158 Results
Level of archival description:
Series
Series
Title:
Max Taut
Max Taut
Reference number:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
People:
Date:
circa 1919 -1920
circa 1919 -1920
Title:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Level of archival description:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
People:
Date:
1988-1991
1988-1991
Title:
Dovestar Project, Toronto (1988-1991)
Actions:
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
Dovestar Project, Toronto (1988-1991)
Actions:
AP056.S1.1988.PR11
Description:
This project series documents the design of a housing complex known as Dovestar in Toronto from1988-1991. The office identified the project number as 8815. This project consisted of a proposed housing complex on the corner of St. Joseph and St. Nicholas Streets, comprised of three components - the Dovestar condominiums, the CityHome building and a Co-op building. Maintaining the historic building facades along St. Joseph Street, the 19-storey Dovestar condominiums would bridge over St. Nicholas Street to connect to the CityHome building as one congruent structure. Across the street from Dovestar, the CityHome building was defined as the first five storeys of the property, also with historic facades at the lower levels, and the remaining storeys were part of the Dovestar condominium. The Co-op building was entirely separate, set apart from the others by a common outdoor garden space. Dovestar was to be a 312 unit condominium complex, approximately 32,000 square metres in size, with retail spaces and two-storey townhouse units on the ground floor. The CityHome building would be 35 units, approximately 3,500 square metres in size, with retail, restaurant spaces, and two-storey townhouse units on the ground floor. Finally, the Co-op building was to be 24 units and approximately 1,971 square metres in size. All three buildings shared 247 parking spaces and recreational areas totalling 2,934 square metres. This project was never built. The project is recorded through drawings and a project model dating from 1988-1991. The drawings are mostly originals and include site plans and surveys, sketches, elevations, plans, sections, and isometrics.
Level of archival description:
Project
Project
Date:
1988-1991
1988-1991
People:
Form:
drawings
Quantity:
3 reprographic copy(ies)
drawings
Quantity:
3 reprographic copy(ies)
Reference number:
DR1995:0168:001-003
Description:
This group of drawings shows a preliminary design for a housing complex located in Umukoroshe, Nigeria, possibly for employees of Shell-B.P. Co. The design, a proto-typical two-wing building block, has dining and kitchen facilites and a courtyard between the two wings. Shaded access walkways and balconies connect various parts of the complex. A single storey wing of "boys quarters" is comprised of individual rooms and shared kitchen and bathroom facilities along a corridor. A two-storey "bachelor" wing is comprised of individual living quarters of approximately 400 sq. ft. with living, sleeping, and study areas, private washroom and balcony. Semi-private parking for the residents of the "bachelor" wing is located below the living quarters. Construction materials are not specified.
DR1995:0168:001-003
Description:
This group of drawings shows a preliminary design for a housing complex located in Umukoroshe, Nigeria, possibly for employees of Shell-B.P. Co. The design, a proto-typical two-wing building block, has dining and kitchen facilites and a courtyard between the two wings. Shaded access walkways and balconies connect various parts of the complex. A single storey wing of "boys quarters" is comprised of individual rooms and shared kitchen and bathroom facilities along a corridor. A two-storey "bachelor" wing is comprised of individual living quarters of approximately 400 sq. ft. with living, sleeping, and study areas, private washroom and balcony. Semi-private parking for the residents of the "bachelor" wing is located below the living quarters. Construction materials are not specified.
People:
Date:
between 1957 and 1958
between 1957 and 1958
Title:
Bachelors' quarters, Nigeria: Schematic design drawings
Actions:
DR1995:0168:001-003
Description:
This group of drawings shows a preliminary design for a housing complex located in Umukoroshe, Nigeria, possibly for employees of Shell-B.P. Co. The design, a proto-typical two-wing building block, has dining and kitchen facilites and a courtyard between the two wings. Shaded access walkways and balconies connect various parts of the complex. A single storey wing of "boys quarters" is comprised of individual rooms and shared kitchen and bathroom facilities along a corridor. A two-storey "bachelor" wing is comprised of individual living quarters of approximately 400 sq. ft. with living, sleeping, and study areas, private washroom and balcony. Semi-private parking for the residents of the "bachelor" wing is located below the living quarters. Construction materials are not specified.
Bachelors' quarters, Nigeria: Schematic design drawings
Actions:
DR1995:0168:001-003
Description:
This group of drawings shows a preliminary design for a housing complex located in Umukoroshe, Nigeria, possibly for employees of Shell-B.P. Co. The design, a proto-typical two-wing building block, has dining and kitchen facilites and a courtyard between the two wings. Shaded access walkways and balconies connect various parts of the complex. A single storey wing of "boys quarters" is comprised of individual rooms and shared kitchen and bathroom facilities along a corridor. A two-storey "bachelor" wing is comprised of individual living quarters of approximately 400 sq. ft. with living, sleeping, and study areas, private washroom and balcony. Semi-private parking for the residents of the "bachelor" wing is located below the living quarters. Construction materials are not specified.
Form:
drawings
Quantity:
3 reprographic copy(ies)
drawings
Quantity:
3 reprographic copy(ies)
Date:
between 1957 and 1958
between 1957 and 1958
People:
Form:
articles
articles
Actions:
Public Works Studio presents the social and environmental repercussions of the city’s public management
Keyword(s):
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
Published:
28 August 2023
28 August 2023
Title:
Tripoli: Who Took Away Our Land? (Part 1)
Public Works Studio presents the social and environmental repercussions of the city’s public management
Actions:
Tripoli: Who Took Away Our Land? (Part 1)
Public Works Studio presents the social and environmental repercussions of the city’s public management
Actions:
Form:
articles
articles
Actions:
Public Works Studio presents the social and environmental repercussions of the city’s public management
Keyword(s):
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
Published:
5 September 2023
5 September 2023
Title:
Tripoli: Who Took Away Our Land? (Part 2)
Public Works Studio presents the social and environmental repercussions of the city’s public management
Actions:
Tripoli: Who Took Away Our Land? (Part 2)
Public Works Studio presents the social and environmental repercussions of the city’s public management
Actions:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Álvaro Siza fonds
Álvaro Siza fonds
Reference number:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
People:
Date:
1958-2002
1958-2002
Title:
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2002
1958-2002
People:
Form:
articles
articles
Title:
Pictorial Storytelling
Pictorial Storytelling
Actions:
Warebi Gabriel Brisibe and Ramota Obagah-Stephen propose “other” research methods on colonial housing
Title:
Pictorial Storytelling
Warebi Gabriel Brisibe and Ramota Obagah-Stephen propose “other” research methods on colonial housing
Actions:
Pictorial Storytelling
Warebi Gabriel Brisibe and Ramota Obagah-Stephen propose “other” research methods on colonial housing
Actions:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
People:
Date:
1914-2008
1914-2008
Title:
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1914-2008
1914-2008
People:
Form:
books
books
Actions:
Holdings:
Description:
279 pages : illustrations (chiefly color), maps ; 24 cm
Description:
279 pages : illustrations (chiefly color), maps ; 24 cm
Author:
Subject:
Publication:
New York : Actar Publishers, 2020.
New York : Actar Publishers, 2020.
Title:
Shared structures, private spaces : housing in Mexico / Fernanda Canales ; edited by Fernanda Canales, Ricardo Devesa.
Actions:
Holdings:
Description:
279 pages : illustrations (chiefly color), maps ; 24 cm
Shared structures, private spaces : housing in Mexico / Fernanda Canales ; edited by Fernanda Canales, Ricardo Devesa.
Actions:
Holdings:
Description:
279 pages : illustrations (chiefly color), maps ; 24 cm
Form:
books
books
Publication:
New York : Actar Publishers, 2020.
New York : Actar Publishers, 2020.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
x, 271 pages : illustrations, map ; 26 cm
Description:
x, 271 pages : illustrations, map ; 26 cm
Author:
Subject:
Publication:
Jefferson, N.C. : McFarland & Co., ©2012.
Jefferson, N.C. : McFarland & Co., ©2012.
Title:
Shared walls : Seattle apartment buildings, 1900-1939 / Diana E. James.
Actions:
Holdings:
Description:
x, 271 pages : illustrations, map ; 26 cm
Shared walls : Seattle apartment buildings, 1900-1939 / Diana E. James.
Actions:
Holdings:
Description:
x, 271 pages : illustrations, map ; 26 cm
Form:
books
books
Publication:
Jefferson, N.C. : McFarland & Co., ©2012.
Jefferson, N.C. : McFarland & Co., ©2012.
Author:
Subject:
