Entrée principale:

Butler, Cornelia H., author.

Titre et auteur:

Afterimage : drawing through process / Cornelia H. Butler.

Publication:

Los Angeles : Museum of Contemporary Art ; Cambridge, Mass. : MIT Press, [1999]
©1999

Description:

152 pages : illustrations (some color) ; 31 cm

Notes:
Published to accompany an exhibition held at the Museum of Contemporary Art, Los Angeles, April 11-August 22, 1999.
Participating artists: William Anastasi, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry Le Va, Sol LeWitt, Lee Lozano, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Robert Overby, Sylvia Plimack Mangold, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, Jack Whitten.
Includes bibliographical references (pages 147-150).
Some kinds of duration: the temporality of drawing as process art / Pamela M. Lee ; Ends and means / Cornelia H. Butler -- Works in the exhibition.

Résumé:

The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art of the 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture. The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late1960s. The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, SolLewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten. Copublished with The Museum of Contemporary Art. Los Angeles.

ISBN:

0914357662 (MOCA ; paperback)
9780914357667 (MOCA ; paperback)
0262522624 (MIT ; paperback)
9780262522625 (MIT ; paperback)
0914357670
9780914357674

Sujet:

Whitten, Jack, 1939-
Tuttle, Richard, 1941-
Smithson, Robert, 1938-1973.
Shapiro, Joel, 1941-
Rockburne, Dorothea, 1932-
Nauman, Bruce, 1941-
Morris, Robert, 1931-
Matta-Clark, Gordon, 1943-1978.
LeWitt, Sol, 1928-2007.
Bochner, Mel, 1940-
Hesse, Eva, 1936-1970.
Holt, Nancy, 1938-
Process art Exhibitions.
Art, Modern 20th century Exhibitions.
Process Art Expositions.
Art 20e siècle Expositions.
Art, Modern
Process art
Artes (século 20)
Exposições de arte (século 20) Estados unidos.
Drawing, American 20th century Exhibitions.
Process art United States Exhibitions.
Art, American 20th century Exhibitions.
Drawing 20th century United States Exhibitions.

Classification/genre:

Exhibition catalogues.
Exhibition catalogs.
exhibition catalogs.
Catalogues d'exposition.

Vedettes secondaires:

Museum of Contemporary Art (Los Angeles, Calif.)

Exemplaires:

Localisation: Bibliothèque main 210165
Cote: N6494.P72 B88 1999
Statut: Disponible