7762 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
1992-2010
1992-2010
Titre:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
1992-2010
1992-2010
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Photographies = Photographs
Photographies = Photographs
Numéro de référence:
AP156.S4
Description:
La série documente la vie personnelle et professionnelle de Pierre Jeanneret, en Europe et en Inde, ainsi que le projet de la nouvelle ville de Chandigarh, en Inde. La série inclut principalement des photographies de Chandigarh, mais aussi des photographies de familles, des photographies de quelques projets qu'il a réalisé en Europe dans les années 1940. Le matériel de cette série a été produit entre la fin des années 1800 jusqu'au années 1970. La série contient principalement des photographies, donc des épreuves contacts ou des photocollages, ainsi que des négatifs. Series documents the personnal and professional life of Pierre Jeanneret, in Europe and in India, and also the project for the new city of Chandigarh, in India. The series includes predominantly photographs of Chandigarh, but also family photographs and photographs of a few of his projects in Europe in the 1940s. The material in this series was produced between the end of the 1800s to the 1970s. The series contains predominantly photographs, including contact sheets and photocollages, and also negatives.
AP156.S4
Description:
La série documente la vie personnelle et professionnelle de Pierre Jeanneret, en Europe et en Inde, ainsi que le projet de la nouvelle ville de Chandigarh, en Inde. La série inclut principalement des photographies de Chandigarh, mais aussi des photographies de familles, des photographies de quelques projets qu'il a réalisé en Europe dans les années 1940. Le matériel de cette série a été produit entre la fin des années 1800 jusqu'au années 1970. La série contient principalement des photographies, donc des épreuves contacts ou des photocollages, ainsi que des négatifs. Series documents the personnal and professional life of Pierre Jeanneret, in Europe and in India, and also the project for the new city of Chandigarh, in India. The series includes predominantly photographs of Chandigarh, but also family photographs and photographs of a few of his projects in Europe in the 1940s. The material in this series was produced between the end of the 1800s to the 1970s. The series contains predominantly photographs, including contact sheets and photocollages, and also negatives.
Personnes et institutions:
Titre:
Photographies = Photographs
Actions:
AP156.S4
Description:
La série documente la vie personnelle et professionnelle de Pierre Jeanneret, en Europe et en Inde, ainsi que le projet de la nouvelle ville de Chandigarh, en Inde. La série inclut principalement des photographies de Chandigarh, mais aussi des photographies de familles, des photographies de quelques projets qu'il a réalisé en Europe dans les années 1940. Le matériel de cette série a été produit entre la fin des années 1800 jusqu'au années 1970. La série contient principalement des photographies, donc des épreuves contacts ou des photocollages, ainsi que des négatifs. Series documents the personnal and professional life of Pierre Jeanneret, in Europe and in India, and also the project for the new city of Chandigarh, in India. The series includes predominantly photographs of Chandigarh, but also family photographs and photographs of a few of his projects in Europe in the 1940s. The material in this series was produced between the end of the 1800s to the 1970s. The series contains predominantly photographs, including contact sheets and photocollages, and also negatives.
Photographies = Photographs
Actions:
AP156.S4
Description:
La série documente la vie personnelle et professionnelle de Pierre Jeanneret, en Europe et en Inde, ainsi que le projet de la nouvelle ville de Chandigarh, en Inde. La série inclut principalement des photographies de Chandigarh, mais aussi des photographies de familles, des photographies de quelques projets qu'il a réalisé en Europe dans les années 1940. Le matériel de cette série a été produit entre la fin des années 1800 jusqu'au années 1970. La série contient principalement des photographies, donc des épreuves contacts ou des photocollages, ainsi que des négatifs. Series documents the personnal and professional life of Pierre Jeanneret, in Europe and in India, and also the project for the new city of Chandigarh, in India. The series includes predominantly photographs of Chandigarh, but also family photographs and photographs of a few of his projects in Europe in the 1940s. The material in this series was produced between the end of the 1800s to the 1970s. The series contains predominantly photographs, including contact sheets and photocollages, and also negatives.
Niveau de description archivistique:
Série 4
Série 4
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Research Library
Research Library
Numéro de référence:
AP149.S5
Description:
This series documents Minimum Cost Housing Group's research library. It consists of publications, which as published material is accessible through the CCA library to facilitate description and access. These publications can be found and requested for consultation on the CCA website using the search term "Minimum Cost Housing Group fonds." There are about 908 monographs and 160 periodicals collected since the foundation of the groupe in the early 1970s, until 2017, the year of the donation of the material to the CCA. The publications are mostly from the mid-1930s to the early 2010s and are mainly in English, French, and Spanish, but includes various other languages such as German, Hindi, and Mandarin. The collection includes numerous publications related to sustainable architecture, low-cost construction and housing, and urban agriculture. A major theme across these publications is housing and urban planning in the developing world. These publications are complemented by numerous reports from organizations such as the World Bank and various branches of the United Nations.
AP149.S5
Description:
This series documents Minimum Cost Housing Group's research library. It consists of publications, which as published material is accessible through the CCA library to facilitate description and access. These publications can be found and requested for consultation on the CCA website using the search term "Minimum Cost Housing Group fonds." There are about 908 monographs and 160 periodicals collected since the foundation of the groupe in the early 1970s, until 2017, the year of the donation of the material to the CCA. The publications are mostly from the mid-1930s to the early 2010s and are mainly in English, French, and Spanish, but includes various other languages such as German, Hindi, and Mandarin. The collection includes numerous publications related to sustainable architecture, low-cost construction and housing, and urban agriculture. A major theme across these publications is housing and urban planning in the developing world. These publications are complemented by numerous reports from organizations such as the World Bank and various branches of the United Nations.
Personnes et institutions:
Date:
1935-2013
1935-2013
Titre:
Research Library
Actions:
AP149.S5
Description:
This series documents Minimum Cost Housing Group's research library. It consists of publications, which as published material is accessible through the CCA library to facilitate description and access. These publications can be found and requested for consultation on the CCA website using the search term "Minimum Cost Housing Group fonds." There are about 908 monographs and 160 periodicals collected since the foundation of the groupe in the early 1970s, until 2017, the year of the donation of the material to the CCA. The publications are mostly from the mid-1930s to the early 2010s and are mainly in English, French, and Spanish, but includes various other languages such as German, Hindi, and Mandarin. The collection includes numerous publications related to sustainable architecture, low-cost construction and housing, and urban agriculture. A major theme across these publications is housing and urban planning in the developing world. These publications are complemented by numerous reports from organizations such as the World Bank and various branches of the United Nations.
Research Library
Actions:
AP149.S5
Description:
This series documents Minimum Cost Housing Group's research library. It consists of publications, which as published material is accessible through the CCA library to facilitate description and access. These publications can be found and requested for consultation on the CCA website using the search term "Minimum Cost Housing Group fonds." There are about 908 monographs and 160 periodicals collected since the foundation of the groupe in the early 1970s, until 2017, the year of the donation of the material to the CCA. The publications are mostly from the mid-1930s to the early 2010s and are mainly in English, French, and Spanish, but includes various other languages such as German, Hindi, and Mandarin. The collection includes numerous publications related to sustainable architecture, low-cost construction and housing, and urban agriculture. A major theme across these publications is housing and urban planning in the developing world. These publications are complemented by numerous reports from organizations such as the World Bank and various branches of the United Nations.
Niveau de description archivistique:
Series
Series
Date:
1935-2013
1935-2013
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
Personnes et institutions:
Date:
circa 1956-1959
circa 1956-1959
Titre:
J.D. Crashley Residence, Toronto (1956-1965)
Actions:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
J.D. Crashley Residence, Toronto (1956-1965)
Actions:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
Niveau de description archivistique:
Project
Project
Date:
circa 1956-1959
circa 1956-1959
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
Personnes et institutions:
Date:
1962-1963
1962-1963
Titre:
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
Niveau de description archivistique:
Project
Project
Date:
1962-1963
1962-1963
Personnes et institutions:
Classification:
expositions
expositions
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Localisation:
salle octogonale
salle octogonale
Date:
21 septembre 2018 au 19 mai 2019
21 septembre 2018 au 19 mai 2019
Titre:
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Classification:
expositions
expositions
Date:
21 septembre 2018 au
19 mai 2019
21 septembre 2018 au
19 mai 2019
Localisation:
salle octogonale
salle octogonale
Classification:
événements
événements
Actions:
Description:
Dans la série de conférences Hier d’aujourd’hui, l’architecte et auteur canadien Witold Rybczynski expose les origines de l’Ecol House, prototype d’un modèle d’habitation autonome pour les pays en développement. Le projet a été créé à Montréal en 1972 par Ecol Operation, un groupe d’architectes et d’étudiants duquel il était membre et qui devient, au début des années(...)
Dans la série de conférences Hier d’aujourd’hui, l’architecte et auteur canadien Witold Rybczynski expose les origines de l’Ecol House, prototype d’un modèle d’habitation autonome pour les pays en développement. Le projet a été créé à Montréal en 1972 par Ecol Operation, un groupe d’architectes et d’étudiants duquel il était membre et qui devient, au début des années(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
29 novembre 2007
29 novembre 2007
Titre:
Witold Rybczynski : Green Before Green
Actions:
Description:
Dans la série de conférences Hier d’aujourd’hui, l’architecte et auteur canadien Witold Rybczynski expose les origines de l’Ecol House, prototype d’un modèle d’habitation autonome pour les pays en développement. Le projet a été créé à Montréal en 1972 par Ecol Operation, un groupe d’architectes et d’étudiants duquel il était membre et qui devient, au début des années(...)
Witold Rybczynski : Green Before Green
Actions:
Description:
Dans la série de conférences Hier d’aujourd’hui, l’architecte et auteur canadien Witold Rybczynski expose les origines de l’Ecol House, prototype d’un modèle d’habitation autonome pour les pays en développement. Le projet a été créé à Montréal en 1972 par Ecol Operation, un groupe d’architectes et d’étudiants duquel il était membre et qui devient, au début des années(...)
Classification:
événements
événements
Date:
29 novembre 2007
29 novembre 2007
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Numéro de référence:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
Personnes et institutions:
Date:
1964-1976
1964-1976
Titre:
Gordon Matta-Clark Mother's papers: Family Letters 1964 to 1976
Actions:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
Gordon Matta-Clark Mother's papers: Family Letters 1964 to 1976
Actions:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
Date:
1964-1976
1964-1976
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
Classification:
expositions
expositions
Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
9 mars 2005 au 22 mai 2005
9 mars 2005 au 22 mai 2005
Titre:
Dieter Appelt : Forth Bridge – cinéma. Espace métrique
Actions:
Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Dieter Appelt : Forth Bridge – cinéma. Espace métrique
Actions:
Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Classification:
expositions
expositions
Date:
9 mars 2005 au
22 mai 2005
9 mars 2005 au
22 mai 2005
Localisation:
Salle octogonale
Salle octogonale
