Entrée principale:

Bourriaud, Nicolas.

Titre et auteur:

Postproduction : culture as screenplay : how art reprograms the world / Nicolas Bourriaud ; [editor, Caroline Schneider ; translation, Jeanine Herman].

Publication:

New York : Lukas & Sternberg, ©2002.

Description:

96 pages ; 17 cm

Notes:
Includes bibliographical references.
Introduction -- The use of objects :- The use of the product from Marcel Duchamp to Jeff Koons ; The flea market: the dominant art form of the nineties -- The use of forms :- Deejaying and contemporary art: similar configurations ; When screenplays become form: a user's guide to the world -- The use of the world :- Playing the world: reprogramming social forms ; Hacking, work, and free time -- How to inhabit global culture (aesthetics after MP3).

Résumé:

Since the early Nineteen Nineties, an ever increasing number of artworks have been created on the basis of pre-existing works. More and more artists interpret, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to respond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art world's annexation of forms ignored or disdained until now (from back of book). Use of the product from Marcel Duchamp to Jeff Koons; the DJ and contemporary art; global culture.

ISBN:

0971119309
9780971119307
0974568899
9780974568898

Sujet:

Appropriation (Art)
Art, Modern 20th century.
Art and society.
Popular culture.
Popular Culture
Art 20e siècle.
Art et société.
Culture populaire.
popular culture.
Art, Modern.
Globalisierung
Kunstkritik
Ästhetik

Vedettes secondaires:

Herman, Jeanine.
Schneider, Caroline.

Exemplaires:

Localisation: Bibliothèque main y 276975
Cote: BIB 211570
Statut: Disponible