113 Résultats
Classification:
livres
livres
Titre:
Lacock Abbey, Wiltshire.
Lacock Abbey, Wiltshire.
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Description:
37, [3] pages : illustrations, coats of arms, genealogical table, plans, portraits ; 25 cm
Description:
37, [3] pages : illustrations, coats of arms, genealogical table, plans, portraits ; 25 cm
Auteur:
Sujet:
- Talbot, William Henry Fox, 1800-1877.,
- Lacock Abbey (England),
- Abbeys England Wiltshire.,
- Country homes England Wiltshire.,
- Dwellings England Wiltshire.,
- Historic buildings England Wiltshire.,
- Architecture, Domestic England Wiltshire.,
- Abbayes Angleterre Wiltshire.,
- Habitations Angleterre Wiltshire.,
- Maisons de campagne Angleterre Wiltshire.,
- Abbeys,
- Architecture, Domestic,
- Country homes,
- Dwellings,
- Historic buildings,
- England Wiltshire,
- Abbeys Great Britain England Wiltshire 1230-1540.,
- Country houses Great Britain England Wiltshire 1540-1990.
Publication:
[London] : National Trust, 1988, ©1979.
[London] : National Trust, 1988, ©1979.
Titre:
Lacock Abbey, Wiltshire.
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Description:
37, [3] pages : illustrations, coats of arms, genealogical table, plans, portraits ; 25 cm
Lacock Abbey, Wiltshire.
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Description:
37, [3] pages : illustrations, coats of arms, genealogical table, plans, portraits ; 25 cm
Classification:
livres
livres
Publication:
[London] : National Trust, 1988, ©1979.
[London] : National Trust, 1988, ©1979.
Auteur:
Sujet:
- Talbot, William Henry Fox, 1800-1877.,
- Lacock Abbey (England),
- Abbeys England Wiltshire.,
- Country homes England Wiltshire.,
- Dwellings England Wiltshire.,
- Historic buildings England Wiltshire.,
- Architecture, Domestic England Wiltshire.,
- Abbayes Angleterre Wiltshire.,
- Habitations Angleterre Wiltshire.,
- Maisons de campagne Angleterre Wiltshire.,
- Abbeys,
- Architecture, Domestic,
- Country homes,
- Dwellings,
- Historic buildings,
- England Wiltshire,
- Abbeys Great Britain England Wiltshire 1230-1540.,
- Country houses Great Britain England Wiltshire 1540-1990.
Classification:
livres
livres
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Description:
327 pages : illustrations ; 28 cm
Description:
327 pages : illustrations ; 28 cm
Auteur:
- Tiphaigne de La Roche Thomas Wedgwood and Sir Humphry Davy William Henry Fox Talbot William Henry Fox Talbot Albert Sands Southworth George Alfred Townsend Frederick Scott Archer Oliver Wendell Holmes Oliver Wendell Holmes Sir William J. Newton Lady Elizabeth Eastlake Henry Peach Robinson Philippe Burty Charles Baudelaire Francis Frith Edward L. Wilson Julia Margaret Cameron Richard Leach Maddox Alexander Black Jacob A. Riis Peter Henry Emerson Alfred Stieglitz Ernest Juhl Sadakichi Hartmann Dixon Scott Alvin Langdon Coburn Paul Rosenfeld Paul Strand Edward Weston Robert Desnos Fernand Léger Berenice Abbott Laszló Moholy-Nagy John Paul Edwards Ansel Adams Dorothea Lange Edward Steichen Felix H. Man, photographer, and Stefan Lorant, picture editor Nancy Newhall Beaumont Newhall with Arthur Goldsmith Paul Strand and Nancy Newhall Aaron Siskind Minor White,
- Newhall, Beaumont, 1908-1993,
Sujet:
- Photography.,
- Photographie.,
- Photographie Histoire.,
- Fotografia.,
- História da fotografia.,
- Photography History.,
- Photography, Artistic History.,
- History.,
- Essays.
Publication:
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
Titre:
Photography, essays & images : illustrated readings in the history of photography / edited by Beaumont Newhall.
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Description:
327 pages : illustrations ; 28 cm
Photography, essays & images : illustrated readings in the history of photography / edited by Beaumont Newhall.
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Description:
327 pages : illustrations ; 28 cm
Classification:
livres
livres
Publication:
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
Auteur:
- Tiphaigne de La Roche Thomas Wedgwood and Sir Humphry Davy William Henry Fox Talbot William Henry Fox Talbot Albert Sands Southworth George Alfred Townsend Frederick Scott Archer Oliver Wendell Holmes Oliver Wendell Holmes Sir William J. Newton Lady Elizabeth Eastlake Henry Peach Robinson Philippe Burty Charles Baudelaire Francis Frith Edward L. Wilson Julia Margaret Cameron Richard Leach Maddox Alexander Black Jacob A. Riis Peter Henry Emerson Alfred Stieglitz Ernest Juhl Sadakichi Hartmann Dixon Scott Alvin Langdon Coburn Paul Rosenfeld Paul Strand Edward Weston Robert Desnos Fernand Léger Berenice Abbott Laszló Moholy-Nagy John Paul Edwards Ansel Adams Dorothea Lange Edward Steichen Felix H. Man, photographer, and Stefan Lorant, picture editor Nancy Newhall Beaumont Newhall with Arthur Goldsmith Paul Strand and Nancy Newhall Aaron Siskind Minor White,
- Newhall, Beaumont, 1908-1993,
Sujet:
- Photography.,
- Photographie.,
- Photographie Histoire.,
- Fotografia.,
- História da fotografia.,
- Photography History.,
- Photography, Artistic History.,
- History.,
- Essays.
Classification:
livres
livres
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$39.95
(disponible sur commande)
Résumé:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
$39.95
(disponible sur commande)
Résumé:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
Titre:
The photographic art of William Henry Fox Talbot
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$39.95
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
The photographic art of William Henry Fox Talbot
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Prix:
$39.95
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Résumé:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
Classification:
livres
livres
Publication:
janvier 1900, Princeton
janvier 1900, Princeton
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
- Bibliothèque main 269073 | TR465 .R4 2010 | Manquant
- Bibliothèque main 320514 | 320514 | 1 | Disponible
Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
Auteur:
- Norris, Debra Hess,,
- Gutierrez, Jennifer Jae,,
- Getty Conservation Institute.
Sujet:
- Photographs Conservation and restoration.,
- Photographies Conservation et restauration.,
- Photographie.,
- Photoalbum.,
- Farbphotographie.,
- Archivierung.,
- Restaurierung.,
- Konservierung.,
- Daguerreotypie.,
- Ausstellungstechnik.,
- Negativ.,
- Fototeknik handböcker, manualer, etc.,
- Fotografi restaurering och konservering.,
- Fotografier restaurering och konservering.,
- 1850-2010
Publication:
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Titre:
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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- Bibliothèque main 269073 | TR465 .R4 2010 | Manquant
- Bibliothèque main 320514 | 320514 | 1 | Disponible
Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Auteur:
- Norris, Debra Hess,,
- Gutierrez, Jennifer Jae,,
- Getty Conservation Institute.
Sujet:
- Photographs Conservation and restoration.,
- Photographies Conservation et restauration.,
- Photographie.,
- Photoalbum.,
- Farbphotographie.,
- Archivierung.,
- Restaurierung.,
- Konservierung.,
- Daguerreotypie.,
- Ausstellungstechnik.,
- Negativ.,
- Fototeknik handböcker, manualer, etc.,
- Fotografi restaurering och konservering.,
- Fotografier restaurering och konservering.,
- 1850-2010
Classification:
livres
livres
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Description:
282 pages : illustrations ; 26 x 31 cm
- Bibliothèque study room cca productions 209092 | TR659 P4 1982 | c. 3 | hardcover | Disponible
- Bibliothèque cage m cca productions 220387 | TR659 P4 1982 | c. 1 | Publisher's publicity | Disponible
- Bibliothèque cage m cca productions 209093 | 1982-1 | c. 1 | hardcover | Disponible
- Bibliothèque cage m cca productions 277264 | TR659 P4 1982 | c. 2 | Publisher's publicity | Disponible
- Bibliothèque cage m cca productions 209094 | 1982-1 | c. 2 | hardcover | Disponible
- Bibliothèque main m 209091 | TR659 P4 1982 | c. 4 | pbk. | Disponible
Description:
282 pages : illustrations ; 26 x 31 cm
Auteur:
- Centre canadien d'architecture,,
- Pare, Richard,,
- Lambert, Phyllis,,
- Inbusch, Catherine Evans,,
- Munsterberg, Marjorie,,
- Caponigro, Eleanor,
Sujet:
- Architectural photography.,
- Architecture Pictorial works.,
- Photographie d'architecture.,
- Architecture Ouvrages illustrés.,
- Architecture,
- Geschichte 1839-1939,
- Exhibition catalogs.,
- illustrated books.,
- Illustrated works,
- Pictorial works,
- Ouvrages illustrés.
Publication:
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Titre:
Photography and architecture, 1839-1939 / [edited by] Richard Pare ; introduction by Phyllis Lambert ; catalog by Catherine Evans Inbusch and Marjorie Munsterberg.
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Description:
282 pages : illustrations ; 26 x 31 cm
Photography and architecture, 1839-1939 / [edited by] Richard Pare ; introduction by Phyllis Lambert ; catalog by Catherine Evans Inbusch and Marjorie Munsterberg.
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- Bibliothèque study room cca productions 209092 | TR659 P4 1982 | c. 3 | hardcover | Disponible
- Bibliothèque cage m cca productions 220387 | TR659 P4 1982 | c. 1 | Publisher's publicity | Disponible
- Bibliothèque cage m cca productions 209093 | 1982-1 | c. 1 | hardcover | Disponible
- Bibliothèque cage m cca productions 277264 | TR659 P4 1982 | c. 2 | Publisher's publicity | Disponible
- Bibliothèque cage m cca productions 209094 | 1982-1 | c. 2 | hardcover | Disponible
- Bibliothèque main m 209091 | TR659 P4 1982 | c. 4 | pbk. | Disponible
Description:
282 pages : illustrations ; 26 x 31 cm
Classification:
livres
livres
Publication:
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Auteur:
- Centre canadien d'architecture,,
- Pare, Richard,,
- Lambert, Phyllis,,
- Inbusch, Catherine Evans,,
- Munsterberg, Marjorie,,
- Caponigro, Eleanor,
Sujet:
- Architectural photography.,
- Architecture Pictorial works.,
- Photographie d'architecture.,
- Architecture Ouvrages illustrés.,
- Architecture,
- Geschichte 1839-1939,
- Exhibition catalogs.,
- illustrated books.,
- Illustrated works,
- Pictorial works,
- Ouvrages illustrés.
Classification:
livres
livres
Prix:
$32.50
(disponible sur commande)
Résumé:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
$32.50
(disponible sur commande)
Résumé:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
Titre:
William Henry Fox Talbot and the promise of photography
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Prix:
$32.50
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Résumé:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
William Henry Fox Talbot and the promise of photography
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Prix:
$32.50
(disponible sur commande)
Résumé:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Description:
xxxi, 211 pages : illustrations ; 25 cm
Description:
xxxi, 211 pages : illustrations ; 25 cm
Auteur:
- Clark Symposium (2005 : Williamstown, Mass.),
- Kelsey, Robin, 1961-,
- Stimson, Blake.
Sujet:
- Photography Congresses.,
- Photography History Congresses.,
- Photographie Congrès.,
- Photographie Histoire Congrès.,
- 21.42 history of photographic art.,
- Photography Historiography.,
- Photography Study and teaching.,
- Photography,
- Kongress,
- Fotografie,
- Art review.,
- Photography History.,
- Fotokonst teori, filosofi historia.,
- Fotografi teori, filosofi.,
- Fotografi konferenser.,
- Fotografi historia konferenser.,
- Williamstown
- Congress,
- Williamstown (Mass., 2005),
- Conference publications.,
- proceedings (reports),
- Conference papers and proceedings,
- History,
- Congresses (form),
- Actes de congrès.
Publication:
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Titre:
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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Description:
xxxi, 211 pages : illustrations ; 25 cm
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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Description:
xxxi, 211 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Auteur:
- Clark Symposium (2005 : Williamstown, Mass.),
- Kelsey, Robin, 1961-,
- Stimson, Blake.
Sujet:
- Photography Congresses.,
- Photography History Congresses.,
- Photographie Congrès.,
- Photographie Histoire Congrès.,
- 21.42 history of photographic art.,
- Photography Historiography.,
- Photography Study and teaching.,
- Photography,
- Kongress,
- Fotografie,
- Art review.,
- Photography History.,
- Fotokonst teori, filosofi historia.,
- Fotografi teori, filosofi.,
- Fotografi konferenser.,
- Fotografi historia konferenser.,
- Williamstown
- Congress,
- Williamstown (Mass., 2005),
- Conference publications.,
- proceedings (reports),
- Conference papers and proceedings,
- History,
- Congresses (form),
- Actes de congrès.
Classification:
livres
livres
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Prix:
$44.95
(disponible sur commande)
Résumé:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology,(...)
$44.95
(disponible sur commande)
Résumé:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology,(...)
Titre:
Singular images, failed copies: William Henry Fox Talbot and the early photograph
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$44.95
(disponible sur commande)
Résumé:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today's prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot's accounts on the removal of the artist's hand in favor of the pencil of nature did not mark a shift from manual to mechanical and more accurate or objective systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Singular images, failed copies: William Henry Fox Talbot and the early photograph
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Prix:
$44.95
(disponible sur commande)
Résumé:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today's prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot's accounts on the removal of the artist's hand in favor of the pencil of nature did not mark a shift from manual to mechanical and more accurate or objective systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Classification:
livres
livres
Publication:
décembre 2015
décembre 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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Description:
152 pages : illustrations (some color), portraits ; 28 cm
Description:
152 pages : illustrations (some color), portraits ; 28 cm
Auteur:
- Museum of Modern Art (New York, N.Y.),,
- Menschel, Robert,,
- Bajac, Quentin,,
- Meister, Sarah Hermanson,
Sujet:
- Menschel, Robert Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.) Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.),
- Photography History 20th century Exhibitions.,
- Photograph collections New York (State) New York Exhibitions.,
- Photographie Histoire 20e siècle Expositions.,
- Collections de photographies New York (État) New York Expositions.,
- Photography.,
- Photograph collections,
- New York (State) New York,
- 1840-2005,
- Exhibition catalogs.,
- exhibition catalogs.,
- History.,
- Catalogues d'exposition.
Publication:
New York : The Museum of Modern Art [2016], ©2016
New York : The Museum of Modern Art [2016], ©2016
Titre:
The shape of things : photographs from Robert B. Menschel / Quentin Bajac ; with an essay by Sarah Hermanson Meister.
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Description:
152 pages : illustrations (some color), portraits ; 28 cm
The shape of things : photographs from Robert B. Menschel / Quentin Bajac ; with an essay by Sarah Hermanson Meister.
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Description:
152 pages : illustrations (some color), portraits ; 28 cm
Classification:
livres
livres
Publication:
New York : The Museum of Modern Art [2016], ©2016
New York : The Museum of Modern Art [2016], ©2016
Auteur:
- Museum of Modern Art (New York, N.Y.),,
- Menschel, Robert,,
- Bajac, Quentin,,
- Meister, Sarah Hermanson,
Sujet:
- Menschel, Robert Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.) Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.),
- Photography History 20th century Exhibitions.,
- Photograph collections New York (State) New York Exhibitions.,
- Photographie Histoire 20e siècle Expositions.,
- Collections de photographies New York (État) New York Expositions.,
- Photography.,
- Photograph collections,
- New York (State) New York,
- 1840-2005,
- Exhibition catalogs.,
- exhibition catalogs.,
- History.,
- Catalogues d'exposition.
Classification:
livres
livres
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
$72.00
(disponible sur commande)
Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
Sujet:
Monographies photo
Monographies photo
Publication:
octobre 2002, New York
octobre 2002, New York
Titre:
First photographs : William Henry Fox Talbot and the birth of photography
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Prix:
$72.00
(disponible sur commande)
Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
First photographs : William Henry Fox Talbot and the birth of photography
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$72.00
(disponible sur commande)
Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
Classification:
livres
livres
Publication:
octobre 2002, New York
octobre 2002, New York
Sujet:
Monographies photo
Monographies photo
