406973 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Numéro de référence:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Personnes et institutions:
Date:
1946-2020
1946-2020
Titre:
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1946-2020
1946-2020
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bauhaus in America fonds
Bauhaus in America fonds
Numéro de référence:
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Personnes et institutions:
Date:
circa 1930 - 2011
circa 1930 - 2011
Titre:
Bauhaus in America fonds
Actions:
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Bauhaus in America fonds
Actions:
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1930 - 2011
circa 1930 - 2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Personnes et institutions:
Date:
1991-2009
1991-2009
Titre:
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2009
1991-2009
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Personnes et institutions:
Date:
1994-2001
1994-2001
Titre:
Document d’archives des projets de KOL/MAC
Actions:
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Document d’archives des projets de KOL/MAC
Actions:
AP185
Résumé:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2001
1994-2001
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Personnes et institutions:
Date:
1994-2004
1994-2004
Titre:
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2004
1994-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Cache fonds
Bernard Cache fonds
Numéro de référence:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Personnes et institutions:
Date:
1992-2011
1992-2011
Titre:
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1992-2011
1992-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP171
Résumé:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
AP171
Résumé:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
Personnes et institutions:
Date:
circa 1983-2011
circa 1983-2011
Titre:
Fonds Foreign Office Architects
Actions:
AP171
Résumé:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
Fonds Foreign Office Architects
Actions:
AP171
Résumé:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1983-2011
circa 1983-2011
Personnes et institutions:
