Projet
Panarea sculpture
CP138.S5.D11
Description:
File consists of a site-specific sculpture created of cement and stone for the garden at Roberto Matta's villa in Panarea, Sicily, Italy. The work dates from ca. 1962-1968. File contains one sculpture.
[ca. 1962-1968]
Panarea sculpture
Actions:
CP138.S5.D11
Description:
File consists of a site-specific sculpture created of cement and stone for the garden at Roberto Matta's villa in Panarea, Sicily, Italy. The work dates from ca. 1962-1968. File contains one sculpture.
File 11
[ca. 1962-1968]
dessins
Sketchbook 61: Sicilia
AP178.S2.1980.004
Description:
This sketchbook includes notes and sketches of Salemi, and sketches of buildings and landscapes of Sicily.
September 1980
Sketchbook 61: Sicilia
Actions:
AP178.S2.1980.004
Description:
This sketchbook includes notes and sketches of Salemi, and sketches of buildings and landscapes of Sicily.
dessins
September 1980
dessins
Sketchbook 62: Sicilia
AP178.S2.1980.005
Description:
This sketchbook includes notes and sketches of Salemi, and sketches of buildings and landscapes of Sicily.
September 1980
Sketchbook 62: Sicilia
Actions:
AP178.S2.1980.005
Description:
This sketchbook includes notes and sketches of Salemi, and sketches of buildings and landscapes of Sicily.
dessins
September 1980
dessins
AP178.S2.1980.006
Description:
This sketchbook includes notes and sketches of Salemi, and sketches of buildings and landscapes of Sicily.
September 1980
Sketchbook 63: Sicilia
Actions:
AP178.S2.1980.006
Description:
This sketchbook includes notes and sketches of Salemi, and sketches of buildings and landscapes of Sicily.
dessins
September 1980
Projet
AP178.S1.1980.PR07
Description:
The project series documents the Cave di Cusa in Selinunte, Castelvetrano, Italy. While the records were held in the office’s archives this project was assigned the number [8]/80. The office assigned the date 1980 for this project. The Cave di Cusa is an ancient quarry and popular tourist site in Sicily. The project series is solely recorded through slides of sketches. The sketches show a cylindrical volume and two cube-shaped volumes.
circa 1980
Cave di Cusa, Selinunte, Castelvetrano, Italy (1980)
Actions:
AP178.S1.1980.PR07
Description:
The project series documents the Cave di Cusa in Selinunte, Castelvetrano, Italy. While the records were held in the office’s archives this project was assigned the number [8]/80. The office assigned the date 1980 for this project. The Cave di Cusa is an ancient quarry and popular tourist site in Sicily. The project series is solely recorded through slides of sketches. The sketches show a cylindrical volume and two cube-shaped volumes.
Project
circa 1980
Projet
AP207.S1.2018.PR02
Description:
The project series documents the installation "TERMITARIUM", an installation by Marco Pace for which Pettena wrote the accompaning text. The installation was presented in the outdoor exhibition "Photology Air" for the 2018 event "Art Trail - Osservatori", in Noto, Sicily. The installation consists of a shrub entierly wrapped in fabric with some branches and leaves pearcing out of the envelope. The fabric is painted with phosphorescent paint to make the installation visible in the dark. A sign, with Pettena's texts is placed at a distance from the installation. The project series contains a photograph of the installation, including photographs showing the sign with Pettena's text.
2018
TERMITARIUM (2018)
Actions:
AP207.S1.2018.PR02
Description:
The project series documents the installation "TERMITARIUM", an installation by Marco Pace for which Pettena wrote the accompaning text. The installation was presented in the outdoor exhibition "Photology Air" for the 2018 event "Art Trail - Osservatori", in Noto, Sicily. The installation consists of a shrub entierly wrapped in fabric with some branches and leaves pearcing out of the envelope. The fabric is painted with phosphorescent paint to make the installation visible in the dark. A sign, with Pettena's texts is placed at a distance from the installation. The project series contains a photograph of the installation, including photographs showing the sign with Pettena's text.
Project
2018
recherche
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
septembre 1997 au août 1998
Chercheurs en résidence 1997-1998
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Barbara Arciszewska, Yale Center for British Art, New Haven, États-Unis Sujet : Continental Baroque and the Emergence of Palladianism in England Hugh Cullum, School of Architecture, University of Cambridge and Cullum and Nightingale Architects, Londres, Royaume Uni Topic: On the Ducal Palace La Venaria Reale near Turin and(...)
recherche
septembre 1997 au
août 1998
archives
Niveau de description archivistique:
Fonds
Fonds Kenneth Frampton
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
1958-2016
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
archives
Niveau de description archivistique:
Fonds
1958-2016
DR1988:0437:026
Description:
- This etching for a fireworks construction or macchina is in the form of a fortress which is meant to represent a "Cuccagna" (land of plenty) such as was created in the Two Sicilies. The fortress is decorated with trophies and with game, and is flanked by two fountains.
architecture temporaire
printed 1757
Etching of Posi's design for the "seconda macchina" of 1757
Actions:
DR1988:0437:026
Description:
- This etching for a fireworks construction or macchina is in the form of a fortress which is meant to represent a "Cuccagna" (land of plenty) such as was created in the Two Sicilies. The fortress is decorated with trophies and with game, and is flanked by two fountains.
architecture temporaire
The Triumph of Hannibal
DR1984:1641
Description:
- The turbaned figure being carried into the theatre seated on a litter certainly refers to a non-Roman figure, possibly Hannibal. Behind this figure is a theatre and an imaginary town on a hill. The town buildings recall the Sicilian monuments in the 'Voyage pittoresque ou description des royaumes de Naples et de Sicile' published by the Abbé de Saint-Non in Paris between 1781 and 1786. Desprez interrupted his studies at the French Academy in Rome from December 1777 to January 1779 to accompany Dominique Vivant Denon and several other artists to Naples and Sicily in order to make drawings for this publication. The town buildings also recall several buildings Desprez planned in Stockholm while stage designer and architect to Gustavus III of Sweden from 1784 to 1792.
design de théâtre
ca. 1780-1790
The Triumph of Hannibal
Actions:
DR1984:1641
Description:
- The turbaned figure being carried into the theatre seated on a litter certainly refers to a non-Roman figure, possibly Hannibal. Behind this figure is a theatre and an imaginary town on a hill. The town buildings recall the Sicilian monuments in the 'Voyage pittoresque ou description des royaumes de Naples et de Sicile' published by the Abbé de Saint-Non in Paris between 1781 and 1786. Desprez interrupted his studies at the French Academy in Rome from December 1777 to January 1779 to accompany Dominique Vivant Denon and several other artists to Naples and Sicily in order to make drawings for this publication. The town buildings also recall several buildings Desprez planned in Stockholm while stage designer and architect to Gustavus III of Sweden from 1784 to 1792.
design de théâtre