4874 Results
Form:
textual records
textual records
Reference number:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
People:
Title:
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
Form:
textual records
textual records
People:
Actions:
Reference number:
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
People:
Date:
1960-2008
1960-2008
Title:
Various awards and Honours to Arthur Erickson and Erickson/Massey Architects
Actions:
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
Various awards and Honours to Arthur Erickson and Erickson/Massey Architects
Actions:
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
Date:
1960-2008
1960-2008
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
People:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Title:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Level of archival description:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP051
Synopsis:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
AP051
Synopsis:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
People:
Date:
1975-1997
1975-1997
Title:
Groupe de recherche sur Montréal fonds
Actions:
AP051
Synopsis:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Groupe de recherche sur Montréal fonds
Actions:
AP051
Synopsis:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1975-1997
1975-1997
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
People:
Date:
1965-1984
1965-1984
Title:
Institute for Architecture and Urban Studies fonds
Actions:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Institute for Architecture and Urban Studies fonds
Actions:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1965-1984
1965-1984
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
People:
Date:
1914-2008
1914-2008
Title:
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1914-2008
1914-2008
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
People:
Date:
circa 1939-2004
circa 1939-2004
Title:
James Stirling / Michael Wilford fonds
Actions:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
James Stirling / Michael Wilford fonds
Actions:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1939-2004
circa 1939-2004
People:
Form:
archives
archives
Actions:
Holdings:
Description:
36 items ; 97 cm. or smaller.
Description:
36 items ; 97 cm. or smaller.
Author:
Subject:
Title:
1973 : désolé, plus d'essence = 1973 : sorry, out of gas : exhibition products, 2007-2008.
Actions:
Holdings:
Description:
36 items ; 97 cm. or smaller.
1973 : désolé, plus d'essence = 1973 : sorry, out of gas : exhibition products, 2007-2008.
Actions:
Holdings:
Description:
36 items ; 97 cm. or smaller.
Form:
archives
archives
Author:
Subject:
Form:
artefacts
artefacts
Title:
Ladislav Sutnar, 1973.
Ladislav Sutnar, 1973.
Actions:
Holdings:
Description:
1 card : paper ; 10 x 22 cm + 1 envelope
Description:
1 card : paper ; 10 x 22 cm + 1 envelope
Author:
Subject:
Publication:
[New York, N.Y.] : [L. Sutnar], [1973]
[New York, N.Y.] : [L. Sutnar], [1973]
Title:
Ladislav Sutnar, 1973.
Actions:
Holdings:
Description:
1 card : paper ; 10 x 22 cm + 1 envelope
Ladislav Sutnar, 1973.
Actions:
Holdings:
Description:
1 card : paper ; 10 x 22 cm + 1 envelope
Form:
artefacts
artefacts
Publication:
[New York, N.Y.] : [L. Sutnar], [1973]
[New York, N.Y.] : [L. Sutnar], [1973]
Author:
Subject:
Form:
books
books
Title:
Drummondville, 1973.
Drummondville, 1973.
Actions:
Holdings:
Description:
185 pages : illustrations, portraits ; 22 cm
Description:
185 pages : illustrations, portraits ; 22 cm
Subject:
Publication:
[Montréal?] : Société d'Édition Montréalaise, 1973 (Saint-Lambert, P.Q. : Payette & Simms)
[Montréal?] : Société d'Édition Montréalaise, 1973 (Saint-Lambert, P.Q. : Payette & Simms)
Title:
Drummondville, 1973.
Actions:
Holdings:
Description:
185 pages : illustrations, portraits ; 22 cm
Drummondville, 1973.
Actions:
Holdings:
Description:
185 pages : illustrations, portraits ; 22 cm
Form:
books
books
Publication:
[Montréal?] : Société d'Édition Montréalaise, 1973 (Saint-Lambert, P.Q. : Payette & Simms)
[Montréal?] : Société d'Édition Montréalaise, 1973 (Saint-Lambert, P.Q. : Payette & Simms)
Subject:
