Fonds Guy Desbarats
Inclus dans:
Personnes et institutions:
  • Guy Desbarats (creator)
  • Guy Desbarats (archive creator)

Fonds Guy Desbarats



Niveau de description archivistique:
Fonds 109
  • 972 drawings (13 reprographic copies)
    593 photographs, negatives and slides
    3.25 l.m. of textual records
Présentation du contenu:
The earliest documents are student drawings from McGill University, and the latest is an un-published typescript memoir written by Desbarats entitled Three Views of Architecture.

The Archive documents touch on most aspects of Desbarats professional career as a teacher, critic and architect. Amongst the textual documents, of particular interest are those relating to his involvement with the Arcop partnership, and Desbarats' own manuscripts for articles and speeches on a wide range of subjects. Included in these papers is his recent memoir recounting his views on the architectural profession during his years of practice.

The major portion of the Archive consists of drawings, photographs and textual documents concerning 81 architectural projects. The majority of these projects are single-family residences for developers or individual clients, friends and his own house built in Outremont (1966-67). Many commissions from the early 1950s are represented, including schools and residences designed for Abra, Balharrie & Shore in Ottawa, and various projects produced in association with Raymond Affleck. The Archive also contains projects by Arcop (Affleck, Desbarats, Dimakopoulos, Lebensold & Sise) for which Desbarats was the partner-in-charge - the Expo 67 Theme Pavilions, the Church of Saint Thomas Aquinas in Saint-Lambert, and the Church of Saint Gerard Majella in Saint-Jean-sur-Richelieu, which won a Massey medal for Architecture in 1964.
Numéro de référence:


Mode de classement:
The Guy Desbarats Archive is arranged into three Series: Personal Papers; Professional Activities; and Architectural Projects.
Note biographique:
Montréal, Québec, 1925 - Sherbrooke, Québec, 2003

Guy Desbarats studied civil engineering from 1942-43 at McGill University before entering the McGill School of Architecture, graduating with a Bachelor of Architecture degree in 1948. Between 1948-52 he worked for the Ottawa firm of Abra, Balharrie & Shore. After travels in Europe in 1952, Desbarats returned to Montreal the following year to open a private practice, often working in association with fellow McGill graduates Raymond Affleck and Jean Michaud. By 1955 Desbarats, Affleck and Michaud, with Fred Lebensold, Dimitri Dimakopoulos and Hazen Sise, formed Arcop (Architects in Co-operation) in Montreal. The original prestigious Arcop partnership was formerly dissolved in 1970, by which time the firm had produced numerous important projects across Canada. These included the Queen Elizabeth Theatre in Vancouver (1955-58), the first phase of Place des Arts (1960) and Place Bonaventure (1964-67) In Montreal, the Fathers of Confederation Memorial Arts Centre in Charlottetown (1964), and National Arts Centre in Ottawa (1965-68).

Desbarats was appointed Dean of the University of Montreal's School of Architecture in 1964, and became a founder and first Dean of the University's Faculté de l'Aménagement in 1968. He accepted a Federal Government position - Assistant Deputy Minister of Design - at the Department of Public Works, Ottawa, in 1975, and became the Assistant Deputy Minister of Design and Construction the following year. Desbarats left the civil service in 1985 to continue a private practice as a consulting architect first in Ottawa, then in Georgeville, Quebec. Desbarats served as the president of the Jacques Viger Commission in Montreal from 1991-94.
Conditions d’accès:
  • Access by appointment only.
Conditions de réproduction:
  • Contact the CCA for copyright information and permission to reproduce (reproductions@cca.qc.ca).
Notes de l’archiviste:
  • The Guy Desbarats fonds was originally processed and described by David Rose in 2000. In 2010, the original finding aid was modified, by Alexis Lenk, in order to conform to updated documentation procedures.
Langue et écriture des documents:
  • Documents are mainly in English, with some in French.
Sources complémentaires:
  • Documents related to this fonds in the CCA Collection are in the Jean Michaud fonds (AP012), Ray T. Affleck fonds (AP088), Hazen Edward Sise fonds (AP112), and the Affleck, Desbarats, Dimakopoulos, Lebensold, Sise fonds (AP137),

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