35831 Results
Form:
events
events
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Location:
online
online
Date:
5 January 2026 to 10 January 2027
5 January 2026 to 10 January 2027
Form:
events
events
Date:
5 January 2026 to
10 January 2027
5 January 2026 to
10 January 2027
Location:
online
online
Level of archival description:
Project
Project
Actions:
Reference number:
AP137.D11
Description:
File documents a provincial government complex consisting of two six-storey buildings (including basements) - an administrative office building and a health centre building - with a landscaped plaza including a fountain, Charlottetown, Prince Edward Island. File contains design development drawings and working drawings.
AP137.D11
Description:
File documents a provincial government complex consisting of two six-storey buildings (including basements) - an administrative office building and a health centre building - with a landscaped plaza including a fountain, Charlottetown, Prince Edward Island. File contains design development drawings and working drawings.
People:
Date:
1962-1966
1962-1966
Title:
Provincial Government Buildings, Prince Edward Island
Actions:
AP137.D11
Description:
File documents a provincial government complex consisting of two six-storey buildings (including basements) - an administrative office building and a health centre building - with a landscaped plaza including a fountain, Charlottetown, Prince Edward Island. File contains design development drawings and working drawings.
Provincial Government Buildings, Prince Edward Island
Actions:
AP137.D11
Description:
File documents a provincial government complex consisting of two six-storey buildings (including basements) - an administrative office building and a health centre building - with a landscaped plaza including a fountain, Charlottetown, Prince Edward Island. File contains design development drawings and working drawings.
Level of archival description:
File 11
File 11
Date:
1962-1966
1962-1966
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
People:
Date:
1992-1993
1992-1993
Title:
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Level of archival description:
Project
Project
Date:
1992-1993
1992-1993
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
People:
Date:
1978-1986
1978-1986
Title:
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Level of archival description:
Project
Project
Date:
1978-1986
1978-1986
People:
Level of archival description:
Series
Series
Title:
Carl Krayl
Carl Krayl
Reference number:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
People:
Date:
1918-1945
1918-1945
Title:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Level of archival description:
series
series
Date:
1918-1945
1918-1945
People:
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
People:
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Title:
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Level of archival description:
File 6
File 6
Date:
[ca. 1825-1884]
[ca. 1825-1884]
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
People:
Date:
1992-1995
1992-1995
Title:
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Regional Facility for Federally Sentenced Women, Kitchener, Ontario (1992-1994)
Actions:
AP056.S1.1992.PR02
Description:
This project series documents the federal women's prison in Kitchener, Ontario, now called The Grand Valley Institution for Women, from 1992-1994. The office identified the project number as 9227. This project, built for Public Works Canada and Correctional Services Canada, consisted of a large, main prison building with nine small cottages lining the property. The main building included the admission and discharge area, food services, recreation spaces and spirituality centre, as well as an area for prisoners requiring enhanced security. The spirituality room was a window-rimmed rotunda that pierced the slanted roof of the main stucco building. The smaller cottages were wood-sided with aluminum windows and could house eight people. While many were built to house eight prisoners, some designs replaced prisoner's rooms with children's bedrooms for inmates who had children staying with them. There was also a large, green space in the centre of all the buildings, with plans to build a baseball diamond, daycare building and an additional cottage in the future. The project is recorded through drawings dating from1992-1995. The drawings and mostly originals and include site surveys, sketches, plans, elevations, sections, perspectives, details and axonometric drawings.
Level of archival description:
Project
Project
Date:
1992-1995
1992-1995
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Arthur Erickson fonds
Arthur Erickson fonds
Reference number:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
People:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Title:
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
People:
Form:
drawings
drawings
Reference number:
ARCH193434
Description:
Contains the following drawings: 100 C Location plan, 101 C Plan of ground floor and fireplace details, 102 C Plan of upper level and door frame details, 103 C Sections and elevations, 104 C Interior stair-case details, 105 C Details snack-bar area, 106 C Coffee bar and locker room details, 107 C Details service rooms, snack-bar, 108 C Wall sections and vestibule screen details, 109 C Roof plan and roof drain details, 110 C Public and staff lavatories, and misc. details, and 111 C Section Y-Y.
ARCH193434
Description:
Contains the following drawings: 100 C Location plan, 101 C Plan of ground floor and fireplace details, 102 C Plan of upper level and door frame details, 103 C Sections and elevations, 104 C Interior stair-case details, 105 C Details snack-bar area, 106 C Coffee bar and locker room details, 107 C Details service rooms, snack-bar, 108 C Wall sections and vestibule screen details, 109 C Roof plan and roof drain details, 110 C Public and staff lavatories, and misc. details, and 111 C Section Y-Y.
People:
Date:
1955-1959
1955-1959
Title:
Site plan, floor plans, details, sections and elevations, Beaver Lake Pavilion, Montréal, Québec
Actions:
ARCH193434
Description:
Contains the following drawings: 100 C Location plan, 101 C Plan of ground floor and fireplace details, 102 C Plan of upper level and door frame details, 103 C Sections and elevations, 104 C Interior stair-case details, 105 C Details snack-bar area, 106 C Coffee bar and locker room details, 107 C Details service rooms, snack-bar, 108 C Wall sections and vestibule screen details, 109 C Roof plan and roof drain details, 110 C Public and staff lavatories, and misc. details, and 111 C Section Y-Y.
Site plan, floor plans, details, sections and elevations, Beaver Lake Pavilion, Montréal, Québec
Actions:
ARCH193434
Description:
Contains the following drawings: 100 C Location plan, 101 C Plan of ground floor and fireplace details, 102 C Plan of upper level and door frame details, 103 C Sections and elevations, 104 C Interior stair-case details, 105 C Details snack-bar area, 106 C Coffee bar and locker room details, 107 C Details service rooms, snack-bar, 108 C Wall sections and vestibule screen details, 109 C Roof plan and roof drain details, 110 C Public and staff lavatories, and misc. details, and 111 C Section Y-Y.
Form:
drawings
drawings
Date:
1955-1959
1955-1959
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH274497
Description:
Parc Jarry, Maisonneuve, Trenholme et Leber. Documents produits par le département des travaux publics de la ville de Montréa
ARCH274497
Description:
Parc Jarry, Maisonneuve, Trenholme et Leber. Documents produits par le département des travaux publics de la ville de Montréa
People:
Date:
1954
1954
Title:
Plans et détails des patinoires artificielles de Montréal
Actions:
ARCH274497
Description:
Parc Jarry, Maisonneuve, Trenholme et Leber. Documents produits par le département des travaux publics de la ville de Montréa
Plans et détails des patinoires artificielles de Montréal
Actions:
ARCH274497
Description:
Parc Jarry, Maisonneuve, Trenholme et Leber. Documents produits par le département des travaux publics de la ville de Montréa
Form:
drawings
drawings
Date:
1954
1954
People:
