20486 Résultats
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1741
ca. 1741
Titre:
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Classification:
oeuvres d'art
oeuvres d'art
Date:
ca. 1741
ca. 1741
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
Quantité:
470 photograph(s)
photographies
Quantité:
470 photograph(s)
Actions:
Numéro de référence:
PH1998:0014:001-470
Description:
- This group contains 470 photographs of projects by students for courses given at the Vkhutemas (Higher State Artistic Technical Studios, 1920-1926) and the Vkhutein (Moscow Higher Technical Institute, 1926-1930) from 1919 to 1930. The material has been grouped into 61 groups by course, topic and year. The photographs are mostly of student drawings and/or models, but also include four groups of views of exhibitions of student projects (PH1998:0014:004-006, PH1998:0014:007-008, PH1998:0014:016, and PH1998:0014:128), 2 groups of or including didactic materials (PH1998:0014:009-014 and PH1998:0014:436-470) and one group which includes a student portrait (PH1998:0014:466-470). -- Forty-four groups document student projects and one exhibition of student models for the "Space" course between 1920 - 1930 (exhibition: PH1998:0014:128; student projects: PH1998:0014:023-025 - PH1998:0014:396-400; PH1998:0014:419-427; PH1998:0014:443-451 - PH1998:0014:452-462). -- Four groups document student models for the "Volume" course between 1920 to 1928 (PH1998:0014:001-003; PH1998:0014:017; PH1998:0014:018-020; PH1998:0014:021-022). -- Three groups document the Basic Course between 1920 to 1930; two of the groups show exhibitions of student projects (PH1998:0014:007-008; PH1998:0014:016), while the third shows didactic materials used by professors of the course (PH1998:0014:009-015). -- One group documents student drawings and paintings and still life arrangements for student exercises for the "Colour" course between 1920 to 1930 (PH1998:0014436-442) and one group documents an exhibition of student models and drawings for the "Obmas; Finding the Volume-Space" course between 1923 to 1928 (PH1998:0014:004-006). -- Five groups document student drawings and models on various topics for unidentified courses between 1924 to 1930, including a student model by V.S. Balikhin for the diploma project for an airport (diploma project: PH1998:0014:435; PH1998:0014:401-418; PH1998:0014:428-431; PH1998:0014:432-434; PH1998:0014:463-465).
PH1998:0014:001-470
Description:
- This group contains 470 photographs of projects by students for courses given at the Vkhutemas (Higher State Artistic Technical Studios, 1920-1926) and the Vkhutein (Moscow Higher Technical Institute, 1926-1930) from 1919 to 1930. The material has been grouped into 61 groups by course, topic and year. The photographs are mostly of student drawings and/or models, but also include four groups of views of exhibitions of student projects (PH1998:0014:004-006, PH1998:0014:007-008, PH1998:0014:016, and PH1998:0014:128), 2 groups of or including didactic materials (PH1998:0014:009-014 and PH1998:0014:436-470) and one group which includes a student portrait (PH1998:0014:466-470). -- Forty-four groups document student projects and one exhibition of student models for the "Space" course between 1920 - 1930 (exhibition: PH1998:0014:128; student projects: PH1998:0014:023-025 - PH1998:0014:396-400; PH1998:0014:419-427; PH1998:0014:443-451 - PH1998:0014:452-462). -- Four groups document student models for the "Volume" course between 1920 to 1928 (PH1998:0014:001-003; PH1998:0014:017; PH1998:0014:018-020; PH1998:0014:021-022). -- Three groups document the Basic Course between 1920 to 1930; two of the groups show exhibitions of student projects (PH1998:0014:007-008; PH1998:0014:016), while the third shows didactic materials used by professors of the course (PH1998:0014:009-015). -- One group documents student drawings and paintings and still life arrangements for student exercises for the "Colour" course between 1920 to 1930 (PH1998:0014436-442) and one group documents an exhibition of student models and drawings for the "Obmas; Finding the Volume-Space" course between 1923 to 1928 (PH1998:0014:004-006). -- Five groups document student drawings and models on various topics for unidentified courses between 1924 to 1930, including a student model by V.S. Balikhin for the diploma project for an airport (diploma project: PH1998:0014:435; PH1998:0014:401-418; PH1998:0014:428-431; PH1998:0014:432-434; PH1998:0014:463-465).
Personnes et institutions:
Sujet:
architecture, peinture, portrait, sculpture
architecture, peinture, portrait, sculpture
Date:
between 1919 and 1930
between 1919 and 1930
Titre:
Photographs of student models and drawings, views of exhibitions of student projects, and several photographs of didactic materials for courses at the Vkhutemas and the Vkhutein, Moscow
Actions:
PH1998:0014:001-470
Description:
- This group contains 470 photographs of projects by students for courses given at the Vkhutemas (Higher State Artistic Technical Studios, 1920-1926) and the Vkhutein (Moscow Higher Technical Institute, 1926-1930) from 1919 to 1930. The material has been grouped into 61 groups by course, topic and year. The photographs are mostly of student drawings and/or models, but also include four groups of views of exhibitions of student projects (PH1998:0014:004-006, PH1998:0014:007-008, PH1998:0014:016, and PH1998:0014:128), 2 groups of or including didactic materials (PH1998:0014:009-014 and PH1998:0014:436-470) and one group which includes a student portrait (PH1998:0014:466-470). -- Forty-four groups document student projects and one exhibition of student models for the "Space" course between 1920 - 1930 (exhibition: PH1998:0014:128; student projects: PH1998:0014:023-025 - PH1998:0014:396-400; PH1998:0014:419-427; PH1998:0014:443-451 - PH1998:0014:452-462). -- Four groups document student models for the "Volume" course between 1920 to 1928 (PH1998:0014:001-003; PH1998:0014:017; PH1998:0014:018-020; PH1998:0014:021-022). -- Three groups document the Basic Course between 1920 to 1930; two of the groups show exhibitions of student projects (PH1998:0014:007-008; PH1998:0014:016), while the third shows didactic materials used by professors of the course (PH1998:0014:009-015). -- One group documents student drawings and paintings and still life arrangements for student exercises for the "Colour" course between 1920 to 1930 (PH1998:0014436-442) and one group documents an exhibition of student models and drawings for the "Obmas; Finding the Volume-Space" course between 1923 to 1928 (PH1998:0014:004-006). -- Five groups document student drawings and models on various topics for unidentified courses between 1924 to 1930, including a student model by V.S. Balikhin for the diploma project for an airport (diploma project: PH1998:0014:435; PH1998:0014:401-418; PH1998:0014:428-431; PH1998:0014:432-434; PH1998:0014:463-465).
Photographs of student models and drawings, views of exhibitions of student projects, and several photographs of didactic materials for courses at the Vkhutemas and the Vkhutein, Moscow
Actions:
PH1998:0014:001-470
Description:
- This group contains 470 photographs of projects by students for courses given at the Vkhutemas (Higher State Artistic Technical Studios, 1920-1926) and the Vkhutein (Moscow Higher Technical Institute, 1926-1930) from 1919 to 1930. The material has been grouped into 61 groups by course, topic and year. The photographs are mostly of student drawings and/or models, but also include four groups of views of exhibitions of student projects (PH1998:0014:004-006, PH1998:0014:007-008, PH1998:0014:016, and PH1998:0014:128), 2 groups of or including didactic materials (PH1998:0014:009-014 and PH1998:0014:436-470) and one group which includes a student portrait (PH1998:0014:466-470). -- Forty-four groups document student projects and one exhibition of student models for the "Space" course between 1920 - 1930 (exhibition: PH1998:0014:128; student projects: PH1998:0014:023-025 - PH1998:0014:396-400; PH1998:0014:419-427; PH1998:0014:443-451 - PH1998:0014:452-462). -- Four groups document student models for the "Volume" course between 1920 to 1928 (PH1998:0014:001-003; PH1998:0014:017; PH1998:0014:018-020; PH1998:0014:021-022). -- Three groups document the Basic Course between 1920 to 1930; two of the groups show exhibitions of student projects (PH1998:0014:007-008; PH1998:0014:016), while the third shows didactic materials used by professors of the course (PH1998:0014:009-015). -- One group documents student drawings and paintings and still life arrangements for student exercises for the "Colour" course between 1920 to 1930 (PH1998:0014436-442) and one group documents an exhibition of student models and drawings for the "Obmas; Finding the Volume-Space" course between 1923 to 1928 (PH1998:0014:004-006). -- Five groups document student drawings and models on various topics for unidentified courses between 1924 to 1930, including a student model by V.S. Balikhin for the diploma project for an airport (diploma project: PH1998:0014:435; PH1998:0014:401-418; PH1998:0014:428-431; PH1998:0014:432-434; PH1998:0014:463-465).
Classification:
photographies
Quantité:
470 photograph(s)
photographies
Quantité:
470 photograph(s)
Date:
between 1919 and 1930
between 1919 and 1930
Personnes et institutions:
Sujet:
architecture, peinture, portrait, sculpture
architecture, peinture, portrait, sculpture
Classification:
photographies
photographies
Numéro de référence:
ARCH271331
Description:
Contains materials from the following projects: - Sala municipal y plaza en Colmenarejo, AP164.S1.1997.D11 (74 photographs: area, construction and exterior); - Centro universitario en Mérida, AP164.S1.1999.D4 (17 photographs: model, construction, interior/exterior); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (49 photographs: model); - School in Tenerife: teaching materials, AP164.S2.SS2.D1 (33 photographs: model); - Jardines Valdemingómez, AP164.S1.2000.D4 (13 photographs: landscape and area); - Palencia Parque Europa, AP164.S1.1991.D2 (36 negatives, 35 photographs: model); - Estudio Gordillo, Villanueva de la Cañada, AP164.S1.1999.D6 (5 photographs: construction); - Centro de enseñanza secundaria obligatoria en Calamonte, Spain, AP164.S1.2000.D8.SD2 (36 photographs, 25 negatifs: model); - Casa Varzavsky, Cape Formentor, AP164.S1.1999.D7 (18 negatifs, 3 photographs: model and portraits); - Southbank Londres, AP164.S1.2001.D4 (25 negatifs: area); - Plaza y torre Woermann, Las Palmas, AP164.S1.2001.D7 (39 photographs: area); - Casa Mute or Maute? (1 photograph: exterior); - Torre de los vientos (24 photographs: views of the tower); - Planta de biometanización y compostaje de residuos urbanos, Pinto, AP164.S1.2000.D6 (9 photographs: construction and area).
ARCH271331
Description:
Contains materials from the following projects: - Sala municipal y plaza en Colmenarejo, AP164.S1.1997.D11 (74 photographs: area, construction and exterior); - Centro universitario en Mérida, AP164.S1.1999.D4 (17 photographs: model, construction, interior/exterior); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (49 photographs: model); - School in Tenerife: teaching materials, AP164.S2.SS2.D1 (33 photographs: model); - Jardines Valdemingómez, AP164.S1.2000.D4 (13 photographs: landscape and area); - Palencia Parque Europa, AP164.S1.1991.D2 (36 negatives, 35 photographs: model); - Estudio Gordillo, Villanueva de la Cañada, AP164.S1.1999.D6 (5 photographs: construction); - Centro de enseñanza secundaria obligatoria en Calamonte, Spain, AP164.S1.2000.D8.SD2 (36 photographs, 25 negatifs: model); - Casa Varzavsky, Cape Formentor, AP164.S1.1999.D7 (18 negatifs, 3 photographs: model and portraits); - Southbank Londres, AP164.S1.2001.D4 (25 negatifs: area); - Plaza y torre Woermann, Las Palmas, AP164.S1.2001.D7 (39 photographs: area); - Casa Mute or Maute? (1 photograph: exterior); - Torre de los vientos (24 photographs: views of the tower); - Planta de biometanización y compostaje de residuos urbanos, Pinto, AP164.S1.2000.D6 (9 photographs: construction and area).
Personnes et institutions:
Date:
between 1999 and 2001
between 1999 and 2001
Titre:
Ring binder containing photographic materials from eleven projects by Abalos & Herreros mainly
Actions:
ARCH271331
Description:
Contains materials from the following projects: - Sala municipal y plaza en Colmenarejo, AP164.S1.1997.D11 (74 photographs: area, construction and exterior); - Centro universitario en Mérida, AP164.S1.1999.D4 (17 photographs: model, construction, interior/exterior); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (49 photographs: model); - School in Tenerife: teaching materials, AP164.S2.SS2.D1 (33 photographs: model); - Jardines Valdemingómez, AP164.S1.2000.D4 (13 photographs: landscape and area); - Palencia Parque Europa, AP164.S1.1991.D2 (36 negatives, 35 photographs: model); - Estudio Gordillo, Villanueva de la Cañada, AP164.S1.1999.D6 (5 photographs: construction); - Centro de enseñanza secundaria obligatoria en Calamonte, Spain, AP164.S1.2000.D8.SD2 (36 photographs, 25 negatifs: model); - Casa Varzavsky, Cape Formentor, AP164.S1.1999.D7 (18 negatifs, 3 photographs: model and portraits); - Southbank Londres, AP164.S1.2001.D4 (25 negatifs: area); - Plaza y torre Woermann, Las Palmas, AP164.S1.2001.D7 (39 photographs: area); - Casa Mute or Maute? (1 photograph: exterior); - Torre de los vientos (24 photographs: views of the tower); - Planta de biometanización y compostaje de residuos urbanos, Pinto, AP164.S1.2000.D6 (9 photographs: construction and area).
Ring binder containing photographic materials from eleven projects by Abalos & Herreros mainly
Actions:
ARCH271331
Description:
Contains materials from the following projects: - Sala municipal y plaza en Colmenarejo, AP164.S1.1997.D11 (74 photographs: area, construction and exterior); - Centro universitario en Mérida, AP164.S1.1999.D4 (17 photographs: model, construction, interior/exterior); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (49 photographs: model); - School in Tenerife: teaching materials, AP164.S2.SS2.D1 (33 photographs: model); - Jardines Valdemingómez, AP164.S1.2000.D4 (13 photographs: landscape and area); - Palencia Parque Europa, AP164.S1.1991.D2 (36 negatives, 35 photographs: model); - Estudio Gordillo, Villanueva de la Cañada, AP164.S1.1999.D6 (5 photographs: construction); - Centro de enseñanza secundaria obligatoria en Calamonte, Spain, AP164.S1.2000.D8.SD2 (36 photographs, 25 negatifs: model); - Casa Varzavsky, Cape Formentor, AP164.S1.1999.D7 (18 negatifs, 3 photographs: model and portraits); - Southbank Londres, AP164.S1.2001.D4 (25 negatifs: area); - Plaza y torre Woermann, Las Palmas, AP164.S1.2001.D7 (39 photographs: area); - Casa Mute or Maute? (1 photograph: exterior); - Torre de los vientos (24 photographs: views of the tower); - Planta de biometanización y compostaje de residuos urbanos, Pinto, AP164.S1.2000.D6 (9 photographs: construction and area).
Classification:
photographies
photographies
Date:
between 1999 and 2001
between 1999 and 2001
Personnes et institutions:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
232 pages : illustrations (chiefly color) ; 28 cm
Description:
232 pages : illustrations (chiefly color) ; 28 cm
Auteur:
Sujet:
Publication:
New York, New York : Dashwood Books Session Press, [2025]
New York, New York : Dashwood Books Session Press, [2025]
Titre:
Portrait of J / Takashi Homma.
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Exemplaires:
Description:
232 pages : illustrations (chiefly color) ; 28 cm
Portrait of J / Takashi Homma.
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Exemplaires:
Description:
232 pages : illustrations (chiefly color) ; 28 cm
Classification:
livres
livres
Publication:
New York, New York : Dashwood Books Session Press, [2025]
New York, New York : Dashwood Books Session Press, [2025]
Auteur:
Sujet:
Classification:
livres
livres
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Description:
44 unnumbered leaves : chiefly portraits ; 22 x 23 cm
Description:
44 unnumbered leaves : chiefly portraits ; 22 x 23 cm
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Sujet:
Publication:
New City, New York : Haywire Press, [1970], Meriden, Connecticut : The Meriden Gravure Co., [1970], ©1970
New City, New York : Haywire Press, [1970], Meriden, Connecticut : The Meriden Gravure Co., [1970], ©1970
Titre:
Self portrait / Lee Friedlander.
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Exemplaires:
Description:
44 unnumbered leaves : chiefly portraits ; 22 x 23 cm
Self portrait / Lee Friedlander.
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Exemplaires:
Description:
44 unnumbered leaves : chiefly portraits ; 22 x 23 cm
Classification:
livres
livres
Publication:
New City, New York : Haywire Press, [1970], Meriden, Connecticut : The Meriden Gravure Co., [1970], ©1970
New City, New York : Haywire Press, [1970], Meriden, Connecticut : The Meriden Gravure Co., [1970], ©1970
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Classification:
livres
livres
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Description:
80 pages illustrations, portraits 26 cm
Description:
80 pages illustrations, portraits 26 cm
Auteur:
Sujet:
Publication:
London, Muller [1949]
London, Muller [1949]
Titre:
Portrait of Eton. Photos. by L. Moholy-Nagy, with an introd. by Bernard Fergusson.
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Exemplaires:
Description:
80 pages illustrations, portraits 26 cm
Portrait of Eton. Photos. by L. Moholy-Nagy, with an introd. by Bernard Fergusson.
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Exemplaires:
Description:
80 pages illustrations, portraits 26 cm
Classification:
livres
livres
Publication:
London, Muller [1949]
London, Muller [1949]
Auteur:
Sujet:
Classification:
graphique
graphique
Titre:
[Portrait of a family].
[Portrait of a family].
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Exemplaires:
Description:
1 photoprint (albumen silver print) : b&w ; 14 x 10 cm. on mount 17 x 11 cm.
Description:
1 photoprint (albumen silver print) : b&w ; 14 x 10 cm. on mount 17 x 11 cm.
Auteur:
Sujet:
Publication:
[ca. 1885] (Barre, Vt. : Sherburne)
[ca. 1885] (Barre, Vt. : Sherburne)
Titre:
[Portrait of a family].
Actions:
Exemplaires:
Description:
1 photoprint (albumen silver print) : b&w ; 14 x 10 cm. on mount 17 x 11 cm.
[Portrait of a family].
Actions:
Exemplaires:
Description:
1 photoprint (albumen silver print) : b&w ; 14 x 10 cm. on mount 17 x 11 cm.
Classification:
graphique
graphique
Publication:
[ca. 1885] (Barre, Vt. : Sherburne)
[ca. 1885] (Barre, Vt. : Sherburne)
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Portrait of Dublin.
Portrait of Dublin.
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Description:
96 pages frontispiece, illustrations 31 cm
Description:
96 pages frontispiece, illustrations 31 cm
Auteur:
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Publication:
London, Batsford, 1967.
London, Batsford, 1967.
Titre:
Portrait of Dublin.
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Description:
96 pages frontispiece, illustrations 31 cm
Portrait of Dublin.
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Description:
96 pages frontispiece, illustrations 31 cm
Classification:
livres
livres
Publication:
London, Batsford, 1967.
London, Batsford, 1967.
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Classification:
livres
livres
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Description:
119 pages : color illustrations ; 32 cm
Description:
119 pages : color illustrations ; 32 cm
Auteur:
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Publication:
[Toronto] : Key Porter Books, 1988.
[Toronto] : Key Porter Books, 1988.
Titre:
Montréal, un portrait / photographies par John de Visser = Montreal, a portrait / photographs by John de Visser.
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Description:
119 pages : color illustrations ; 32 cm
Montréal, un portrait / photographies par John de Visser = Montreal, a portrait / photographs by John de Visser.
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Description:
119 pages : color illustrations ; 32 cm
Classification:
livres
livres
Publication:
[Toronto] : Key Porter Books, 1988.
[Toronto] : Key Porter Books, 1988.
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Classification:
livres
livres
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Description:
1 online resource (78 PDF pages) : illustrations
Auteur:
Sujet:
Publication:
Paris : Onestar Press, 2009
Paris : Onestar Press, 2009
Titre:
Portrait studio / Daniel Gordon
Actions:
Description:
1 online resource (78 PDF pages) : illustrations
Portrait studio / Daniel Gordon
Actions:
Description:
1 online resource (78 PDF pages) : illustrations
Classification:
livres
livres
Publication:
Paris : Onestar Press, 2009
Paris : Onestar Press, 2009
Auteur:
Sujet:
