40270 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic works
Academic works
Numéro de référence:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Personnes et institutions:
Date:
1995-2011
1995-2011
Titre:
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Niveau de description archivistique:
Series
Series
Date:
1995-2011
1995-2011
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
George Rohault de Fleury
George Rohault de Fleury
Numéro de référence:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Personnes et institutions:
Date:
1866, 1874
1866, 1874
Titre:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Niveau de description archivistique:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Roland Dumais
Fonds Roland Dumais
Numéro de référence:
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
Personnes et institutions:
Date:
1930-1975
1930-1975
Titre:
Fonds Roland Dumais
Actions:
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
Fonds Roland Dumais
Actions:
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1930-1975
1930-1975
Personnes et institutions:
Numéro de référence:
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1887
1887
Titre:
Picturesque San Diego with Historical and Descriptive Notes
Actions:
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
Picturesque San Diego with Historical and Descriptive Notes
Actions:
PH1979:0605
Description:
This 98-page book illustrated with 73 photogravures, shows a pictorial record of San Diego's built and natural environment including beaches (like La Jolla) and back country scenes, after photographs by Herve Friend. Title page: Picturesque San Diego with Historical and Descriptive Notes by Douglas Gunn. San Diego, California, July 1, 1887. Chicago: Knight & Leonard Co., Printers 1887. Photogravures: .001 Old Palm Trees, foot of Presidio Hill Frontispiece .002 Point Lonea, and Entrance to San Diego harbor - from Coronado Beach .003 Ruins of the Old Mission, San Diego .004 Old Mission of San Diego, from the Olive Grove .005 Scene of the Battle of San Pasqual, December 6th, 1846 .006 Mission San Luis Rey .007 Bell Tower, Pala Mission .008 San Diego, looking West - Point Loma in Right Distance .009 San Diego, looking Southwest - Coronado Beach opposite .010 San Diego, looking Southeast .011 City Water Front - Babcock & Story Wharves .012 City Water Front - Pacific Coast Steamship Co.'s Wharves .013 Country Court House, San Diego .014 Interior Consolidated National Bank, San Diego .015 The "Russ" Public School, San Diego .016 Morse-Pierce Building, corner Sixth and F streets, San Diego .017 St. Paul's Episcopal Church, San Diego .018 Residence of A.E. Horton .019 First National Bank, corner Fifth and E streets .020 Woolwine, Spring & Nerney's Abstract and Real Estate Office, cor. Fourth and D streets .021 The Dells, Chollas Valley - Suburbs of San Diego .022 Initial Monument, marking Mexican Boundary .023 Tia Juana - American side .024 Tia Juana - Mexican side .025 "Point of Rocks" - 1 .026 "Point of Rocks" - 2 .027 "Point of Rocks" - 3 .028 Hotel Del Coronado Beach, San Diego .029 The Caves, La Jolla .030 La Jolla Beach .031 Cathedral Rocks, La Jolla .032 "Ocean Beach" .033 Seaside View at Del Mar .034 Escondido - Old Ranch House and Orange Orchard .035 View on Linda Lake, El Cajon Valley, 15 miles from San Diego .036 The Hotel at Murietta .037 Temecula Canon - 1. "The Big Curve", C.S.R.R. .038 Temecula Canon - 2. .039 Temecula Canon - 3. .040 Santa Margarita Ranch House, from the Vineyard .041 Courtyard, Couts' Estate, Guajome .042 View near Entrance to Bear Valley .043 View in San Pasqual Valley - Bernardo River .044 "Eagle's Nest" - Agua Caliente Mountains .045 Santa Rosa Mountains, near Elsinore .046 View from "The Glen" - Agua Tibia and Pala in Distance .047 San Jacinto Mountain .048 The Cajon Mountain, from the Northeast .049 Public School (Banner District) near mouth of San Felipe Canon .050 Home and Orchard of John Mitchell, Fall Brook .051 Agua Tibia - The Pond .052 Orchard and Home of James Madison, Julian .053 View at Elsinore Lake, West Side .054 Home and Orchard of Chester Gunn, Julian .055 West in Poway Valley .056 San Diego River, North of El Cajon .057 Cuyamaca Lake - Storage Water of San Diego Flume Co. .058 Diverting Dam, San Diego River - San Diego Flume Co. .059 Upper Valley of the San Diego River - "Capitan Grande" .060 Falls (146 ft.) East Branch of San Diego River .061 Santa Isabel Creek .062 Falls of Pauma Creek .063 View near Farm of Hubert Howe Bancroft, Spring Valley .064 Water Works of San Diego Town and Land Company .065 Gedney's Orchard, Mesa Grande .066 Public School, Spencer Valley, near Julian .067 Orchard and Farm of B.S. Scheckler, Cottonwood .069 Campo .070 Entrance to Colorado Desert, mouth of Mountain Springs Canon .071 Mountain Scenery, Agua Caliente - Overlooking Warner's Ranch .072 Indian Village. Agua Caliente .073 Indian Village and Church at Pauma, Upper San Luis Rey Valley
Date:
1887
1887
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Titre:
Study of human settlements
Study of human settlements
Numéro de référence:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Personnes et institutions:
Date:
1985-1993
1985-1993
Titre:
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Niveau de description archivistique:
Project
Project
Date:
1985-1993
1985-1993
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ernest Isbell Barott
Fonds Ernest Isbell Barott
Numéro de référence:
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
Personnes et institutions:
Date:
1912-1983
1912-1983
Titre:
Fonds Ernest Isbell Barott
Actions:
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
Fonds Ernest Isbell Barott
Actions:
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1912-1983
1912-1983
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Personnes et institutions:
Date:
[1800-1868]
[1800-1868]
Titre:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Niveau de description archivistique:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Professional papers
Professional papers
Numéro de référence:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Personnes et institutions:
Date:
circa 1950-2008
circa 1950-2008
Titre:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Personnes et institutions:
Date:
1953-2018
1953-2018
Titre:
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1953-2018
1953-2018
Personnes et institutions:
