15453 Results
Level of archival description:
Sub-series
Sub-series
Reference number:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
People:
Date:
1970-2015
1970-2015
Title:
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
Actions:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
Actions:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Level of archival description:
Subseries
Subseries
Date:
1970-2015
1970-2015
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
People:
Date:
1974-1999
1974-1999
Title:
Abando Passenger Interchange, Bilbao, Spain
Actions:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Abando Passenger Interchange, Bilbao, Spain
Actions:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Level of archival description:
File 70
File 70
Date:
1974-1999
1974-1999
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
People:
Date:
1970-1971
1970-1971
Title:
House IV, Falls Village, Connecticut (1970-1971)
Actions:
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
House IV, Falls Village, Connecticut (1970-1971)
Actions:
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
Level of archival description:
File 12
File 12
Date:
1970-1971
1970-1971
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
People:
Date:
1970-1973
1970-1973
Title:
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Level of archival description:
File 13
File 13
Date:
1970-1973
1970-1973
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
People:
Date:
1970-1992
1970-1992
Title:
Professional committees and associations
Actions:
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
Professional committees and associations
Actions:
AP058.S1
Description:
This series documents Blanche Lemco van Ginkel’s involvement in professional committees and associations, as the Association of Collegiate Schools of Architecture Board (1977-1992), the National Capital Commission (1970-1983), the School of Architecture and Urban Planning, at Princeton University (1976-1988), the Graduate School of Design, at Harvard University (1979-1990), the National Architectural Accrediting Board (U.S.) (1983-1991), the Toronto Arts Week (1987-1989), the National Council of Architecture Registration Boards, the Canadian Friends of Finland, the Canadian Housing Design Council, the Canadian Institute of Planners, the University of Miami Visiting Committee, and many others. The series contains correspondence, programmes and scheduled activities, publications, schedules, information packages, notes, minutes, lists of members, posters, papers, calendars, directories, studies, and reports, dating from 1970 to 1992. The main areas of interests extracted from the material are North American architecture schools and their development, and the architecture and urban planning of the National Capital Region, in Canada.
Level of archival description:
Series
Series
Date:
1970-1992
1970-1992
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1969.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Acadia Park at the University of British Columbia, in Vancouver, British Columbia. Oberlander worked on this project in 1969. The project consisted in design the landscape master plan and the play area for the Acadia Married Student Housing complex, which included in kindergarten. Oberlander preserved the forest edge of the site and even included some of the mature trees present on the site by suspending rope swings to their trunks. The play area also reused ancient trees as play structures, and a wobble walk made of logs ends of various heights. The project series contains design development drawings, including a proposed landscape master plan and landscape plans, and also working drawings, such as elevations and details of the playground structures and benches. The project is also documented through photographs of the playground and correspondence with clients. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1969.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Acadia Park at the University of British Columbia, in Vancouver, British Columbia. Oberlander worked on this project in 1969. The project consisted in design the landscape master plan and the play area for the Acadia Married Student Housing complex, which included in kindergarten. Oberlander preserved the forest edge of the site and even included some of the mature trees present on the site by suspending rope swings to their trunks. The play area also reused ancient trees as play structures, and a wobble walk made of logs ends of various heights. The project series contains design development drawings, including a proposed landscape master plan and landscape plans, and also working drawings, such as elevations and details of the playground structures and benches. The project is also documented through photographs of the playground and correspondence with clients. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1966-1971
1966-1971
Title:
Acadia Park, University of British Columbia, Vancouver, British Columbia (1969)
Actions:
AP075.S1.1969.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Acadia Park at the University of British Columbia, in Vancouver, British Columbia. Oberlander worked on this project in 1969. The project consisted in design the landscape master plan and the play area for the Acadia Married Student Housing complex, which included in kindergarten. Oberlander preserved the forest edge of the site and even included some of the mature trees present on the site by suspending rope swings to their trunks. The play area also reused ancient trees as play structures, and a wobble walk made of logs ends of various heights. The project series contains design development drawings, including a proposed landscape master plan and landscape plans, and also working drawings, such as elevations and details of the playground structures and benches. The project is also documented through photographs of the playground and correspondence with clients. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Acadia Park, University of British Columbia, Vancouver, British Columbia (1969)
Actions:
AP075.S1.1969.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Acadia Park at the University of British Columbia, in Vancouver, British Columbia. Oberlander worked on this project in 1969. The project consisted in design the landscape master plan and the play area for the Acadia Married Student Housing complex, which included in kindergarten. Oberlander preserved the forest edge of the site and even included some of the mature trees present on the site by suspending rope swings to their trunks. The play area also reused ancient trees as play structures, and a wobble walk made of logs ends of various heights. The project series contains design development drawings, including a proposed landscape master plan and landscape plans, and also working drawings, such as elevations and details of the playground structures and benches. The project is also documented through photographs of the playground and correspondence with clients. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1966-1971
1966-1971
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
People:
Date:
1983-2003
1983-2003
Title:
Canada Place, Vancouver, British Columbia (1983)
Actions:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
Canada Place, Vancouver, British Columbia (1983)
Actions:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
Level of archival description:
Project
Project
Date:
1983-2003
1983-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
People:
Date:
2003-2006
2003-2006
Title:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Level of archival description:
Project
Project
Date:
2003-2006
2003-2006
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Carter fonds
Peter Carter fonds
Actions:
Reference number:
AP047
Synopsis:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Synopsis:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
People:
Date:
1943-1996
1943-1996
Title:
Peter Carter fonds
Actions:
AP047
Synopsis:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Peter Carter fonds
Actions:
AP047
Synopsis:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1943-1996
1943-1996
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Victor Prus fonds
Victor Prus fonds
Reference number:
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
People:
Date:
1945-1992
1945-1992
Title:
Victor Prus fonds
Actions:
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Victor Prus fonds
Actions:
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1945-1992
1945-1992
People:
