrdral Place, Catton House, Man in the Community Pavilion
Classification:
photographies
photographies
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP140.S2.SS1.D1.P2.5
AP140.S2.SS1.D1.P2.5
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
View of BBPR's "Monumento ai caduti nei campi di concentramento in Germania" (1946)
Actions:
AP140.S2.SS1.D1.P2.5
View of BBPR's "Monumento ai caduti nei campi di concentramento in Germania" (1946)
Actions:
AP140.S2.SS1.D1.P2.5
Classification:
dessins
dessins
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S3.2003.PR01
Description:
This project series documents Umberto Riva's design for the exhibition "John Soane e i ponti in legno svizzeri. Architettura e cultura tecnica da Palladio ai Grubenmann", an exhibition on John Soane and his study of wooden Swiss bridges, held at the Centro Palladio in 2002. The project series contains exhibition installation plans.
AP180.S3.2003.PR01
Description:
This project series documents Umberto Riva's design for the exhibition "John Soane e i ponti in legno svizzeri. Architettura e cultura tecnica da Palladio ai Grubenmann", an exhibition on John Soane and his study of wooden Swiss bridges, held at the Centro Palladio in 2002. The project series contains exhibition installation plans.
Personnes et institutions:
Date:
2003
2003
Titre:
John Soane e i ponti in legno svizzeri: Architettura e cultura tecnica da Palladio ai Grubenmann, Centro Palladio, Palazzo Barbaran da Porto, Vicenza, Italy (2003)
Actions:
AP180.S3.2003.PR01
Description:
This project series documents Umberto Riva's design for the exhibition "John Soane e i ponti in legno svizzeri. Architettura e cultura tecnica da Palladio ai Grubenmann", an exhibition on John Soane and his study of wooden Swiss bridges, held at the Centro Palladio in 2002. The project series contains exhibition installation plans.
John Soane e i ponti in legno svizzeri: Architettura e cultura tecnica da Palladio ai Grubenmann, Centro Palladio, Palazzo Barbaran da Porto, Vicenza, Italy (2003)
Actions:
AP180.S3.2003.PR01
Description:
This project series documents Umberto Riva's design for the exhibition "John Soane e i ponti in legno svizzeri. Architettura e cultura tecnica da Palladio ai Grubenmann", an exhibition on John Soane and his study of wooden Swiss bridges, held at the Centro Palladio in 2002. The project series contains exhibition installation plans.
Niveau de description archivistique:
Project
Project
Date:
2003
2003
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement… d’Ordos
L’enseignement… d’Ordos
Actions:
Description:
Dans le nord de la Chine, la ville d’Ordos, riche en ressources charbonnières et gazières, possède un nouveau quartier central dépourvu de résidants. On a dépensé plus de 161 milliards de dollars pour bâtir entièrement à neuf ce nouveau centre-ville sur l’aride steppe mongolienne, et on espère y accueillir plus d’un million d’habitants. Le gouvernement a déclaré qu’à(...)
Dans le nord de la Chine, la ville d’Ordos, riche en ressources charbonnières et gazières, possède un nouveau quartier central dépourvu de résidants. On a dépensé plus de 161 milliards de dollars pour bâtir entièrement à neuf ce nouveau centre-ville sur l’aride steppe mongolienne, et on espère y accueillir plus d’un million d’habitants. Le gouvernement a déclaré qu’à(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
8 novembre 2012 , 19h
8 novembre 2012 , 19h
Titre:
L’enseignement… d’Ordos
Actions:
Description:
Dans le nord de la Chine, la ville d’Ordos, riche en ressources charbonnières et gazières, possède un nouveau quartier central dépourvu de résidants. On a dépensé plus de 161 milliards de dollars pour bâtir entièrement à neuf ce nouveau centre-ville sur l’aride steppe mongolienne, et on espère y accueillir plus d’un million d’habitants. Le gouvernement a déclaré qu’à(...)
L’enseignement… d’Ordos
Actions:
Description:
Dans le nord de la Chine, la ville d’Ordos, riche en ressources charbonnières et gazières, possède un nouveau quartier central dépourvu de résidants. On a dépensé plus de 161 milliards de dollars pour bâtir entièrement à neuf ce nouveau centre-ville sur l’aride steppe mongolienne, et on espère y accueillir plus d’un million d’habitants. Le gouvernement a déclaré qu’à(...)
Classification:
événements
événements
Date:
8 novembre 2012
19h
8 novembre 2012
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
Personnes et institutions:
Date:
1976
1976
Titre:
Postcard from Sigeo Anzai to Gordon Matta-Clark
Actions:
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
Postcard from Sigeo Anzai to Gordon Matta-Clark
Actions:
PHCON2002:0016:004:019
Description:
Postcard advertises the exhibition "Information: Shigeo Anzai" at the AI Gallery in Tokyo from 29 March to 4 April 1976, and features a photograph of Conical Intersect.
Classification:
documents textuels
documents textuels
Date:
1976
1976
Personnes et institutions:
Classification:
photographies
photographies
![Partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex, Yihe Yuan (also known as the Summer Palace and formerly the Garden of the Clear Ripples [Qing Yi Yuan]), Beijing, China](/img-collection/rSbIcREJEQUgzwac5-3psYHHnUw=/500x220/362954.jpg)
Actions:
Numéro de référence:
PH1986:0384
Description:
- This partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex shows part of the main pavilion (itself called 'Strolling Through a Picture-Scroll' [Hua Chung Yu]) from centre to left and part of the smaller, east pavilion ('Mountain Loving' [Ai Shan]) from centre to right.
PH1986:0384
Description:
- This partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex shows part of the main pavilion (itself called 'Strolling Through a Picture-Scroll' [Hua Chung Yu]) from centre to left and part of the smaller, east pavilion ('Mountain Loving' [Ai Shan]) from centre to right.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1984
1984
Titre:
Partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex, Yihe Yuan (also known as the Summer Palace and formerly the Garden of the Clear Ripples [Qing Yi Yuan]), Beijing, China
Actions:
PH1986:0384
Description:
- This partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex shows part of the main pavilion (itself called 'Strolling Through a Picture-Scroll' [Hua Chung Yu]) from centre to left and part of the smaller, east pavilion ('Mountain Loving' [Ai Shan]) from centre to right.
Partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex, Yihe Yuan (also known as the Summer Palace and formerly the Garden of the Clear Ripples [Qing Yi Yuan]), Beijing, China
Actions:
PH1986:0384
Description:
- This partial view of the 'Strolling Through a Picture-Scroll' [Hua Chung Yu] building complex shows part of the main pavilion (itself called 'Strolling Through a Picture-Scroll' [Hua Chung Yu]) from centre to left and part of the smaller, east pavilion ('Mountain Loving' [Ai Shan]) from centre to right.
Classification:
photographies
photographies
Date:
1984
1984
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Classification:
articles
articles
Actions:
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Mot(s)-clé(s):
apprentissage automatique, dessins d'architecture, arbres, IA, intelligence artificielle, histoire de l'architecture, protocoles, boîte à outils, méthodes de recherche
apprentissage automatique, dessins d'architecture, arbres, IA, intelligence artificielle, histoire de l'architecture, protocoles, boîte à outils, méthodes de recherche
Publié:
10 juillet 2023
10 juillet 2023
Titre:
Apprendre de l'apprentissage automatique
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Actions:
Apprendre de l'apprentissage automatique
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Actions:
Classification:
dessins
dessins
Numéro de référence:
AP148.S1.1970.PR02.001.1
Description:
The material in the next 7 files (AP148.S1.1970.PR02.001.1 through AP148.S1.1970.PR02.001.7) was contained together in a handmade folder titled "AI Storyboard". The material in this folder has been separated for preservation purposes, and the original folder has been retained. This file contains notes and sketches on the film idea, including the story, visuals, music and cinematography. Also includes clippings, both of which refer to imagery and ideas of an earth-moon highway or contest for a highway, as well as the first architectural competition in space ("Primo concorso di architettura nello spazio"). Also includes a small viewer of an Escher image.
AP148.S1.1970.PR02.001.1
Description:
The material in the next 7 files (AP148.S1.1970.PR02.001.1 through AP148.S1.1970.PR02.001.7) was contained together in a handmade folder titled "AI Storyboard". The material in this folder has been separated for preservation purposes, and the original folder has been retained. This file contains notes and sketches on the film idea, including the story, visuals, music and cinematography. Also includes clippings, both of which refer to imagery and ideas of an earth-moon highway or contest for a highway, as well as the first architectural competition in space ("Primo concorso di architettura nello spazio"). Also includes a small viewer of an Escher image.
Personnes et institutions:
Date:
ca. 1970-1971
ca. 1970-1971
Titre:
Notes and sketches on a film story, Interplanetary Architecture (Folder 1 of 7)
Actions:
AP148.S1.1970.PR02.001.1
Description:
The material in the next 7 files (AP148.S1.1970.PR02.001.1 through AP148.S1.1970.PR02.001.7) was contained together in a handmade folder titled "AI Storyboard". The material in this folder has been separated for preservation purposes, and the original folder has been retained. This file contains notes and sketches on the film idea, including the story, visuals, music and cinematography. Also includes clippings, both of which refer to imagery and ideas of an earth-moon highway or contest for a highway, as well as the first architectural competition in space ("Primo concorso di architettura nello spazio"). Also includes a small viewer of an Escher image.
Notes and sketches on a film story, Interplanetary Architecture (Folder 1 of 7)
Actions:
AP148.S1.1970.PR02.001.1
Description:
The material in the next 7 files (AP148.S1.1970.PR02.001.1 through AP148.S1.1970.PR02.001.7) was contained together in a handmade folder titled "AI Storyboard". The material in this folder has been separated for preservation purposes, and the original folder has been retained. This file contains notes and sketches on the film idea, including the story, visuals, music and cinematography. Also includes clippings, both of which refer to imagery and ideas of an earth-moon highway or contest for a highway, as well as the first architectural competition in space ("Primo concorso di architettura nello spazio"). Also includes a small viewer of an Escher image.
Classification:
dessins
dessins
Date:
ca. 1970-1971
ca. 1970-1971
Personnes et institutions:
